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Descriptive Summary |
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| Repository: | Harry Ransom Humanities Research Center, University of Texas at Austin | |
| Creator | Lessing, Doris May | |
| Title | Doris Lessing Papers | |
| Dates: | 1940s-1999 | |
| Extent | 45 boxes, 9 galleys (18.9 linear feet) | |
| Abstract: | The papers include novels, short stories, and plays for stage, television, and film, non-fiction, works including adaptations, articles, essays, and lectures, as well as reviews of works of this British author. | |
| RLIN Record # | ||
| Language | English. | |
Purchase, 1999 (Reg. no. 14457)
Liz Murray, 1999
Open for research
This collection of Doris Lessing material, which she personally arranged in 33 numbered bundles, underwent a modest transformation and listing by the dealer, Bertram Rota, before shipment to the Ransom Center. The material is grouped by works as received, with some rearrangement to achieve alphabetical order. Included are novels, short stories, and plays for stage, television, and film, non-fiction, works including adaptations, articles, essays, and lectures, as well as reviews. Because Ms. Lessing did not retain most of her early manuscripts, this collection lacks much of her work from the 1950s and 1960s, such as The Grass Is Singing, the Children of Violence series, Going Home, The Habit of Loving, The Golden Notebook, A Man and Two Women, and African Stories. However, a few early plays and short stories are present. Her later publications are particularly well-represented including the Canopus in Argos series, her two autobiographies, and most recent novel Mara and Dann. Very little correspondence is present, except for exchanges with publishers A. A. Knopf, Jonathan Cape, and HarperCollins, as well as editors, agents, and personal mail, mostly pertinent to her publications and tours.
The collection is organized in two series: Series I. Works, 1940s-1999, and Series II. Reviews and Tours. The works encompass a variety of literary formats and are listed in a single alphabet. Whether a short story or a novel, Ms. Lessing composed directly on a typewriter, but did make extensive holograph corrections. Some of the corrections take the form of added sections which she paper-clipped to the typescript, usually as an overlay to the original passage. These have been left as received and the reader is cautioned to handle these manuscripts with care. Additionally, many pages have small tears and folds which require cautious handling. There are many versions of corrected typescripts, often identified as successive drafts. Production materials typically stem from Knopf editions; other publishers are indicated in the folder list where appropriate. Ms. Lessing's original folders with holograph descriptions are retained throughout.
Series II contains numerous reviews of Ms. Lessing's works which appeared in newspapers and magazines worldwide. The tours in this series document the trips she made in connection with books tours and to receive awards such as the 1982 Shakespeare Prize. She travelled extensively in the 1980s, visiting Europe, Africa, Japan, North America, Australia, and Argentina, often arranging to meet with students at various colleges and universities in addition to her other commitments.
Series I. Works, 1940s-1999 |
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| box | folder | ||||||||||||
| 1 | 1 | African Laughter, nonfiction, 1992 | |||||||||||
| 2-3 | "As I Was Walking up the High Street,"play, 1967 | ||||||||||||
| "Between Men,"play, adapted for television, 1967 | |||||||||||||
| box | folder | ||||||||||||
| 1 | 4-5 | Mimeograph stencils | |||||||||||
| 6 | Camera scripts | ||||||||||||
| 7 | Rehearsal scripts | ||||||||||||
| 8 | Michael Hasting's adaptation, first draft and preliminary sketch | ||||||||||||
| 2 | 1 | "The Black Madonna,"short story, late 1940s | |||||||||||
| 2 | "The Bones of the Dead,"play for television, 1967 | ||||||||||||
| Briefing for a Descent into Hell, novel, 1972 | |||||||||||||
| box | folder | ||||||||||||
| 2 | 3 | Notes | |||||||||||
| 4 | Setting copy | ||||||||||||
| Galley prints [removed to galley folder] | |||||||||||||
| Canopus in Argos: Archives, novel series | |||||||||||||
| Documents Relating to the Sentimental Agents in the Volyen Empire, 1983 | |||||||||||||
| box | folder | ||||||||||||
| 2 | 5-9 | Typescripts | |||||||||||
| 3 | 1 | Setting copy | |||||||||||
| The Making of the Representative for Planet 8, 1982 | |||||||||||||
| box | folder | ||||||||||||
| 3 | 2-4 | Typescript and galley prints [galleys removed to galley folder] | |||||||||||
| 5 | Copy edited manuscript | ||||||||||||
| 6 | Setting copy | ||||||||||||
| The Marriages between Zones Three, Four, and Five, 1980 | |||||||||||||
| box | folder | ||||||||||||
| 4 | 1-3 | Typescript and galley prints [galleys removed to galley files] | |||||||||||
| 4 | Setting copy | ||||||||||||
| Re: Colonised Planet 5, Shikasta, 1979 | |||||||||||||
| box | folder | ||||||||||||
| 4 | 5-6 | Typescripts and galley prints [galleys removed to galley files] | |||||||||||
| 5 | 1-5 | Typescripts, cont'd | |||||||||||
| 6 | 1-2 | Setting copy | |||||||||||
| 3 | Correspondence with Knopf and editorial notes | ||||||||||||
| 4 | Uncorrected proof, Jonathan Cape edition | ||||||||||||
| The Sirian Experiments, 1981 | |||||||||||||
| box | folder | ||||||||||||
| 6 | 5-7 | Typescript and galley prints
[galleys removed to galley files] |
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| 7 | 1-4 | Typescripts, cont'd | |||||||||||
| 5 | Rewrites? | ||||||||||||
| 6-7 | Setting copy | ||||||||||||
| 8 | 1 | "Care and Protection,"play for television, 1966 | |||||||||||
| 2 | Rehearsal script | ||||||||||||
| Diary of a Good Neighbour, [Jane Somers] novel, 1983 | |||||||||||||
| box | folder | ||||||||||||
| 8 | 3-6 | Typescripts | |||||||||||
| 9 | 1-3 | Typescripts, cont'd | |||||||||||
| 4-5 | Mockup page layout | ||||||||||||
| The Doris Lessing Reader, anthology, 1988; | |||||||||||||
| box | folder | ||||||||||||
| 9 | 6 | Setting copy | |||||||||||
| 10 | 1-2 | Setting copy, cont'd | |||||||||||
| 3-4 | Page proofs, roughs | ||||||||||||
| 11 | 1 | Page proofs, roughs, cont'd | |||||||||||
| 2-3 | "Each His Own Wilderness,"play, ca. 1958 | ||||||||||||
| 4 | "Events in the Skies,"essay, ca. 1987 | ||||||||||||
| The Fifth Child, novel, 1988 | |||||||||||||
| box | folder | ||||||||||||
| 11 | 5-6 | Typescripts | |||||||||||
| 7 | Setting copy | ||||||||||||
| 8 | First pass page proofs | ||||||||||||
| 12 | 1 | Repros | |||||||||||
| 2 |
"The Fifth Child,"screenplay by Ruth
Graham,
1992;
never produced |
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| 3-6 | The Four-Gated City, novel, vol. 5 of Children of Violence, setting copy, 1969 | ||||||||||||
| The Good Terrorist, novel, 1985 | |||||||||||||
| box | folder | ||||||||||||
| 13 | 1-6 | Typescripts | |||||||||||
| 14 | 1-3 | Typescripts, cont'd | |||||||||||
| 4 | Advance proof copy | ||||||||||||
| 5 | "The Grass is Singing, "adapted for radio by Michael Kittermaster, first draft, produced 1976 | ||||||||||||
| "The Habit of Loving (Love Story)," adapted for television, 1963 | |||||||||||||
| box | folder | ||||||||||||
| 14 | 6-8 | Typescripts | |||||||||||
| 9 | Camera script, file copy | ||||||||||||
| 15 | 1 | Camera script, marked "Catherine" | |||||||||||
| 2 | Rehearsal script with rehearsal schedule | ||||||||||||
| 3 | Discarded pages | ||||||||||||
| 4 | Spanish version, 1964 | ||||||||||||
| 5-8 | If the Old Could..., [Jane Somers] novel, 1984 | ||||||||||||
| 16 | 1-4 | "Impertinent Daughters"and "My Mother's Life,"articles; 1984-86, 1991 | |||||||||||
| 5 | "Inside Outside,"synopsis for television script, 1966 | ||||||||||||
| 6 | "The Italian Sweater,"short story, nd | ||||||||||||
| 7 | "Johnny's Luck,"very early play, never produced | ||||||||||||
| Lectures | |||||||||||||
| box | folder | ||||||||||||
| 16 | 8-10 | Massey Lectures, CBC Canada, 1985 | |||||||||||
| 17 | 1 | "Opinions," Spring 1985 | |||||||||||
| 2 | Tanner Lectures, Clare Hall, Cambridge, 1982-1983 | ||||||||||||
| 3-5 |
London Observed (American title:
The Real Thing), short stories,
1992
page proofs |
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| 6 | "Among the Roses" | ||||||||||||
| 7 | "Casualties" | ||||||||||||
| 8 | "D.H.S.S." | ||||||||||||
| 18 | 1-2 | "Debbie and Julie" | |||||||||||
| 3 | "Her" | ||||||||||||
| 4 | "In Defense of the Underground" | ||||||||||||
| 5 | "The Mother of the Child in Question" | ||||||||||||
| 6 | "The New Café" | ||||||||||||
| 7 | "The Pit" | ||||||||||||
| 8 | "Pleasures of the Park" | ||||||||||||
| 9 | "Principles" | ||||||||||||
| 10-11 | "The Real Thing" | ||||||||||||
| 19 | 1 | "Romance 1988" | |||||||||||
| 2 | "Sparrows" | ||||||||||||
| 3 | "Storms" | ||||||||||||
| 4 | "Two Old Women and a Young One" | ||||||||||||
| 5 | "What Price the Truth?" | ||||||||||||
| 6 | "Womb Ward" | ||||||||||||
| 7 | Manuscript fragments | ||||||||||||
| 8 | Related publisher's correspondence | ||||||||||||
| Love, Again, novel, Harper Collins, 1996 | |||||||||||||
| box | folder | ||||||||||||
| 20 | 1-7 | Typescripts | |||||||||||
| 21 | 1-2 | Copy edited version for U.S. readers | |||||||||||
| 3-4 | Author's proof | ||||||||||||
| 5 | Edited proof with editorial correspondence | ||||||||||||
| 22 | 1 | Edited proof (cont'd) | |||||||||||
| 2-3 | Editor's proofs | ||||||||||||
| 4 | Uncorrected proofs, 10 Aug. 1995 | ||||||||||||
| 5 | Foul matter for manuscripts and proofs | ||||||||||||
| Mara and Dann, novel, 1999 | |||||||||||||
| box | folder | ||||||||||||
| 23 | 1-6 | Typescripts | |||||||||||
| 24 | 1-6 | Typeset versions | |||||||||||
| Proofs | |||||||||||||
| box | folder | ||||||||||||
| 25 | 1-3 | Author's corrections | |||||||||||
| 4-6 | Editor's corrections | ||||||||||||
| 7 | Corrected pages | ||||||||||||
| 8 | Publisher's correspondence | ||||||||||||
| "Maria,"play, first draft, nd | |||||||||||||
| box | folder | ||||||||||||
| 25 | 9 | Typescript | |||||||||||
| 26 | 1-5 | Typescripts, cont'd | |||||||||||
| Maupassant Television series, 1962-63 | |||||||||||||
| box | folder | ||||||||||||
| 26 | 6-8 | Scripts, adapted by DL, Hugh Leonard, and Stanley Miller | |||||||||||
| 27 | 1-2 | Scripts, cont'd | |||||||||||
| The Memoirs of a Survivor, novel, 1975 | |||||||||||||
| box | folder | ||||||||||||
| 27 | 3 | Uncorrected, bound typescript; photocopy | |||||||||||
| 4 | Setting copy | ||||||||||||
| 5 | Screenplay
2 versions |
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| 28 | 1-2 | "Mr. Dollinger,"play scripts, 1958? | |||||||||||
| 3 | "My Father,"article, 1963 | ||||||||||||
| 4 | "No Witchcraft for Sale,"short story, ca. 1951 | ||||||||||||
| 5 | "One Off the Short List,"short story, nd | ||||||||||||
| 6 | Particularly Cats...and Rufus, page proofs, 1991 | ||||||||||||
| "Play with a Tiger," late 1950s? | |||||||||||||
| box | folder | ||||||||||||
| 28 | 7 | Play scripts | |||||||||||
| 8 | Czech version | ||||||||||||
| 29 | 1-4 | Adapted for television, 1967-68 | |||||||||||
| 5 | Correspondence | ||||||||||||
| 6 | "Playing the Game," treatment for a graphic novel, nd | ||||||||||||
| 7 | Reviews by DL | ||||||||||||
| 8 | "Rufus, the Survivor," short story, nd | ||||||||||||
| "The Silent Man" | |||||||||||||
| box | folder | ||||||||||||
| 29 | 9 | Play for television | |||||||||||
| 10 | Story outline for a film | ||||||||||||
| 30 | 1-2 | Film outline, cont'd | |||||||||||
| 3 | Treatment for a film, 1963 | ||||||||||||
| 4 | "The Singing Door,"play, 1971 | ||||||||||||
| 5 | A Small Personal Voice: Essays and Reviews, setting copy, 1974 | ||||||||||||
| 6 | "The Stare,"short story, nd | ||||||||||||
| "The Storm,"by Ostrovsky; a version by DL | |||||||||||||
| box | folder | ||||||||||||
| 30 | 7-8 | Typescripts | |||||||||||
| 9 | Scripts for the National Theatre production | ||||||||||||
| 10 | The Story of a Non-Marrying Man and Other Stories, page proofs, Jonathan Cape, 1972 | ||||||||||||
| 31 | 1-6 | The Summer before the Dark, novel, 1972 | |||||||||||
| 32 | 1 |
"A Sunrise on the Veld," short story,
nd,
photocopy of printed version |
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| 2-3 | The Temptation of Jack Orkney and Other Stories, setting copy, 1972 | ||||||||||||
| 4 | Edited pages and notes | ||||||||||||
| 5 | "Lions, Leaves, Roses...." | ||||||||||||
| 6 | "Mrs. Fortescue" | ||||||||||||
| 7 | "Not a Very Nice Story" | ||||||||||||
| 8 | "An Old Woman and Her Cat" | ||||||||||||
| 9 | "The Other Garden" | ||||||||||||
| 10 | "Out of the Fountain" | ||||||||||||
| 11 | "A Report on the Threatened City" | ||||||||||||
| 12 | "Side Benefits of an Honourable Profession" | ||||||||||||
| 13 | "Spies I Have Known" | ||||||||||||
| 14 | "The Story of a Non-Marrying Man" | ||||||||||||
| 15 | "An Unposted Love Letter" | ||||||||||||
| 16 | "The Thoughts of a Near-Human" | ||||||||||||
| 17 | "Through the Tunnel" from The Habit of Loving, reprinted for Advanced English curriculum | ||||||||||||
| "The Truth about Billy Newton," play, 1961 | |||||||||||||
| box | folder | ||||||||||||
| 33 | 1-2 | Typescripts | |||||||||||
| 3 | Scripts | ||||||||||||
| 4 | Rehearsal scripts | ||||||||||||
| 5-7 | "£20,000 of Love," play, nd | ||||||||||||
| 8 | "Twenty Years," short story, nd | ||||||||||||
| 9 | "Un Homme et Deux Femmes," script by René Féret, nd | ||||||||||||
| 34 | 1-2 | Under My Skin, autobiography, 1994 | |||||||||||
| Walking in the Shade, autobiography, 1997 | |||||||||||||
| box | folder | ||||||||||||
| 34 | 3-6 | Typescripts | |||||||||||
| 35 | 1-7 | Typescripts, cont'd | |||||||||||
| 36 | 1 | Typescripts, cont'd | |||||||||||
| 2-5 | Penultimate version | ||||||||||||
| 6 | Copy edited version | ||||||||||||
| 37 | 1-2 | Copy edited version, cont'd | |||||||||||
| 3-5 | Setting copy, HarperCollins | ||||||||||||
| 38 | 1-2 | Page proofs, 3/17/97 | |||||||||||
| 3-4 | Author's set | ||||||||||||
| 5 | Edited proofs, 5/12/97 | ||||||||||||
| 39 | 1 | Edited proofs, cont'd | |||||||||||
| 2 | Notes and related material | ||||||||||||
| 3-4 | "The White Princess," unproduced play, nd | ||||||||||||
| Material on Afghanistan for
The Wind Blows Away Our Words,
nonfiction,
1987;
includes "Her Long Hair Streaming Loose" and New Yorker article, "The Catastrophe" |
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| box | folder | ||||||||||||
| 39 | 5-7 | Typescripts and related material | |||||||||||
| 40 | 1-9 | Typescripts and related material, cont'd | |||||||||||
| 41 | 1-4 | "Woman Alone," unproduced film, 1965 | |||||||||||
Series II. Reviews and Tours |
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| box | folder | ||||||||||||
| 41 | 5-6 | Reviews of DL's works | |||||||||||
| 42 | 1-5 | Reviews, cont'd | |||||||||||
| 43 | 1-2 | Reviews, cont'd | |||||||||||
| Tours, 1981-1990 | |||||||||||||
| box | folder | ||||||||||||
| 43 | 3 |
1981
France |
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| 4-5 |
1981-82
Germany, Shakespeare Prize |
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| 1982 | |||||||||||||
| box | folder | ||||||||||||
| 44 | 1 | Africa | |||||||||||
| 2 | Europe, mostly Scandinavia | ||||||||||||
| 3-4 | Japan | ||||||||||||
| 5 |
1983
Spain |
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| 45 | 1-2 |
1984
United States and Canada |
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| 3-4 |
1985
Australia |
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| 5 |
1985
Norway |
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| 6 |
1989-90
United States, Argentina, Germany, and France |
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