Tom Stoppard:
An Inventory of His Papers at the Harry Ransom Humanities Research Center
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| Repository: | Harry Ransom Humanities Research Center, University of Texas at Austin | |
| Creator: | Stoppard, Tom | |
| Title: | Tom Stoppard Papers | |
| Dates: | 1939-2000 (bulk 1970-2000) | |
| Extent: | 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) | |
| Abstract: | The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. | |
| RLIN Record #: | TXRC94-A2 | |
| Language | English. | |
Administrative Information
Acquisition
Purchases and gifts, 1991-2000
Processed by
Katherine Mosley, 1993-2000
Restrictions
Access
Open for research
Biographical Sketch
Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol.
Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). Having developed a specialization in film and theatre criticism, in 1960 Stoppard became a free-lance journalist, writing critical articles and, for the Daily Press, two pseudonymous weekly columns. By the end of the year, he had completed his first full-length play, A Walk on the Water (later produced on stage in 1968 as Enter a Free Man), and acquired an agent, Kenneth Ewing of Fraser and Dunlop Scripts. He also wrote a short piece, The Gamblers, which was eventually performed by the University of Bristol drama department in 1965. Stoppard has referred to this as his "first" play in that he claims A Walk on the Water was an unoriginal composite of several plays he admired. Over the next few years, Stoppard wrote various works for radio, television, and the theatre. Among these were "M" Is for Moon among Other Things (1964), A Separate Peace (1966), and If You're Glad I'll Be Frank (1966). A Walk on the Water had been broadcast on ITV Television in 1963 and on BBC-TV in 1964, and Stoppard wrote many episodes of the radio serial A Student's Diary: An Arab in London (1966-67). In addition, three short stories were published by Faber and Faber in the anthology, Introduction 2: Stories by New Writers (1964).
From September 1962 until April 1963, Stoppard worked in London as a drama critic for Scene, writing reviews and interviews both under his name and under the pseudonym William Boot (taken from Evelyn Waugh's Scoop). In 1963, he began writing his only novel, Lord Malquist and Mr. Moon. The names Boot and Moon recur in many of Stoppard's works, generally with Boot being a character who makes things happen and Moon being a character to whom things happen.
While participating in a colloquium sponsored by the Ford Foundation in Berlin in 1964, Stoppard wrote a one-act play that later became Rosencrantz and Guildenstern Are Dead. The play, which focuses on two minor characters from Hamlet, examines the ideas of fate and free will. In August 1966, Rosencrantz and Guildenstern Are Dead was performed by Oxford University students as part of the Edinburgh Festival fringe, and, at the same time, Stoppard's only novel was published; to Stoppard's surprise, it was the play that succeeded, establishing his reputation as a playwright. When the play, having caught the attention of Kenneth Tynan, was performed by the prestigious National Theatre Company at the Old Vic in London in 1967, it received immediate and widespread acclaim. Stoppard, at age 29, was a major success.
Of Stoppard's plays written over the next ten years, Jumpers, produced in 1972, and Travesties, produced in 1974, are among the best known. Dirty Linen and New-Found-Land (1976) was written for Ed Berman, founder of the Inter-Action community arts organization, on the occasion of his being granted British citizenship.
By 1977, Stoppard had become concerned with human rights issues, in particular with the situation of political dissidents in Eastern Europe and the Soviet Union. In February 1977, he visited Russia with a member of Amnesty International. In June, Stoppard met Vladimir Bukovsky in London and traveled to Czechoslovakia, where he met Václav Havel. Stoppard became involved with Index on Censorship, Amnesty International, and the Committee against Psychiatric Abuse and wrote various newspaper articles and letters about human rights. He organized a Roll Call, or reading of names of Soviet refuseniks, at the National Theatre in 1986.
Stoppard's political concerns surfaced in his work. Every Good Boy Deserves Favour (1977) was written at the request of André Previn and was inspired by a meeting with Russian exile Viktor Fainberg. The play, about a political dissident confined to a Soviet mental hospital, is accompanied by an orchestra using a musical score composed by Previn. Professional Foul is a television play that Stoppard wrote over a period of three weeks as a contribution to Amnesty International's declaration of 1977 as Prisoner of Conscience Year.
Subsequent major stage plays by Stoppard include Night and Day (1978), The Real Thing (1982), Hapgood (1988), Arcadia (1993), Indian Ink (1995), which was based upon his radio play In the Native State (1991), and Invention of Love (1997).
In addition to his original stage plays, Stoppard has written original screenplays, teleplays, and radio plays, as well as adaptations for the stage and screen. His screenplay of Brazil, coauthored with Terry Gilliam and Charles McKeown, was nominated for an Academy Award in 1985; Shakespeare in Love, a screenplay co-written with Marc Norman, won that award in 1999. Other well-known screenplays by Stoppard include Empire of the Sun (1987, adapted from the novel by J. G. Ballard), The Russia House (1989, adapted from the novel by John le Carre), and Billy Bathgate (1991, adapted from the novel by E. L. Doctorow), as well as a film version of his own Rosencrantz and Guildenstern Are Dead (1991) that won the Grand Prize at the Venice Film Festival. Stoppard also sometimes reads and contributes to scripts by other writers for directors Kathleen Kennedy, Mike Nichols, and Steven Spielberg. Among teleplays by Stoppard, the best known is Squaring the Circle: Poland, 1980-81, a fictional documentary about the history of Solidarity.
The Dissolution of Dominic Boot (1964), Stoppard's first radio play, was the basis for his teleplay The Engagement (1970). Albert's Bridge, produced by the BBC in 1967, won the Prix Italia. Other successful radio plays by Stoppard include Artist Descending a Staircase (1972), The Dog It Was That Died (1982), and In the Native State (1991).
Tom Stoppard has established an international reputation as a writer of "serious comedy"; his plays are plays of ideas that deal with philosophical issues, yet he combines the philosophical ideas he presents with verbal wit and visual humor. His linguistic complexity, with its puns, jokes, innuendo, and other wordplay, is a chief characteristic of his work. In recognition of his achievements, Stoppard was knighted in 1997.
Stoppard has been married twice, to Jose Ingle (1965-72), a nurse, and to Miriam Moore-Robinson (1972-92), the head of a pharmaceutical company, and he has two sons from each marriage.
More information about Stoppard and his work may be found in Contemporary Authors: New Revision Series, vol. 39 (1993); Dictionary of Literary Biography, vols. 13 (1982) and 233 (2001); "Ambushes for the Audience: Towards a High Comedy of Ideas" in Theatre Quarterly (vol. 4, no. 14, 1974); "Profiles: Withdrawing with Style from the Chaos," by Kenneth Tynan in the New Yorker (19 December 1977); and "Tom Stoppard: His Life and Career Before Rosencrantz and Guildenstern," by John Fleming in The Library Chronicle, vol. 26, no. 3 (1996).
Scope and Contents
The Stoppard papers consist of typescript and holograph drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; certificates; artwork; minutes of meetings; and publications, all ranging in date from 1939 to 2000, but primarily from 1970 to 2000. The material is organized in five series: Works (1962-2000, nd, 114.5 boxes), Works about Stoppard (1974-81, nd, 2.5 boxes), Correspondence (1954-93, 21.5 boxes), Legal and Personal Material (1944, 1966-72, 1987, nd, 8 boxes) and Works by Other Authors (1975-78, nd, 2.5 boxes).
Nearly all of Stoppard's major plays, screenplays, teleplays, and radio plays are represented in some form, along with many of his lesser-known works and some that were never produced. Stoppard's short stories are not well documented in the collection, although his only novel, Lord Malquist and Mr. Moon, is represented. For many works, materials from first or early drafts through various revisions, production, further revisions, and publication are present, reflecting Stoppard's practice of rewriting passages of his work continuously. Many of the typescripts are the result of Stoppard's dictation to a typist via cassette tape. Stoppard's revision process continues even after a play has begun production and been published. Page proofs, galleys, and typesetting copy typescripts show changes made in subsequent editions after the initial publication of a work.
For many of the works represented in the collection, Stoppard has maintained correspondence files, including production files and fan mail, separate from his general correspondence files, although similar materials may be found in both locations. Correspondence filed under a title usually consists of letters from people involved in various phases of a production, or from people praising or commenting upon the work. Reviews and articles about a work accompany the manuscripts, and are located under that title. When Stoppard collaborates with other writers, he works with them on a sequential basis rather than concurrently, and his amount of involvement varies by situation. Stoppard often is involved in film projects anonymously. For example, he often provides input on scripts sent to him by Stephen Spielberg, Mike Nichols, and Kathleen Kennedy.
Stoppard's career as a journalist is not as well documented in the collection as his playwriting career. However, through the years Stoppard has continued to write occasional pieces for various periodicals, and many of those are present. Folders of reviews and articles by Stoppard, some accompanied by letters from editors, are located at the end of the Works series. Additional articles by Stoppard about political issues are located in his "Russia File" in the Correspondence series. Most correspondence from editors of periodicals is housed with the general correspondence.
Correspondence in the collection relates almost exclusively to Stoppard's career rather than to his personal life. Most of the correspondence is letters from people involved in productions of his plays, as well as translators, journalists, periodical editors, fellow playwrights, and admirers of his work. Nearly all of the letters have brief notations, made mainly by Stoppard and his secretary Jacky Matthews, recording any responses. Photocopies of some outgoing letters, usually dictated by Stoppard to his secretary, are housed with the incoming correspondence. Of particular interest is Stoppard's correspondence with Anthony C. H. Smith; covering an approximate 30-year span, these letters trace Stoppard's writing career from its beginning. Letters from Stoppard's agent, Kenneth Ewing, cover the years 1962-87 and also follow the rise of Stoppard's career. Correspondence from Faber and Faber, Stoppard's primary publisher, discusses publication of Stoppard's books and includes printed dust jackets. Other significant correspondents include Ed Berman, Dirk Bogarde, Noël, Carr, Michael Codron, Guy Dumur, Lady Antonia Fraser, Michael Frayn, David Hare, Glynn Boyd Harte, Michael Horovitz, Ilya Levin, Bryan Magee, Trevor Nunn, Laurence Olivier, Harold Pinter, Ned Sherrin, and Kenneth Tynan. All correspondents in the Stoppard collection may be found in the Index of Correspondents.
Stoppard's interest in human rights issues is reflected throughout the collection. Correspondence with many human rights organizations, files on Czechoslovakia and Russia, and material from his work organizing the Roll Call at the National Theatre reveal the extent of his involvement in these issues. Through his contacts with political dissidents, Stoppard became friends with Czechoslovakian playwright and politician Václav Havel. Correspondence with and about Havel, copies of his works, and material from Stoppard's translation of Havel's Largo Desolato were originally grouped together. The correspondence has been separated and added to the Correspondence series, while Largo Desolato material has been housed with other works by Stoppard. Translations of Havel's The Beggar's Opera and The Conspirators are located in the Works by Other Authors series, along with works by Christopher Figg, Tomás Gartland, Tony Harrison, Vladimir J. Konecni, David Mamet, James Saunders, Peter Shaffer, Anthony C. H. Smith, Stephen Sondheim, and others.
Few original materials relating to Stoppard's personal life are present in the collection, although some letters to his parents, photocopies of marriage, divorce, and birth certificates, memorabilia, and photographs are present. The collection does provide information about Stoppard's interests in cricket, chess, fishing, and other subjects. For example, Harold Pinter arranged cricket matches with Stoppard through correspondence, while Anthony Smith, his wife, and Stoppard used their letters to each other to play chess. Similarly, typescript and printed copies of interviews, Stoppard's responses to various requests, and correspondence about production disputes provide insights into Stoppard's character and personality. Stoppard's interest in Ernest Hemingway, as well as his ability to form friendships quickly, can be seen in correspondence with Joan St. C. Crane of the University of Virginia, Carol (Mrs. Patrick) Hemingway, and Margie (Mrs. Louis Henry) Cohn of House of Books.
Additions to the collection are expected. Other manuscripts relating to Stoppard at the HRHRC may be found in the Gordon Dickerson, David Hare, Francis Henry King, London Magazine, Harold Pinter, and James Saunders papers.
Related Material
The following items have been removed from the collection and housed with the Center's Personal Effects holdings:
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Every Good Boy Deserves Favour needlepoint, nd
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Rosencrantz & Guildenstern Are Dead ball and cup, "Zagreb 1990"
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Silver cricket bat charm, with stone inlays and engraved on the back: "Tom from Henry & Annie New York 5-1-84 Keep nudging..."
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Silver airplane tie clip
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Ivory letter-opener in the form of a cricket bat
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Fishing flies attached to label "777W72 Gareth & Keeyard "(?)
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Silver skiing medallion "Offert Par Les Skis Rossignol" (in box)
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White t-shirt with purple "Playbill Lincoln Center Theater Hapgood " logo
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Glass paperweight, "The First New York International Festival of the Arts June 11-July 11, 1988 Music, Dance, Theatre, Film and Television of the 20th Century"
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Framed cartoon by "Marc," captioned "He's deeply depressed-he got a brilliant review in the Sunday Times, " Nov. 1978
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Miniature Liberty Bell "presented to Stoppard by Mayor Edward G. Rendell, City of Philadelphia, February 7, 1996"
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Presentation key engraved "Terry Hands," in pouch inscribed "Taormina Arte"
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Graduation hood for honorary degree bestowed by the University of York, with accompanying letter from robe makers Ede and Ravenscroft, 1984
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Antoinette Perry award for The Real Thing, 1984
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International Film & Television Festival of New York award, 1984 (medallion, in box)
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Drama Desk Award, "1983 1984 Outstanding New Play The Real Thing By Tom Stoppard" (two metal plates mounted on wooden blocks)
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Lincoln Center Theater "Joan Cullman Award for Extraordinary Creativity Tom Stoppard Hapgood 1995 Arcadia " (bronze award in box)
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Los Angeles Drama Critics Circle award for Distinguished Achievement, "1997 Writing, Tom Stoppard, Arcadia, Center Theatre Group/Mark Taper Forum" (plaque)
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Las Vegas Film Critics Society's 1998 Sierra Award to: "Tom Stoppard, Best Screenplay Shakespeare in Love " (plaque)
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Broadcasting Press Guild Television Awards "1977 Best Single Play Professional Foul by Tom Stoppard, Produced by Mark Shivas, Directed by Michael Lindsay-Hogg for BBC-2" (framed award certificate)
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"The British Academy of Film and Television Arts Certificate of Award The Council hereby certifies that Tom Stoppard won the British Academy Award for Outstanding Achievement During 1977 in the Category Best Script Presented at the Wembley Conference Centre, May 16 1978" (framed certificate)
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"Nomination Antoinette Perry Award Best Play Arcadia, Author: Tom Stoppard, Producer: Lincoln Center Theater, André Bishop, Bernard Gersten, 1994-1995, The American Theatre Wing, Inc. and The League of American Theaters and Producers, Inc." (framed certificate)
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University of London Doctor of Literature honorary degree certificate, 9 June 1982, program of the proceedings, and text of introductory speech (all in embossed degree holder tube)
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Brunel University honorary degree certificate, 18 Dec. 1979, and text of introductory speech (in embossed degree holder tube)
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"Oh! Look what I've got on my plate!" ceramic plate painted with titles of early works by Stoppard, [ca. 1977]
The following have been removed from the collection and are housed with the Center's film holdings:
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Thirteen "Master" Beta videotapes of the Roll Call at the National Theatre, 1986
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Six audio tape reels of the Roll Call at the National Theatre, 1986
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VHS videotape of the University of Hull degree conferment, 1998
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VHS videotape of the University of York honorary degree conferment, 1984
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Fragments of film showing the making of the film Rosencrantz & Guildenstern Are Dead, [1990]
Three original watercolors of Victorian postcards, ca. 1898, have been removed from the collection and housed with the Center's Art Collection. One is labeled "Isle of Wight" by "John Renage"
A bust of Stoppard by Alan Thornhill is on display in the Center's Reading Room.
In addition, printed editions of Stoppard's works in a variety of languages have been removed from the collection and are cataloged with the Center's book holdings, as is a publication about Costas Tsoclis' "Ark" project that had accompanied correspondence regarding that project.
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| Note to Researchers | ||
| This finding aid for the Stoppard papers is a conflation of the five finding aids that were created for the original collection received in 1991 and 1993, and for four accretions that were described separately, received in 1994-1996, and 1998-1999. Materials added to the collection over time have not been physically interfiled for the most part, but the series descriptions and folder list group materials relating to a specific work or topic regardless of when they were received by the Center. | ||
Index Terms
Correspondents
Organizations
Subjects
Document Types
Container List
Series I. Works,
ca. 1960-2000,
nd
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The series is divided into two subseries: Original Works and Adaptations; and Reviews, Articles, and Lectures. |
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The Original Works and Adaptations subseries, arranged alphabetically by title and within title by genre, consists of typescript and holograph manuscripts, revision pages, outlines and notes, page proofs, galley proofs, printed pages and books, theatre programs, production materials, photographs and negatives, posters, advertising material, clippings, correspondence, and awards. |
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Nearly all of Stoppard's plays, screenplays, teleplays, and radio plays are represented in some form, some quite extensively. Because Stoppard continuously revises his works, even after they are produced and published, many variant versions are present. Stoppard's original labeling of manuscript versions has been retained and is indicated in the folder list with single quotation marks. In keeping with Stoppard's original filing system, some correspondence regarding a work is housed with that work, while similar letters regarding works are housed with general correspondence in the Correspondence series. Clippings, primarily reviews collected by Stoppard's parents, and numerous posters and programs from domestic and international productions cover nearly all of Stoppard's major works. Works particularly well represented in the collection include Arcadia, Cats, Empire of the Sun, Hapgood, Hopeful Monsters, Indian Ink, The Real Thing, Rosencrantz and Guildenstern Are Dead, and Travesties. |
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Among early manuscripts by Stoppard are holograph and typescript drafts of his only novel, Lord Malquist and Mr. Moon; a short play, The Gamblers, which he refers to as his first "original" play; and Higg and Cogg, which was performed with The Gamblers by the University of Bristol drama department. Reviews of those works are also present. Stoppard's first full-length play, A Walk on the Water, which was produced as a teleplay, staged in Hamburg, adapted for broadcast as a radio play, and eventually revised for a London stage production as Enter A Free Man, is represented by typescripts, a shooting schedule, programs, clippings, and page proofs. Stoppard originally wrote Rosencrantz and Guildenstern Are Dead as a one-act play about the characters from Hamlet meeting the mad King Lear when they arrive in England. Among very early versions of Rosencrantz and Guildenstern in the collection is a mimeograph typescript of Rosencrantz and Guildenstern Meet King Lear. Rosencrantz and Guildenstern is a good example of the many forms of material present in the collection for a single title; in addition to items relating to various productions of the play, there are also materials from the 1978 and 1983 radio productions, an unproduced 1968 screenplay, the film that was eventually produced in 1991, and page proofs of various Faber and Faber editions of the published work. |
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Jumpers material consists of typescripts, correspondence, theatre programs, posters, and clippings from various productions, as well as a reproduction of a drawing by William Hewison, sheet music, page proofs, and a French translation by Jacques De Decker. The author's notes to translators accompanies one of several early Travesties drafts, and typescripts showing revisions made for the 1993 production are also present. Among other Travesties materials are a memo from Stoppard to directors, clippings of articles and reviews, profit sheets, photographs, posters, programs, and an ink caricature drawn by William Hewison for Punch. Letters from Noël Carr, widow of Henry Carr, are among correspondence about the play. In addition, there are German translations of the play by Hilde Spiel, correspondence regarding a German production of the play, and an incomplete draft of an opera by Bolen High. Night and Day is represented by various drafts, programs, posters, production notes, articles and reviews, and correspondence, including correspondence relating to a German production. A German translation of the play by Hilde Spiel is also present, as are typescripts and page proofs of various printed editions and drafts of a screenplay based on the play. |
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Many manuscripts relating to one of Stoppard's most popular plays, The Real Thing, are present; of particular note are performance notes; drafts of revisions made for the 1984 American production; photographs; posters; and production correspondence, including lists of casting possibilities, rehearsal schedules, touring schedules, cast lists and other company information, correspondence with actors, directors, and others, congratulatory notes, telegrams, and fan mail. Page proofs, galleys, and typescripts of various published editions trace many of the revisions made to the play over the years. A proposed précis by Otis Guernsey for The Best Plays of 1983-84 and related correspondence are also included, as are French and Italian translations. Stoppard's Tony Award for the play is housed with the Center's personal effects collection. A typescript for a radio broadcast of The Real Thing is also present. Notable Hapgood manuscripts include numerous revision pages, production correspondence, fan mail, a printed teacher's handbook, and corrected page proofs of the 1988 and 1994 Faber and Faber editions of the play. Draft fragments from an abandoned film adaptation are also present. |
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Among Hapgood correspondence are letters between Stoppard and J. C. Polkinghorne discussing physics and physicists. |
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Of Stoppard's more recent plays, Arcadia and Indian Ink are the most heavily represented. Numerous drafts, production materials, photographs, tickets, programs, posters, correspondence, and page proofs from both works are present. In addition, there are typescripts from the radio production of Arcadia. |
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Manuscripts of Stoppard's radio play In the Native State, the precursor to Indian Ink, include drafts, clippings, awards, and correspondence. Among drafts and translations of the radio play Artist Descending a Staircase are those used to enter the play in the Italia Prize. In addition, that work was later adapted for the stage, and drafts, programs, and posters from the production are present. |
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Materials relating to the screenplay of Rosencrantz and Guildenstern Are Dead consist of typescripts, trailer notes, preliminary production notes, filming notes, cue sheets, photographs, correspondence, financial files, and advertising material, including rejected layout ideas. Among other screenplays represented in the collection are Brazil, Empire of the Sun, The Russia House, Billy Bathgate, and Shakespeare in Love. Besides various drafts of Brazil, there are a plot outline and synopsis by Terry Gilliam and production material, including correspondence showing the problems that arose as a result of the collaboration between Stoppard, Gilliam, and Charles McKeown. Empire of the Sun materials consist of numerous drafts, a shooting script, production memos, correspondence regarding script revisions and other production matters, research photographs of Shanghai, and production photographs. Included in production correspondence are letters between Stoppard and the Writers Guild of America relating to a writing credit dispute that Stoppard eventually won. The Russia House materials comprise typescripts and a production file of correspondence with Fred Schepisi about script revisions. Drafts and correspondence for Billy Bathgate are present, as are drafts, clippings, awards programs, and some correspondence relating to Shakespeare in Love. |
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Screenplays present in the collection that were never produced include Hopeful Monsters (based upon the book by Nicholas Mosley), Cats (an animated screenplay adaptation of the musical by Andrew Lloyd Webber), Innocent Blood (from the novel by P. D. James), Knuckle (an adaptation of the play by David Hare), Galileo, and The Frog Prince (based upon John Collier's short story). Also noteworthy are drafts of filmscripts for Stoppard's popular radio play Albert's Bridge and his novel Lord Malquist and Mr. Moon. Uncredited revisions of screenplays by other authors include those for Always, Chaplin, Indiana Jones and the Last Crusade, Medicine Man, Schindler's List, and Sleepy Hollow. |
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Stoppard's well-known teleplay Squaring the Circle: Poland, 1980-81 is represented by background research, multiple drafts, notes on revisions, and a correspondence and production file. Drafts of the introduction to the Faber and Faber text and correspondence with director Mike Hodges, Stephen Schlow and Dale Sheets of Metromedia, and James Gatward of TVS provide information about a dispute with Metromedia regarding changes to the film for the American market. Poodle Springs was a made-for-television film of Robert Parker's Philip Marlowe book; correspondence and numerous drafts from that project are present. |
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The second subseries is comprised primarily of clippings, typescript and holograph drafts, and galleys of reviews and articles by Stoppard on a variety of topics. Some of these are accompanied by correspondence from the editors of periodicals in which they were published. Lecture material is also located in this subseries and includes notes, drafts, correspondence, programs, and advertisements. |
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| Subseries A: Original Works and Adaptations, (A-Q) 1962-2000 | |||||||||||||
| A.O.P. --Proposed screenplay, never produced | |||||||||||||
| box-folder | |||||||||||||
| 1.1 | "Film Outline," photocopy typescripts, May 1984 | ||||||||||||
| 69.1 | Photocopy typescript memo summarizing Warner Brothers agreement, 14 Aug. 1984 | ||||||||||||
| After Magritte | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 1.2 | Incomplete typescript draft with holograph
revisions,
nd
With holograph revision pages and notes, Aug.-Sept., nd |
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| 69.2 | Notebook of holograph draft pages and notes, 2-19 Sept. [1970]; drafts of introduction to teleplay; draft re. proposition vs. fact; notes for Where Are They Now? | ||||||||||||
| 69.3 | Photocopy typescript, nd | ||||||||||||
| 69.4 | "Revised ms, Prelims
copy," photocopy typescript with holograph corrections in unidentified
hand and printer's marks,
nd.
With letter from Faber and Faber to Stoppard, 3 May 1973 |
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| 69.5 | Photocopy typescript, nd | ||||||||||||
| 69.6 | "Rehearsal Script," mimeograph typescript, with holograph notes on versos of two pages, nd | ||||||||||||
| 69.7 | Incomplete photocopy of typescript with holograph revisions in unidentified hand, nd | ||||||||||||
| Double bill with
The Real Inspector Hound
(see The Real Inspector Hound, Folders 104.12 and 104.13) |
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| box-folder | |||||||||||||
| 53.9 | Photographs, advertisement, and poster from Sao
Paulo, Brazil, production,
1994
(poster removed to Oversize Box 2, folder 1) |
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| 1.3 | Program with holograph notes, [1970] | ||||||||||||
| 69.8 | Programs and flyers, 1970-85, nd | ||||||||||||
| Mounted posters | |||||||||||||
| Teatro dell'Orologio, Rome,
1987
(Oversize Box 2) |
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| Malmo Stadsteater, Sweden,
nd
(Oversize Box 4) |
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| box-folder | |||||||||||||
| 69.9 | Articles and reviews, 1970-73, 1984 | ||||||||||||
| 69.10 | Correspondence, 1996, 1999 | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 69.11 | Dust jacket, [1971] | ||||||||||||
| Albert's Bridge | |||||||||||||
| Radio Play | |||||||||||||
| box-folder | |||||||||||||
| 66.11 | Mimeograph typescript, with holograph notes in an
unknown hand,
1967.
With production information and opening and closing announcements. |
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| 69.12 | Articles and reviews, 1967 | ||||||||||||
| Prix Italia award certificate,
1968
(Oversize Box 2, folder 2) |
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| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 1.4 | Programs, nd | ||||||||||||
| 69.13 | Program, French production, 1999 | ||||||||||||
| 69.14 | Articles and reviews, 1969, nd | ||||||||||||
| 69.15 | St. Alban's Repertory Theater production--letter from Albert Ihde, program, articles and reviews, 1969 | ||||||||||||
| 1.5 | Articles and reviews, French production, [1974] | ||||||||||||
| 53.10 | Advertisements and poster for Paris production,
1994
(poster removed to Oversize Folder 5) |
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| [Double bill with If You're Glad I'll Be Frank] | |||||||||||||
| box-folder | |||||||||||||
| 69.16 | Flyer and program, [1969] | ||||||||||||
| 69.17 | Reviews and advertisement, 1969 | ||||||||||||
| Signed photo reproduction sent by cast and crew,
Jan. 1999
(Oversize Box 7) |
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| box-folder | |||||||||||||
| 69.18 | Correspondence, 1997, 1998 | ||||||||||||
| Screenplay, by Stoppard and A.C.H. Smith | |||||||||||||
| box-folder | |||||||||||||
| 1.6 | Typescript synopses and notes by Stoppard and Anthony Smith, with holograph corrections, 6 and 25 Sept 1969, nd | ||||||||||||
| 1.7 | "Film Outline," carbon typescript, with holograph revisions, nd | ||||||||||||
| 1.8 | "Film Outline," typescript, with holograph revisions, nd | ||||||||||||
| 1.9 | "Film Outline," photocopy typescript, bound, nd | ||||||||||||
| 66.12 | Typescript, with typescript inserts and holograph revisions, nd | ||||||||||||
| Always (Revision of the screenplay by Jerry Belson and Diane Thomas) | |||||||||||||
| box-folder | |||||||||||||
| 69.19 | Original and faxed typescript pages with holograph
revisions,
11 May, 10 and 17 July, and 10 and 14 Aug. 1989.
With memos from Stoppard to Steven Spielberg, 3, 11, and 17 July 1989 |
||||||||||||
| 69.20 | Correspondence and meeting notes, 1989-90 | ||||||||||||
| Another Moon Called Earth [The Critics]--Teleplay | |||||||||||||
| box-folder | |||||||||||||
| 66.13 | Carbon typescript, nd | ||||||||||||
| 66.14 | Rehearsal Script. Mimeograph typescript, 1967 | ||||||||||||
| 69.21 | Articles and reviews, 1967 | ||||||||||||
| Arcadia | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 53.11 |
"Mathematical Chaos and Strange
Attractors," photocopy excerpt from
Structures and Strangeness,
Nov. 1981
With note from Oliver Stoppard to Stoppard, nd |
||||||||||||
| 40.9 | Incomplete typescript with holograph revisions,
bound,
nd
(Missing pages are located in Folder 40.10) |
||||||||||||
| 40.10 | Incomplete typescript,
nd
(Includes pages from incomplete, bound typescript in Folder 40.9) |
||||||||||||
| 69.22 | Typescript fragment, nd | ||||||||||||
| 69.23 | Typescript of Act One, with holograph revisions, nd | ||||||||||||
| 69.24 | Faxed pages of typescript with holograph revisions, 9 June 1992 | ||||||||||||
| 69.25 | "Replacement pages," 30 July 1992 | ||||||||||||
| 69.26 | Typescript page, nd | ||||||||||||
| 40.11 | Typescript with holograph revisions, bound, Nov. 1992 | ||||||||||||
| 53.12 | Photocopy typescript, with holograph revisions, Nov. 1992 | ||||||||||||
| 41.1 | Photocopy of typescript with holograph corrections, Nov. 1992 | ||||||||||||
| 41.2 | Typescript with holograph corrections, bound, Dec. 1992 | ||||||||||||
| 41.3 | Typescript with some holograph corrections by Stoppard and unknown person, bound, 8 Dec. 1992 | ||||||||||||
| 41.4 | Photocopy typescript with holograph corrections, bound, [Dec. 1992] | ||||||||||||
| 53.13 | Photocopy typescript, with holograph revisions, bound, Jan. 1993 | ||||||||||||
| 41.5 | Photocopy typescript, bound, Jan. 1993 | ||||||||||||
| 53.14 | Printer's copy,
Jan. 1993
(bound) |
||||||||||||
| 41.6 | Rehearsal Script. Photocopy typescript with holograph revisions, bound, 29 Jan. 1993 | ||||||||||||
| 41.7 | Photocopy typescript,
Jan. 1993
(with holograph revisions, March 1993, bound) |
||||||||||||
| 54.1 | Press Script. Photocopy typescript, with a few holograph corrections, bound, 19 April 1993 | ||||||||||||
| 70.1 | "Press Script," bound photocopy typescript, 19 April 1993 | ||||||||||||
| 54.2 | Photocopy typescript pages, with holograph revisions, nd | ||||||||||||
| 42.1-5 | "Arcadia Pages,"
typescript, faxed, and holograph drafts and revision pages; Peters, Fraser, and
Dunlop catalogue copy form; rehearsal papers, including rehearsal calls, list
of contacts, stage diagrams, rehearsal notes, production schedule, sound and
music cues, research material, and rehearsal script; theatre program drafts and
page proofs, including drafts by John Barrell, Rupert Christiansen, and Robert
M. May; and page proofs for Faber & Faber text;
Aug. 1992-April 1993, nd.
(With letters from Stoppard to Caroline and to Charles Boyle and letters from Robert May to Stoppard and Emma Fielding) (theatre program drafts and page proofs removed to Oversize Box 7) |
||||||||||||
| 42.6 | Correspondence and production
file--correspondence, Royal National Theatre leaflet, theatre tickets, and
printed invitation to cast party,
Feb.-April 1993.
With "roundup" summary of current productions and publications of Stoppard's plays, 1993 |
||||||||||||
| 54.3 | Revised production schedule, 12 March 1993 | ||||||||||||
| Lincoln Center Theater production | |||||||||||||
| box-folder | |||||||||||||
| 70.2 | Bound photocopy typescript with holograph revisions, nd | ||||||||||||
| 70.3 | Typescript draft with holograph
revisions
[Missing pages are located in "Trims Suggested"] |
||||||||||||
| 70.4 | "Trims Suggested for Lincoln Centre," typescript draft pages with holograph revisions, nd | ||||||||||||
| 70.5 | "Arcadia Script Variations," typescript list of changes, with holograph note from Stoppard to company on verso of Hopeful Monsters typescript page, [1995] | ||||||||||||
| 70.6 | Holograph production notes, nd | ||||||||||||
| 42.7 | Rideau de Bruxelles, Belgium, production
photographs and poster,
1993
(poster, two copies, removed to Oversize Box 2, folder 1) |
||||||||||||
| 70.7-9 | Comedie-Francaise productions--programs, flyers,
ticket, photographs, posters and faxed and bound reviews,
1997-98
(posters, two copies, with poster of season schedule, removed to Oversize Box 2, folder 1) |
||||||||||||
| 70.10 | Photographs from the original National Theatre production, 1993 | ||||||||||||
| 54.4 | Photographs from Cape Town, South Africa,
production,
nd.
With note from Gordon Dickerson of Peters Fraser & Dunlop to Stoppard, nd |
||||||||||||
| Photograph of touring cast,
1995
(Oversize Box 8) |
|||||||||||||
| box-folder | |||||||||||||
| 70.11-12 | Photographs from various productions, 1997-98, nd | ||||||||||||
| 54.5 | National Theatre brochures, 1992-93 | ||||||||||||
| 54.6 | TheatrePrint. The Weekend Ad. Photocopy page
proofs, with some holograph corrections,
nd
(page proofs removed to Oversize Box 7) |
||||||||||||
| 54.7 | Theatre programs--Poland, Australia.
With a Lyttelton advertising leaflet proof and a rehearsal note from Aldwych, 1993-94, and with Haymarket Theatre ticket, 19 May 1994 |
||||||||||||
| 71.1-6 | Programs (some signed by cast), flyers, advertising postcard, ticket | ||||||||||||
| 54.8 | Rejected poster design, Lincoln Center Theater, nd | ||||||||||||
| 71.7 | Lincoln Center Theater poster design | ||||||||||||
| Poster: Teatr Wybrzeze, Poland, two copies,
1994
(Oversize Box 2, folder 1) |
|||||||||||||
| box-folder | |||||||||||||
| 71.8-10 | Articles, reviews, and advertisements,
1993-1999
(see also Oversize Box 6) |
||||||||||||
| 54.9 | The Laurence Olivier Awards program, 1994 | ||||||||||||
| 71.11 | Nomination certificates for Writers' Guild Macallan award, 1993, and Laurence Olivier Award, 1994; Critics' Circle London Theatre Award, 1993; Tony Awards tickets, 1995 | ||||||||||||
| Drama Critics' Circle award certificate for Best
Play,
1994
(Oversize Box 2, folder 2) |
|||||||||||||
| box-folder | |||||||||||||
| 54.10 | Correspondence, 1993-94, nd | ||||||||||||
| Radio Play | |||||||||||||
| box-folder | |||||||||||||
| 54.11 | Photocopy of miscellaneous typescript draft pages,
with holograph revisions in an unknown hand made for radio broadcast, with
additional holograph revisions by Stoppard,
nd.
With letter from BBC Radio to Stoppard, 13 Aug. 1993 |
||||||||||||
| 54.12-13 | Photocopy typescript, with holograph revisions, Sept. 1993 | ||||||||||||
| Advertisement from
The Modern Review,
Dec.-Jan. 1993/94
(Oversize Box 6) |
|||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 72.1 | Photocopy page proofs, 1999 | ||||||||||||
| 72.2-6 | Correspondence, drafts of blurb and bio, crossword puzzle, Newstead Abbey guide, 1992-99 | ||||||||||||
| Oil pastel portrait of Stoppard as Septimus [by
Jennifer Dundas],
30 March 1995
(Oversize Box 5, folder 7) |
|||||||||||||
| Artist Descending a Staircase | |||||||||||||
| Radio Play | |||||||||||||
| box-folder | |||||||||||||
| 66.15 | Typescript, with holograph revisions, nd | ||||||||||||
| 72.7 | Mimeo typescript, with holograph revisions,
nd.
With holograph notes re. The Real Inspector Hound on versos of pp 44-45 |
||||||||||||
| 66.16 | Mimeograph typescript, 1972 | ||||||||||||
| 72.8-9 | Mimeo typescript,
[1972]
Two copies |
||||||||||||
| 66.17 | Photocopy of typescript with holograph notations showing cuts, 1972 | ||||||||||||
| 54.15 | Photocopy typescript, with holograph revisions, bound, nd | ||||||||||||
| 72.10 | BBC Entry, Italia Prize, bound photocopy typescript with holograph markings, [1973] | ||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 72.11 | Composite draft of typescript pages and photocopy pages of printed text, with typescript revisions taped in, nd | ||||||||||||
| 73.1 | Photocopy of composite draft of typescript pages and photocopy pages of printed text with typescript revisions, nd | ||||||||||||
| 73.2 | Bound typescript with holograph revisions and holograph insert page of notes, nd | ||||||||||||
| 73.3 | Programs and flyer, 1988-89 | ||||||||||||
| 54.14 | Theatre program, Kings Head Theatre Club production, nd | ||||||||||||
| Poster: King's Head Theatre Club,
[1988]
(Oversize Box 2, folder 1) |
|||||||||||||
| Poster: Rideau de Bruxelles, Belgium,
1989
(Oversize Folder 5) |
|||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 73.4 | Dust jacket proof, nd | ||||||||||||
| 73.5 | Articles and reviews, 1972-89 | ||||||||||||
| 73.6 | Correspondence, 1972-91 | ||||||||||||
| Translations | |||||||||||||
| box-folder | |||||||||||||
| 73.7 | L'Artiste Descendant L'Escaller--translation for Italia Prize by Hélène Corrie, bound photocopy typescript, nd | ||||||||||||
| 73.8 | Listamadur A Leid Nidur Troppur--translation by Gudjon Olafsson, bound typescript, nd | ||||||||||||
| Artist Descending a Staircase and Where Are They Now?: Two Plays for Radio--Book | |||||||||||||
| box-folder | |||||||||||||
| 73.9 | Incomplete mimeo typescript with holograph printer's marks. With typescript front pages with holograph printer's marks, [1973] | ||||||||||||
| 73.10 | Page proofs with holograph corrections, [1973] | ||||||||||||
| Billy Bathgate --Screenplay adaptation of the book by E. L. Doctorow | |||||||||||||
| box-folder | |||||||||||||
| 1.10-11 | Holograph draft sections, Sept.-Nov. 1989 | ||||||||||||
| 1.12 | Holograph draft, Sept.-Nov. 1989 | ||||||||||||
| 1.13 | Composite photocopy of corrected typescript, and faxes with holograph revisions, Nov. 1989 | ||||||||||||
| 1.14 | Photocopy typescript, with holograph corrections, nd | ||||||||||||
| 2.1 | Photocopy typescript, with holograph notes, Nov. 1989 | ||||||||||||
| 54.16 | Photocopy typescript, with some holograph revisions,
nd.
With additional photocopy typescript pages, with holograph revisions, nd |
||||||||||||
| 2.2 | "Revised First Draft," photocopy typescript, March 1990 | ||||||||||||
| 55.1 | Revised First Draft, photocopy typescript, with holograph revisions, March 1990 | ||||||||||||
| 55.2 | Incomplete photocopy typescript, with holograph
revisions,
nd.
With holograph draft pages, May 1990 |
||||||||||||
| 73.11 | "Second Draft,"
bound photocopy typescript,
May 1990
[with holograph revisions] |
||||||||||||
| 55.3 | Revised Second Draft, photocopy typescript, bound, 25 May 1990 | ||||||||||||
| 55.4 | Revised Second Draft, photocopy of typescript with holograph revisions, 25 May 1990 | ||||||||||||
| 55.5 | Revised Fourth Draft, photocopy typescript, with some holograph notations, 14 Sept. 1990 | ||||||||||||
| 55.6 | Revised Fourth Draft, photocopy typescript,
14 Sept. 1990
[with photocopy typescript insert pages, 20 Sept. 1990-23 Jan. 1991, bound] |
||||||||||||
| 55.7 | Faxed typescript rewrite pages, some with holograph
revisions, by Stoppard, Robert Benton, and Edgar Doctorow,
22 July-13 Sept. 1991.
With meeting notes, 16 Aug. 1991, and memos from Stoppard to Benton, 26 Aug. and 12 Sept. 1991 |
||||||||||||
| 56.1 | Revised Fourth Draft, photocopy typescript,
14 Sept. 1990.
With photocopy typescript insert pages, 20 Sept. 1990-23 July 1991, and some holograph revisions, bound |
||||||||||||
| 73.12 | Sheet music for "Bye Bye Blackbird" | ||||||||||||
| 73.13 | Correspondence, 1989-91 | ||||||||||||
|
Born Yesterday --Play by Garson
Kanin, directed by Stoppard, two copies of Greenwich Theatre magazine
cue, no. 8,
April/May 1973
One with holograph notes by Stoppard (Oversize Box 6) |
|||||||||||||
| The Boundary --Teleplay, co-authored by Clive Exton, 1975 | |||||||||||||
| box-folder | |||||||||||||
| 2.3 | Holograph and typescript draft fragments, nd | ||||||||||||
| 74.1 | Mimeo typescript with holograph revisions, nd | ||||||||||||
| 2.4 | Articles and reviews, nd | ||||||||||||
| 74.2 | Correspondence, 1995 | ||||||||||||
| Brazil --Screenplay, with Terry Gilliam and Charles McKeown | |||||||||||||
| box-folder | |||||||||||||
| 2.5 | Photocopy typescript plot outline and synopsis by
Terry Gilliam,
nd.
With letter from Gilliam, nd |
||||||||||||
| 2.6 | Typescript draft,
nd.
With photocopies of some pages |
||||||||||||
| 2.7 | Holograph drafts, Aug.-Dec. 1982 | ||||||||||||
| 2.8 | Photocopy of corrected typescript, [Sept. 1982] | ||||||||||||
| 2.9 | Incomplete photocopy typescript, with holograph
revisions,
Sept. 1982
Pages missing from this version were used for succeeding, Dec. 1982, photocopy typescript |
||||||||||||
| 3.1 | Photocopy typescript, with typescript corrections,
Dec. 1982
Incorporates pages from Sept. 1982 photocopy typescript |
||||||||||||
| 3.2 | Photocopy typescript, with typescript and holograph
revisions,
Jan. 1983.
With note from Gilliam, nd |
||||||||||||
| 74.3 | Bound photocopy typescript with holograph notes and revisions, Jan. 1983 | ||||||||||||
| 3.3 | Photocopy of corrected typescript, June 1983 | ||||||||||||
| 3.4 | Photocopy typescript, bound, nd | ||||||||||||
| 3.5 | Photocopy typescript, bound, Oct. 1983 | ||||||||||||
| 3.6 | Typescript fragments, with holograph corrections, nd | ||||||||||||
| 3.7 | Correspondence and production file, 1982-1986 | ||||||||||||
| 74.4 | Correspondence, 1982, 1989, 1993 | ||||||||||||
| Cats --Animated screenplay adaptation of Andrew Lloyd Webber's musical based upon Old Possum's Book of Practical Cats by T. S. Eliot | |||||||||||||
| box-folder | |||||||||||||
| 56.2 | Photocopy typescript draft synopsis, nd, and accompanying notes, 29 Jan. 1994 | ||||||||||||
| 56.3 | Holograph and photocopy and faxed typescript draft
pages, with holograph revisions,
11 Feb. 1994, nd.
[With letter from Andrew Lloyd Webber to Stoppard, and notes from Stoppard to Lloyd Webber and Jacky Matthews, nd] |
||||||||||||
| 74.5 | Faxes of typescript and holograph revision pages, revised typescript pages, and faxes of typescript revision pages with holograph revisions, 24 Feb. 1994 | ||||||||||||
| 74.6 | Typescript fragment, nd | ||||||||||||
| 56.4-5 | Photocopy and faxed typescript draft fragments, with
holograph revisions, and holograph insert pages, rewrite pages, and script
notes,
Feb.-March 1994.
With correspondence between Stoppard, Andrew Lloyd Webber, and Trevor Nunn, Feb. 1994 |
||||||||||||
| 74.7 | Fax of typescript page with holograph revisions, 1 March 1994 | ||||||||||||
| 74.8-9 | Typescript fragments, nd | ||||||||||||
| 74.10 | Faxes of holograph and typescript revision pages, 2 March 1994 | ||||||||||||
| 74.11 | Typescript page, nd | ||||||||||||
| 74.12 | Typescript revision pages, nd; faxes of typescript and holograph revision pages, 3 March 1994 | ||||||||||||
| 74.13 | Typescript fragment, with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 74.14 | Typescript fragment, nd | ||||||||||||
| 74.15 | Holograph revision page, nd | ||||||||||||
| 74.16 | Composite fragment of holograph pages and faxed typescript pages with holograph revisions, nd | ||||||||||||
| 74.17 | Typescript fragments, nd | ||||||||||||
| 74.18 | Typescript pages, nd | ||||||||||||
| 74.19 | Typescript fragment with holograph corrections in Jacky Matthews' hand, nd | ||||||||||||
| 74.20 | Typescript fragment,
nd.
Two copies |
||||||||||||
| 74.21 | Faxes of holograph revision pages, 14 March 1994 | ||||||||||||
| 74.22 | Incomplete bound typescript draft, with holograph revisions and insert pages, nd | ||||||||||||
| 56.6 | Photocopy and faxed typescript draft fragment, with
holograph revisions,
14 March 1994.
With holograph rewrite pages, 4 March 1994, nd |
||||||||||||
| 56.7 | Correspondence with Andrew Lloyd Webber, Trevor
Nunn, and Anthony Jones,
March-April 1994.
With holograph and faxed typescript revision pages, 15 and 16 March 1994 |
||||||||||||
| 74.23 | Faxes of holograph revision pages, 20 and 21 March 1994 | ||||||||||||
| 74.24 | Composite fragment of original and faxed typescript pages with holograph revisions, 30 March 1994 | ||||||||||||
| 74.25 | Holograph revision pages, with photocopy text of songs; typescript pages with holograph corrections in Jacky Matthews' hand, nd | ||||||||||||
| 74.26 | Typescript fragment, nd | ||||||||||||
| 74.27 | Typescript pages with holograph corrections in Jacky Matthews' hand, nd | ||||||||||||
| 56.8 | Holograph rewrite pages, nd | ||||||||||||
| 56.9 | Holograph script notes and holograph, typescript,
and faxed typescript rewrite pages,
March and April 1994.
With letter from Stoppard to Andrew Lloyd Webber and Trevor Nunn, nd |
||||||||||||
| 56.10 | Photocopy and faxed typescript draft fragments, with
holograph revisions,
15-17 March, 26 April, 4 May.
With song lists and breakdown, nd |
||||||||||||
| 56.11 | Photocopy typescript draft fragment, with holograph revisions, nd | ||||||||||||
| 57.1 | Photocopy typescript draft, with holograph revisions and holograph insert pages. With holograph pages of notes and rewrites, 20 and 22 April 1994, nd | ||||||||||||
| 57.2 | Holograph, photocopy typescript, and faxed
typescript draft pages, with holograph revisions,
Feb.-April 1994.
With "Trevor breakdown," nd |
||||||||||||
| 57.3 | Photocopy and faxed typescript draft fragments, with
holograph insert and rewrite pages,
9 Feb.-4 May 1994.
With correspondence between Stoppard and Andrew Lloyd Webber, Steven Spielberg, Kenneth Ewing, and Anthony Jones re. script, Feb., April, May, and July 1994; list of songs, nd; and "Trevor breakdown," nd |
||||||||||||
| 57.4 | Preliminary Draft, photocopy typescript draft fragment, with holograph revisions, 5 April 1994 | ||||||||||||
| 75.1 | Typescript draft with holograph revisions in Jacky Matthews' hand, nd; Stoppard's faxed holograph rewrite pages, 11 April 1994; and typescript pages incorporating the revisions and with holograph corrections in Jacky Matthews' hand, nd | ||||||||||||
| 75.2 | Typescript draft, nd | ||||||||||||
| 57.5 | Photocopy typescript draft with holograph revisions and holograph insert pages, 14 and 15 April 1994, nd | ||||||||||||
| 75.3 | Typescript draft with holograph revisions in Jacky Matthews' hand and faxes of typescript pages with holograph revisions by Stoppard, 18 April 1994 | ||||||||||||
| 75.4-5 | Typescript fragments, nd | ||||||||||||
| 75.6 | Composite typescript draft, with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 75.7 | Faxes of holograph pages, 27 April 1994 | ||||||||||||
| 75.8 | Holograph title page, 29 April 1994 | ||||||||||||
| 75.9 | "First Draft,"
typescript pages,
29 April 1994.
With holograph revisions in Jacky Matthews' hand, nd |
||||||||||||
| 75.10-11 | "First Draft,"
typescript draft,
29 April 1994.
Two copies With holograph revisions, nd. |
||||||||||||
| 75.12-15 | "First Draft,"
Stoppard's and his secretary's copies of typescript draft,
29 April 1994.
With Stoppard's phoned and faxed revisions, nd |
||||||||||||
| 76.1-2 | Typescript pages with holograph revisions, nd | ||||||||||||
| 76.3-5 | "First Draft,"
typescript draft,
29 April 1994.
Three copies, two bound. |
||||||||||||
| 76.6 | "First Draft,"
typescript draft,
29 April 1994.
With holograph revisions in Jacky Matthews' hand |
||||||||||||
| 76.7 | Typescript pages, nd | ||||||||||||
| 76.8 | Typescript pages with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 76.9 | Typescript page, nd | ||||||||||||
| 57.6 | First Draft, photocopy typescript,
29 April 1994.
With faxed typescript rewrite pages, 5 April 1994 |
||||||||||||
| 57.7 | Incomplete photocopy typescript, with holograph revisions, nd | ||||||||||||
| 57.8 | Photocopy typescript, with a few holograph corrections, nd | ||||||||||||
| 57.9 | First Draft, typescript,
1 May 1994.
With typescript rewrite pages, nd |
||||||||||||
| 58.1 | First Draft, typescript, with holograph revisions, 1 May 1994 | ||||||||||||
| 58.2 | Photocopy typescript, with holograph revisions and insert pages, nd | ||||||||||||
| 76.10 | Typescript revision pages and memo from Stoppard to Lloyd Webber, 4 May 1994 | ||||||||||||
| 76.11 | "Second Draft," composite typescript draft, with holograph revisions in Jacky Matthews' hand and with faxes of typescript and holograph revision pages, 8 June 1994 | ||||||||||||
| 76.12 | Typescript fragment with holograph memo from Jacky Matthews to Sarah, nd | ||||||||||||
| 58.3 | Photocopy and faxes typescript, with holograph
revisions,
7 June 1994, nd.
With additional photocopy typescript draft fragment, with holograph revisions, nd |
||||||||||||
| 58.4 | Second Draft, photocopy typescript, with holograph revisions, 12 June 1994 | ||||||||||||
| 76.13 | Faxes of typescript and holograph pages, 27 and 29 July 1994 | ||||||||||||
| 76.14 | Typescript pages with holograph revisions in Jacky Matthews' hand and fax of holograph revision page, 3 Aug. 1994 | ||||||||||||
| 76.15 | Faxes of typescript and holograph revision pages, 3 Aug. 1994 | ||||||||||||
| 58.5-6 | Photocopy typescript, with holograph revisions and
insert pages,
5 and 6 Aug. 1994.
With additional "dead" photocopy typescript draft fragments, nd, and holograph rewrite pages, Feb., March, July, and Aug. 1994. On some versos: photocopy pages of unidentified book and photocopy typescript list of Arcadia script revisions, nd] |
||||||||||||
| 76.16 | Typescript draft with holograph revisions in Jacky Matthews' hand and faxes of typescript and holograph revision pages, 10 and 11 Aug. 1994 | ||||||||||||
| 58.7 | Third Draft, photocopy and faxed typescript, with holograph revisions, Aug. 1994 | ||||||||||||
| 58.8 | Photocopy typescript, with holograph revisions, nd | ||||||||||||
| 59.1 | Third Draft, photocopy typescript, with holograph revisions, bound, Aug. 1994 | ||||||||||||
| 59.2 | Holograph script notes, 19 Aug. and 16 Sept. 1994; faxed typescript outline for revisions for third draft, 14 Sept. 1994; faxed memo re. script timing, 4 Oct., and faxed memos re. third draft, 26 Aug. 1994 | ||||||||||||
| 59.3 | Photocopy typescript, with holograph revisions and holograph insert pages, 1 and 3 Oct. 1994, nd | ||||||||||||
| 76.17 | Faxes of typescript and holograph revision pages, 4 and 5 Oct. 1994 | ||||||||||||
| 59.4 | Incomplete faxed typescript, with holograph revisions, 5 Oct. 1994 | ||||||||||||
| 59.5 | Revised Third Draft, typescript, with holograph revisions, Oct. 1994 | ||||||||||||
| 77.1 | Typescript fragment with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 77.2 | Typescript draft with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 77.3 | Typescript fragments, nd | ||||||||||||
| 77.4 | Typescript song list, with holograph corrections in Jacky Matthews' hand, nd | ||||||||||||
| 77.5-6 | Typescript and holograph pages with holograph revisions, with memo from Stoppard to Jacky Matthews, [27 Dec. 1994] | ||||||||||||
| 77.7 | Typescript fragment with holograph revisions, nd | ||||||||||||
| 77.8 | Faxes of typescript pages, 30 Dec. 1994 | ||||||||||||
| 77.9 | Composite typescript and faxed typescript pages, with holograph revisions, 31 Dec. 1994 and 2 Jan. 1995 | ||||||||||||
| 77.10 | Bound typescript with holograph corrections, 2 Jan. 1995 and with memo to K., 30 May | ||||||||||||
| 77.11 | Notes and correspondence, 5 April-23 Dec. 1994, nd | ||||||||||||
| Chaplin [Charlie] --Revision of screenplay by William Boyd II and Bryan Forbes | |||||||||||||
| box-folder | |||||||||||||
| 77.12-13 | Bound photocopy typescript by William Boyd, and duplicate pages, Jan. 1991 | ||||||||||||
| 78.1 | Bound photocopy typescript by William Boyd, with holograph revisions and notes to Stoppard in unidentified hand, March 1991 | ||||||||||||
| 78.2 | Typescript fragment, nd | ||||||||||||
| 78.3 | Faxed typescript fragment with holograph revisions, 7 March 1991 | ||||||||||||
| 78.4-7 | Typescript fragments with holograph revisions, nd | ||||||||||||
| 78.8 | Typescript draft with holograph revisions, nd | ||||||||||||
| 78.9 | Typescript page with holograph revisions, nd | ||||||||||||
| 78.10 | Faxes of typescript pages with holograph revisions, 20 March 1991 | ||||||||||||
| 78.11 | Typescript draft with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 78.12 | Typescript pages with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 78.13 | Incomplete typescript draft with holograph revision in Jacky Matthews' hand, nd | ||||||||||||
| 78.14-15 | Typescript pages with holograph revisions, nd | ||||||||||||
| 78.16 | Typescript fragment with holograph revisions, March 1991 | ||||||||||||
| 78.17 | Faxes of typescript pages with holograph revisions, 28 March 1991 | ||||||||||||
| 79.1 | Typescript fragment,
March 1991
[with holograph revisions in Jacky Matthews' hand, nd] |
||||||||||||
| 79.2-3 | Typescript fragments, with duplicate pages, nd | ||||||||||||
| 79.4 | Typescript fragments, nd | ||||||||||||
| 79.5 | Correspondence,
Dec. 1990-April 1991.
With Rosencrantz & Guildenstern typescript on versos of some pages |
||||||||||||
| Dalliance --Adaptation of Arthur Schnitzler's Liebelie | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 79.6 | Photocopy of printed text of "The Prologue to Anatol" ( "Yesterday and To-day") and Playing with Love (Liebelie) | ||||||||||||
| 79.7 | Literal translation of Liebelie by Anthony Vivis, photocopy typescript with holograph revisions by Stoppard, nd | ||||||||||||
| 79.8 | Mimeo typescript, Jan. 1986 | ||||||||||||
| 3.8 | Photocopy typescript, with holograph revisions, nd | ||||||||||||
| 79.9 | Mimeo typescript, with typescript and holograph revisions, March 1986 | ||||||||||||
| 79.10 | Bound photocopy typescript with holograph revisions, March 1986 | ||||||||||||
| 3.9 | Typescript, with typescript and holograph revisions, March 1986 | ||||||||||||
| 4.1 | Photocopy and original typescript draft fragments, nd | ||||||||||||
| 79.11 | Photocopy typescript pages with holograph revisions, nd | ||||||||||||
| 79.12 | "As Sent to Faber 6 Oct. 1986," typescript with typescript and holograph revisions, in ringed binder | ||||||||||||
| 79.13 | Bound photocopy of typescript with holograph revisions in unidentified hand, with additional holograph revisions by Stoppard, nd | ||||||||||||
| 79.14 | Holograph and typescript song lyrics for "The False Hussar," 15 and 21 April 1986, nd | ||||||||||||
| 79.15 | Photocopy typescript cast list for Lyttelton Theatre production with holograph notations re. gifts sent, May 1986 | ||||||||||||
| 79.16 | Programs, 1986, 1987 | ||||||||||||
| Mounted poster: National Theatre, London,
1986
(Oversize Folder 7) |
|||||||||||||
| box-folder | |||||||||||||
| 80.1 | Articles and reviews, 1986 | ||||||||||||
| 80.2 | Correspondence, 1986-87 | ||||||||||||
| Dalliance and Undiscovered Country --Book | |||||||||||||
| box-folder | |||||||||||||
| 80.3-4 | Typesetting copy--composite photocopy of typescript with typescript and holograph revisions and photocopy page proofs, cut and pasted to versos of photocopy proofs of Donald Mitchell's Gustav Mahler, all with holograph printer's marks, nd | ||||||||||||
| 4.2 | Photocopy of corrected page proofs, [1986] | ||||||||||||
| Despair --Screenplay adaptation of the book by Vladimir Nabokov | |||||||||||||
| box-folder | |||||||||||||
| 4.3 | Holograph draft, Aug. 1976-March 1977 | ||||||||||||
| 4.4 | Thermofax typescript with typescript revision pages
and additional thermofax typescript draft fragments,
Nov. 1976.
With thermofax letter from Stoppard to Helmut Krapp, 25 Nov. 1976 |
||||||||||||
| 4.5 | Photocopy typescript screenplay, with holograph corrections, bound, nd | ||||||||||||
| 4.6 | Thermofax and original typescript insert and
revision pages,
March-April 1977.
With thermofax letter from Stoppard to Peter Märthesheimer and Rainer Fassbinder, 7 March 1977 |
||||||||||||
| 4.7 | Articles and reviews, 1978 | ||||||||||||
| 4.8 | Correspondence, 1976-78 | ||||||||||||
| 80.5 | Correspondence, 1992-93 | ||||||||||||
| Dirty Linen and New-Found-Land | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 4.9 | Holograph and typescript drafts, Jan.-March 1976 | ||||||||||||
| 5.1 | Holograph and typescript drafts | ||||||||||||
| 5.2 | [Maddie Sees It Through], carbon typescript, with holograph revisions, nd | ||||||||||||
| 5.3 | [Maddie Sees It Through], carbon typescript of Dirty Linen, with typescript and holograph corrections, nd | ||||||||||||
| 5.4 | [Maddie Sees It Through], photocopy of corrected typescript of Dirty Linen, nd | ||||||||||||
| 5.5 | Photocopy of corrected typescript of Dirty Linen, with additional holograph revisions, nd | ||||||||||||
| 80.6 | French program containing text of play, Nov. 1976 | ||||||||||||
| 5.6 | Programs and production photographs, 1976-79 | ||||||||||||
| Poster: Kennedy Center
(copy one of two, Oversize Box 2, folder 1) |
|||||||||||||
| Mounted posters: | |||||||||||||
| Almost Free Theatre,
1976
(Oversize Box 3) |
|||||||||||||
| Barcelona, Spain,
nd
(Oversize Box 3) |
|||||||||||||
| box-folder | |||||||||||||
| 80.7 | Articles, reviews, and advertisements, 1976-77 | ||||||||||||
| 5.7 | Articles and reviews, 1977 | ||||||||||||
| 80.8 | Postmark cancellation, 1979 | ||||||||||||
| 5.8 | French translation by Claude Etienne, photocopy typescript, bound, nd | ||||||||||||
| The Dissolution of Dominic Boot | |||||||||||||
| Radio play | |||||||||||||
| box-folder | |||||||||||||
| 5.9 | Photocopy typescript, 1978 | ||||||||||||
| 80.9 | Photocopy of typescript with holograph notations, nd | ||||||||||||
| 66.18 | Script as broadcast for Just Before Midnight No. 37, mimeograph typescript, with holograph revisions, nd | ||||||||||||
| Teleplay (as The Engagement) | |||||||||||||
| box-folder | |||||||||||||
| 5.10 | "First Draft," photocopy typescript, with holograph revisions, bound, nd | ||||||||||||
| 5.11 | Typescript scene outline and typescript insert pages, nd | ||||||||||||
| 66.19 | Photocopy typescript, nd | ||||||||||||
| 80.10 | Reviews, 1970 | ||||||||||||
| Doctor Masopust, I Presume --Episode One of radio serial "Tales of Doctor Masopust," by Gordon M. Williams and Tom Stoppard | |||||||||||||
| box-folder | |||||||||||||
| 80.11 | Mimeo of typescript with holograph revisions, nd | ||||||||||||
| 80.12 | Mimeo of typescript with holograph revisions,
nd.
[With mimeo typescript synopsis of serial premise, nd] |
||||||||||||
| 80.13 | Mimeo of typescript with holograph revisions | ||||||||||||
| 80.14 | Correspondence, 1973 | ||||||||||||
| The Dog It Was That Died [Goodbye Again] | |||||||||||||
| Radio Play | |||||||||||||
| box-folder | |||||||||||||
| 59.6 | "First version of The Dog It Was That Died, " photocopy typescript, bound, Aug. 1982 | ||||||||||||
| 80.15 | Bound photocopy typescript with holograph
revisions,
16-18 Oct. 1982, nd.
With photocopy of partially revised typescript |
||||||||||||
| 80.16 | Bound mimeo typescript with holograph revisions, notes, and notations, Oct. 1982 | ||||||||||||
| 80.17 | Articles and reviews, nd | ||||||||||||
| Sony Radio Award certificate,
1983
(Oversize Box 5, folder 2) |
|||||||||||||
| The Giles Cooper Award certificate,
1992
(Oversize Box 2, folder 2) |
|||||||||||||
| Teleplay | |||||||||||||
| box-folder | |||||||||||||
| 80.18 | "Master Copy," typescript with typescript revisions taped in, nd | ||||||||||||
| 81.1 | Photocopy typescript with holograph corrections, nd | ||||||||||||
| 81.2 | Bound photocopy typescript, nd | ||||||||||||
| 81.3 | Bound photocopy typescript with holograph revisions, nd | ||||||||||||
| 81.4 | Composite original and photocopy typescript with holograph revisions, Oct. 1987 | ||||||||||||
| 81.5 | Bound photocopy typescript with holograph revisions, Oct. 1987 | ||||||||||||
| 81.6 | Photocopy typescript page with holograph revisions, nd | ||||||||||||
| 81.7 | Photocopy typescript revision pages with holograph corrections, nd | ||||||||||||
| 81.8 | Typescript pages with holograph revisions, nd | ||||||||||||
| 81.9 | Composite original and photocopy typescript draft, with holograph revisions and taped-in typescript revisions, April 1988 | ||||||||||||
| 81.10 | Photocopy typescript production material and script, with holograph revisions, May 1988 | ||||||||||||
| 81.11 | Film schedule, 4 May 1988 | ||||||||||||
| 81.12 | Correspondence, 1982-94 | ||||||||||||
| The Dog It Was That Died, and Other Plays --Omnibus | |||||||||||||
| box-folder | |||||||||||||
| 5.12 | Photocopy page proofs, with holograph corrections,
Aug. 1983
[Faber and Faber 1983 edition] |
||||||||||||
| 81.13 | Photocopy page proofs, 1983 | ||||||||||||
| Dogg's Hamlet, Cahoot's Macbeth --Double-bill of one-act plays; Dogg's Hamlet is based on Dogg's Our Pet and Fifteen-Minute Hamlet [ Fifteen-Minute Dogg's Troupe Hamlet] | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 5.13-14 | Holograph draft, primarily of Cahoot's Macbeth, with some typescript pages, Dec. 1978-July 1979 | ||||||||||||
| 6.1 | Photocopy typescript of Dogg's Hamlet, with holograph revisions, May 1979 | ||||||||||||
| 6.2 | Photocopy typescript of Cahoot's Macbeth, with holograph revisions, nd | ||||||||||||
| 6.3 | Stage manager's script of Cahoot's Macbeth, photocopy of corrected typescript with light and sound cues, with additional holograph revisions, nd | ||||||||||||
| 6.4 | Various photocopy typescript fragments, some with holograph revisions, July [1976], nd | ||||||||||||
| 6.5 | Programs, 1978-79 | ||||||||||||
| 82.1 | Program for
Mackoon's Hamlet, Cahoot's
Macbeth
[rewrite for San Diego production] |
||||||||||||
| Mounted poster: Bangalore, India,
nd
(Oversize Box 4) |
|||||||||||||
| box-folder | |||||||||||||
| 82.2 | Articles and reviews, nd | ||||||||||||
| 6.6 | Correspondence and publicity material, Aug.-Oct. 1979 | ||||||||||||
| 82.3 | Correspondence, 1990-91 | ||||||||||||
| 82.4 | Correspondence for Mackoon's Hamlet, Cahoot's Macbeth | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 6.7 | Printed copy of Inter-Action 1979 edition, with holograph revisions and notes to printer for use as Faber and Faber 1979 edition. With additional original and photocopy typescript pages, with holograph revisions and notes to printer, nd | ||||||||||||
| 6.8 | Page proofs, Faber and Faber 1979 edition
(Oversize Box 7) |
||||||||||||
| 6.9 | Page proofs, with holograph corrections, Faber and Faber 1980 edition | ||||||||||||
| 82.5 | Flyer for booksigning, nd | ||||||||||||
| 82.6 | Bound typescript of Icelandic translation by Gudjón Olafsson, [1990] | ||||||||||||
| Dogg's Our Pet | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 6.10 | Photocopy of corrected typescript, 1971 | ||||||||||||
| 6.11 | Photocopy of corrected typescript, nd | ||||||||||||
| 82.7 | Mimeo typescript with holograph revisions,
nd.
[With typescript pages with holograph revisions, nd] |
||||||||||||
| Diary notes
(see Galileo notebook, Folder 84.15) |
|||||||||||||
| box-folder | |||||||||||||
| 6.12 | Programs, 1972 | ||||||||||||
| 82.8 | Flyer, 1971 | ||||||||||||
| 82.9 | "Misc. cuttings," articles and reviews, 1971-72 | ||||||||||||
| 82.10 | Correspondence, 1972 | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 6.13 | Photocopy page proofs, two sets, [1971] | ||||||||||||
| 66.20 | "Filmstrip," photocopy typescript, nd | ||||||||||||
| Empire of the Sun --Screenplay adaptation of the book by J. G. Ballard | |||||||||||||
| box-folder | |||||||||||||
| 8.8 | Research photographs of Shanghai,
nd.
With typescript of Shanghai climate information, nd |
||||||||||||
| Copy of a 1926 map of Shanghai,
nd
(Oversize Folder 1) |
|||||||||||||
| box-folder | |||||||||||||
| 82.11 | Bound photocopy typescript of detailed film scenario for the book, divided by chapter; outline of scenes by chapter; and descriptions of characters, with sample dialogue. With one page of holograph notes by Stoppard, nd | ||||||||||||
| 6.14 | Photocopy typescript, bound, [June 1985] | ||||||||||||
| 6.15 | Holograph draft,
Oct. 1985.
With holograph notes, June 1985, nd |
||||||||||||
| 6.16 | Holograph drafts,
June 1985-March 1987, nd
With typescript outline, nd |
||||||||||||
| 7.1 | Typescript draft, nd | ||||||||||||
| 7.2 | Photocopy typescript, bound, nd | ||||||||||||
| 7.3 | Holograph notes on screenplay changes for preceding bound photocopy typescript | ||||||||||||
| 7.4 | Photocopy typescript, bound, nd | ||||||||||||
| 82.12 | Typescript pages with holograph revisions, nd | ||||||||||||
| 82.13 | Original and photocopy typescript fragments with holograph and taped-in typescript revisions, [1986] | ||||||||||||
| 7.5 | "First Draft,"
incomplete typescript draft,
17 Jan. 1986
Pages missing from this version were incorporated into the succeeding draft |
||||||||||||
| 7.6 | Typescript,
nd
Incorporates pages from 17 Jan. 1986 typescript |
||||||||||||
| 7.7 | "Corrected odd pages Second Draft 23-5-86," photocopy typescript draft fragments, with holograph revisions | ||||||||||||
| 7.8 | "2nd Draft," photocopy typescript, bound, May 1986 | ||||||||||||
| 82.14 | Second Draft, bound photocopy typescript, nd | ||||||||||||
| 82.15 | Third Draft by Stoppard and Menno Meyjes, bound photocopy typescript, 11 July 1986, with photocopy typescript revision page inserts, 15 July 1986, and holograph notations, nd | ||||||||||||
| 8.1 | "Revised 3rd Draft," photocopy typescript, bound, Sept. 1986 | ||||||||||||
| 83.1 | Photocopy typescript revision pages, some with holograph revisions or notations, 2 Feb.-28 March 1987 | ||||||||||||
| 83.2 | The Camp Section, photocopy typescript fragment with holograph revisions, 2 and 26 Feb., 31 March 1987 | ||||||||||||
| 83.3 | The Camp Section, photocopy typescript fragment with
holograph revisions,
2 and 26 Feb., 31 March 1987.
With duplicates, earlier, and later versions of some pages |
||||||||||||
| 83.4 | "The Camp Section, Original text 1/4/87," photocopy and original typescript fragment of 2 Feb. 1987 shooting script, with typescript revisions taped in, 31 March 1987. With typescript memo from Stoppard to Steven Spielberg, 1 April 1987 | ||||||||||||
| 83.5 | "The Camp Section,"
incomplete photocopy typescript fragment,
2 and 26 Feb., 31 March 1987
With holograph revisions and notes. With duplicates of some pages |
||||||||||||
| 8.2 | "Revised 4th
Draft-Shooting Script," composite photocopy and original typescript
draft, with holograph corrections,
Feb.-April 1987.
With photocopy memo from Steven Spielberg to "All Concerned," 27 Feb. 1987 |
||||||||||||
| 8.3 | Revisions and memos from Stoppard to Spielberg regarding Revised 4th Draft. Photocopy typescripts, with holograph corrections, Feb.-May 1987 | ||||||||||||
| 83.6 | Typescript notes, 23 May 1986, nd; and memos to Steven Spielberg, 23 March-2 April 1987 | ||||||||||||
| 8.4 | "Additions-Jerez, May 87," holograph and photocopy typescript revision pages for Revised 4th Draft, 20 May 1987 | ||||||||||||
| 8.5-6 | Correspondence re. script revisions, writing credits, and production, 1985-87 | ||||||||||||
| 8.7 | Correspondence re. travel and reimbursement, 1985-87 | ||||||||||||
| 83.10 | Correspondence, 1987-93 | ||||||||||||
| 8.9 | Photographs, July 1987, nd | ||||||||||||
| Negatives
(RESTRICTED) |
|||||||||||||
| box-folder | |||||||||||||
| 83.7 | Photograph of Steven Spielberg and Christian Bale, nd | ||||||||||||
| 83.8 | Publicity brochure, nd, and name badge, 19 May 1987 | ||||||||||||
| 83.9 | Articles and reviews, 1987-88 | ||||||||||||
| The Engagement (see teleplay of The Dissolution of Dominic Boot) | |||||||||||||
| Enigma --Screenplay adaptation of the 1995 novel by Robert Harris | |||||||||||||
| box-folder | |||||||||||||
| 83.11 | Memo from Anthony Jones to Stoppard, 1 Feb. 1996 | ||||||||||||
| Enter a Free Man [ A Walk on the Water] [ Preservation of George Riley] | |||||||||||||
| Teleplay | |||||||||||||
| box-folder | |||||||||||||
| 67.1 | Camera Script, stamped "Final Draft Script," mimeograph typescript, 1963 | ||||||||||||
| 84.1 | Reviews, nd | ||||||||||||
| Radio Play | |||||||||||||
| box-folder | |||||||||||||
| 67.2 | Mimeograph typescript, with holograph revisions in an unknown hand, 1965 | ||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 9.1 | Holograph draft fragments and printed fragment, nd | ||||||||||||
| 83.12 | "The Preservation of George Riley," bound photocopy typescript with holograph revisions, nd | ||||||||||||
| 67.3 | Composite photocopy, carbon, and original typescript, with holograph revisions, nd | ||||||||||||
| 9.2 | Programs, 1974 | ||||||||||||
| 83.13 | Programs, 1968, 1990, 1992, nd | ||||||||||||
| 83.14-15 | Articles, reviews, and advertisements, 1968, 1970 | ||||||||||||
| 83.16 | "Foreign Language Cuttings" [articles and reviews], 1964-1969 | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 84.2 | Incomplete page proofs, 1968 | ||||||||||||
| 9.3 |
"Der Spleen Des George
Riley"--German translation, [teleplay] shooting schedule, photocopy
typescript,
1982.
With letter from George Galitzine, 14 June 1982 |
||||||||||||
| 84.3 | Folder label of German translation by Gustav Frank, nd | ||||||||||||
| Every Good Boy Deserves Favour | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 9.4-5 | Holograph and typescript drafts, Oct. 1974-Jan. 1978 | ||||||||||||
| 9.6 | Carbon typescripts of two drafts, June, July 1976 | ||||||||||||
| 9.7 | Thermofax of July 1976 typescript, with holograph
revisions,
March 1977.
With thermofax of letter from Stoppard to Trevor Nunn, nd |
||||||||||||
| 9.8 | Typescript with two thermofax copies, March 1977 | ||||||||||||
| 9.9-10 | Photocopy typescript, bound, 4 copies, March 1977 | ||||||||||||
| 9.11 | Stage manager's script. Photocopy typescript with light and sound cues, March 1977 | ||||||||||||
| 84.4 | Bound photocopy of typescript with holograph revisions in unidentified hand, [1986] | ||||||||||||
| 9.12 | Programs and production photograph, 1977-81 | ||||||||||||
| 84.5 | Audio cassette tape, 1978 | ||||||||||||
| 84.6 | Photocopy of Moody Blues album cover, nd | ||||||||||||
| 84.7 | Flyers and programs, 1977-78 | ||||||||||||
| 10.1 | Articles and reviews, 1976-78 | ||||||||||||
| 84.8 | Articles and reviews, 1977-79 | ||||||||||||
| Mounted posters: | |||||||||||||
| Ro Theater, Rotterdam, Holland,
1979
(Oversize Folder 2) |
|||||||||||||
| John Player Centenary Festival,
1977
(Oversize Folder 6) |
|||||||||||||
| National Theatre, Norway,
1979
(Oversize Box 3) |
|||||||||||||
| Pact Drama, Johannesburg,
1986
(Oversize Box 4) |
|||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 10.2 | Introduction to Faber and Faber 1978 edition, typescript with holograph instructions to printer, 19 Oct. 1977 | ||||||||||||
| 10.3 | La Musique Adoucit les Moeurs --French adaptation by Guy Dumur, photocopy typescript, with holograph revisions, bound, nd, and photocopy typescript, with holograph corrections, nd | ||||||||||||
| 10.4-5 | Correspondence and production file, 1976-79 | ||||||||||||
| 84.9 | Correspondence,
1982-93
With Los Angeles contact sheet, 1986, and RPO rehearsal schedule, 1987 |
||||||||||||
| Every Good Boy Deserves Favour [and] Professional Foul --Omnibus | |||||||||||||
| box-folder | |||||||||||||
| 10.6 | Setting copy, photocopy of corrected typescript with instructions to the printer, nd | ||||||||||||
| Page proofs, with holograph corrections, Faber and
Faber 1978 edition
(galley files) |
|||||||||||||
| A Far Off Place --Screenplay adaptation of the book by L. van der Post | |||||||||||||
| box-folder | |||||||||||||
| 84.10 | Typescript list of spellings; typescript draft fragments; and typescript "Extract from Testament to the Bushmen" by Laurens van der Post and Jane Taylor, nd | ||||||||||||
| 43.1 | Photocopy typescript with holograph notes and revisions, bound, 1 Oct. 1988 | ||||||||||||
| 43.2 | Photocopy typescript, bound, 1 Dec. 1988 | ||||||||||||
| 84.11 | Correspondence, 1988-93 | ||||||||||||
| The Fifteen-Minute Hamlet [ The Fifteen-Minute Dogg's Troupe Hamlet]--Stage play | |||||||||||||
| Double bill with
The Real Inspector Hound,
photograph and program,
1992
(see The Real Inspector Hound, Folders 104.16 and 104.17) |
|||||||||||||
| box-folder | |||||||||||||
| 84.12 | Puppentheater, Berlin, production by Zlatko Bourek, photographs, 1987; Tschechow program, 1988 | ||||||||||||
| Mounted poster: Zlatko Bourek's puppet production at
Teatar & TD, Zagreb, Croatia,
nd
(Oversize Folder 3) |
|||||||||||||
| box-folder | |||||||||||||
| 84.13 | Bound typescript of Icelandic translation by Gudjón Olafsson, nd | ||||||||||||
| 59.7 | Tom Stoppard's 15 Minute Hamlet --Screenplay adaptation by Todd Louiso, photocopy typescript, bound, 1994 | ||||||||||||
| Four Plays for Radio --Omnibus | |||||||||||||
| box-folder | |||||||||||||
| 10.7 | Photocopy of corrected page proofs,
June 1984
[Faber and Faber 1984 edition] |
||||||||||||
| The Frog Prince --Screenplay based on the short story by John Collier, never produced | |||||||||||||
| box-folder | |||||||||||||
| 84.14 | Youth, Age, & A Frog Prince [short stories by John Collier], bound photocopy typescript, nd | ||||||||||||
| 10.8 | Incomplete carbon typescript, nd | ||||||||||||
| 10.9 | Holograph and carbon typescript drafts, July 1976. | ||||||||||||
| 10.10 | Correspondence, 12-26 Aug. 1976 | ||||||||||||
| Funny Man--Unproduced teleplay | |||||||||||||
| box-folder | |||||||||||||
| 67.4 | Photocopy typescript, with holograph title page in unknown hand nd, | ||||||||||||
| Galileo --Unproduced screenplay | |||||||||||||
| box-folder | |||||||||||||
| 84.15 | Notebook of holograph research notes,
Jan. 1971.
Includes notes for Where Are They Now, Nov. 1969, and diary notes for Dogg's Our Pet, 30 Sept., 12 Nov.-6 Dec. 1971 |
||||||||||||
| 84.16-17 | Bound photocopy typescript,
May 1971.
Two copies, one incomplete |
||||||||||||
| 43.3 | Photocopy typescript with some holograph
corrections, bound,
nd.
With note from Stoppard to Trevor [Nunn] |
||||||||||||
| 43.4 | Photocopy typescript with some holograph corrections, bound, nd | ||||||||||||
| 43.5 | Photocopy typescript with some holograph corrections, bound, nd | ||||||||||||
| 85.1 | Clippings, 1971 | ||||||||||||
| 85.2 | [Life of Galileo], screenplay by Barbara Bray and Joseph Losey, based on the 1947 Charles Laughton film version of the play by Bertolt Brecht. Photocopy typescript draft with holograph revisions in unidentified hand; photocopies of drawings by John Hubley, typescript excerpts of Brecht's notes, set design, typescript list of props, actors, costumes, sound, and set requirements by sequence, typescript notes by Losey, and typescript extracts from Losey's "L'Oeil du Maitre." 20 June 1974 | ||||||||||||
| 59.8 | Letter from Stoppard to Michael___, 13 June | ||||||||||||
| The Gamblers --Stage play | |||||||||||||
| box-folder | |||||||||||||
| 10.11 | Typescript synopsis, nd | ||||||||||||
| 10.12 | Holograph notes, nd | ||||||||||||
| 10.13 | Holograph draft, nd | ||||||||||||
| 10.14 | Incomplete carbon typescript, with holograph revisions, nd | ||||||||||||
| 67.5 | Incomplete photocopy typescript, [1960] | ||||||||||||
| 85.3 | Review clipping, 1965 | ||||||||||||
| 85.4 | [The Grapefruit Millionaire], holograph pages, Oct. 1974-Jan. 1975 | ||||||||||||
| Hapgood | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 85.5 | Holograph notes, 22 April 1986 | ||||||||||||
| 11.1-3 | Holograph drafts, July 1986-Nov. 1987 | ||||||||||||
| 11.4 | Holograph and photocopy holograph drafts, Nov.-Dec. 1986 | ||||||||||||
| 11.5-7 | Holograph draft, Sept.-Nov. 1986, Nov. 1987 | ||||||||||||
| 12.1 | Photocopy typescript draft fragments, nd | ||||||||||||
| 12.2 | Incomplete photocopy typescript,
Dec. 1986.
With photocopy letter from Jill Beck to Jacky Matthews, 20 Nov. 1986 |
||||||||||||
| 12.3 | Photocopy typescript, bound, Jan. 1987 | ||||||||||||
| 85.6-9 | Bound photocopy typescript draft,
Jan. 1987.
Four copies, one incomplete and with a holograph correction |
||||||||||||
| 85.10 | Bound photocopy typescript, Jan. 1987, with holograph revisions, October 1987 | ||||||||||||
| 86.1-3 | Original and photocopy typescript fragments with holograph revisions, Oct.-Nov. 1987, nd | ||||||||||||
| 12.4 | Composite original and photocopy typescript, with holograph corrections, Nov. 1987 | ||||||||||||
| 12.5 | Incomplete photocopy typescript, Nov. 1987 | ||||||||||||
| 12.6 | Photocopy typescript, with holograph revisions, bound, Nov. 1987 | ||||||||||||
| 59.9 | Photocopy typescript, bound, Nov. 1987 | ||||||||||||
| 12.7 | Photocopy typescript, bound. With cast list, nd | ||||||||||||
| 13.1 | Original and photocopy typescript revision pages, Sept. 1986, March 1988 | ||||||||||||
| 13.2-3 | Photocopy and original typescript and holograph revision pages and draft sections, 1986-88 | ||||||||||||
| 59.10 | Photocopy typescript, with some holograph corrections, bound, 1988 | ||||||||||||
| 13.4 | Photocopy typescript, bound, Jan. 1989 | ||||||||||||
| 59.11 | Holograph draft pages and notes, Nov.-Dec. 1993 | ||||||||||||
| 86.4 | Typescript draft with holograph revisions and insert pages, 16 March 1994, nd | ||||||||||||
| 59.12 | Photocopy typescript, with holograph revisions and
insert pages,
nd.
[With additional faxed typescript pages, 22 March 1994] |
||||||||||||
| 86.5 | Faxes of holograph and typescript pages with holograph revisions, 24 March 1994 | ||||||||||||
| 60.1 | Holograph, photocopy typescript, and faxed typescript draft pages, with holograph revisions, March 1994 | ||||||||||||
| 60.2 | Photocopy typescript, with holograph revisions, nd | ||||||||||||
| 60.3 | Photocopy typescript, nd, with holograph revisions
and insert pages,
16 March 1994.
[On verso of insert page: holograph Cats notes, nd] |
||||||||||||
| 86.6 | Photocopy typescript pages with holograph corrections in unidentified hand; faxes of typescript and holograph revision pages, 29 March 1994, nd | ||||||||||||
| 60.4 | Photocopy typescript, with holograph revisions, bound, 1 April 1994 | ||||||||||||
| 60.5 | "New York"
typescript,
14 Oct. 1994
[with holograph revisions, nd, and faxed and photocopy typescript insert pages, 30 Oct., 5 Nov. 1994] |
||||||||||||
| 60.6 | Photocopy typescript, 14 Oct. 1994, with photocopy typescript insert pages, 30 Oct. 1994, and holograph revisions, nd, bound. With additional rewrite pages, 30 Oct., 5 Nov., 17 Nov. 1994 | ||||||||||||
| 86.7 | Photocopy typescript, 26 Nov. 1994 | ||||||||||||
| Holograph notes,
nd
(see Hopeful Monsters notes, Folder 90.3) |
|||||||||||||
| box-folder | |||||||||||||
| 86.8 | Typescript pages, nd | ||||||||||||
| 60.7 | "A Matter of Metaphor" [introduction for Lincoln Center Theatre program], faxed typescript and typescript page proof, both with holography revisions, 20 Sept. 1994, nd | ||||||||||||
| 60.8 | Theatre programs, Wimbledon Theatre and Aldwych Theatre, 1988 | ||||||||||||
| 86.9 | Programs, flyers | ||||||||||||
| Posters: | |||||||||||||
| A Contemporary Theatre, Seattle production,
nd
(Oversize Folder 5) |
|||||||||||||
| Aldwych Theatre, London, signed by Stoppard,
nd
(Oversize Box 2, folder 1) |
|||||||||||||
| box-folder | |||||||||||||
| 43.6 | Rehearsal photograph of Stoppard with Felicity Kendal and Nigel Hawthorne, nd | ||||||||||||
| 60.9 | Rehearsal photographs, London production | ||||||||||||
| Negatives
(RESTRICTED) |
|||||||||||||
| box-folder | |||||||||||||
| 86.10 | Rehearsal photographs, London production, [1988] | ||||||||||||
| Negatives
(RESTRICTED) |
|||||||||||||
| box-folder | |||||||||||||
| 13.5 | Articles and reviews, March-Sept. 1988 | ||||||||||||
| 86.11 | Articles, reviews, and advertisements, 1988-90 | ||||||||||||
| 13.6-7 | Correspondence, Oct. 1986-Sept. 1988 | ||||||||||||
| 13.8 | Teacher's handbook, by Jonathan Marks, Jack Sharrar, and Barry Kraft, printed and bound, [1988] | ||||||||||||
| Screenplay ( "Abandoned") | |||||||||||||
| box-folder | |||||||||||||
| 86.12 | Original and faxes of holograph and typescript draft fragments, Nov. 1995-Jan. 1996 | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 87.1 | Photocopy page proofs with holograph revisions, May 1988 | ||||||||||||
| 13.9 | Photocopy of corrected page proofs, Faber and Faber 1988 edition | ||||||||||||
| 87.2 | Printed Faber and Faber 1988 edition with holograph revisions, nd | ||||||||||||
| 87.3 | Photocopy page proofs with holograph revisions, 1994 | ||||||||||||
| 61.1 | Photocopy of printed text,
nd.
With note from Angie of Peters Fraser and Dunlop to Jacky Matthews, nd |
||||||||||||
| 87.4 | Correspondence,
1988-96.
With compilation of quotations for American Conservatory Theater production, Leeds stage drawings, cast lists, and tour schedule. |
||||||||||||
| Happy & Glorious: Celebrating Forty Years --Prologue by Stoppard, to be spoken by Sir John Gielgud, never performed due to death of Martin Tickner. | |||||||||||||
| box-folder | |||||||||||||
| 43.7 | Holograph, typescript, and faxed typescript drafts,
Nov. 1992.
With letter from Gwen Watford to Stoppard, 1 Dec. 1992 |
||||||||||||
| Hendrick's America --Proposed teleplay, never produced | |||||||||||||
| box-folder | |||||||||||||
| 13.10 | Carbon typescript proposal,
nd.
With letter from John Flaxman of Media Productions Co., 7 Jan. 1974 |
||||||||||||
| Higg and Cogg --Stage play | |||||||||||||
| box-folder | |||||||||||||
| 13.11 | Typescript, nd | ||||||||||||
| Hopeful Monsters --Screenplay adaptation of the book by Nicholas Mosley | |||||||||||||
| box-folder | |||||||||||||
| 43.8 | Holograph revision pages and outline, 18-31 May, 1-17 June 1993 | ||||||||||||
| 43.9 | Original and faxed typescript draft fragments with
holograph revisions, and holograph revision pages,
29 July, 6-14 August 1993, nd.
On versos: Merry Widow typescript draft fragments with holograph revisions, 14 June 1993 |
||||||||||||
| 61.2-3 | Holograph research notes, script notes, and rewrite
pages,
Jan.-Nov. 1993.
With letter from Stoppard to the London Library, 21 Jan. 1994, and reply from the Library, nd |
||||||||||||
| 61.6 | Photocopy typescript, with few holograph notations, bound, 20 Aug. 1993 | ||||||||||||
| 44.1 | Original and faxed typescript draft fragments with
holograph revisions, and holograph revision pages,
nd.
With holograph note from Stoppard to secretary, nd |
||||||||||||
| 61.4 | Holograph rewrite page, nd | ||||||||||||
| 61.5 | Incomplete photocopy typescript, with holograph revisions, nd | ||||||||||||
| 44.2-3 | Original and faxzed typescript draft fragments with
holograph revisions, and holograph revision pages,
20-31 June, 22-31 July, 1-7 Aug. 1993,
nd.
On versos: Arcadia holograph draft fragments, nd, and Merry Widow typescript draft fragments with holograph revisions, nd |
||||||||||||
| 44.4 | Original and faxed typescript draft fragments with holograph revisions, 6 Aug. 1993, nd | ||||||||||||
| 44.5 | Original and faxed typescript draft fragments with holograph revisions, 13 Aug. 1993, nd | ||||||||||||
| 44.6 | Incomplete original and faxed typescript with holograph revisions, 17 Aug. 1993, nd | ||||||||||||
| 44.7 | Incomplete typescript draft, fragments, and
holograph revision pages, with holograph notes from Stoppard to secretary,
24-28 July, 1-30 Aug., 1 Sept. 1993, nd.
On versos: Merry Widow typescript draft fragments with holograph revisions and holograph revision pages, nd (1 of 2) |
||||||||||||
| 45.1 | Incomplete typescript draft
(2 of 2) |
||||||||||||
| 45.2 | Unfinished typescript with holograph revisions, bound, 20 Aug. 1993 | ||||||||||||
| 45.3 | Original and faxed typescript fragments with a few holograph corrections, 24 Sept., 3 and 8 Nov. 1993, nd; and holograph revision pages, 1-22 Sept. and 6-24 Oct. 1993 | ||||||||||||
| 45.4-5 | Incomplete original and faxed typescript with holograph revisions, Oct. 1993, nd | ||||||||||||
| 45.6-7 | Incomplete typescript draft with holograph revisions, faxed typescript pages with holograph revisions, holograph revision pages, diary sheet, and holograph outline, 16-31 June, 2-9 July, 9 Nov. 1993, nd | ||||||||||||
| 46.1 | Original and faxed typescript draft with holograph revisions, 5 and 8 Nov. 1993, nd | ||||||||||||
| 46.2 | Incomplete typescript with a few holograph corrections, nd | ||||||||||||
| 87.5 | Bound typescript, Nov. 1993 | ||||||||||||
| 46.3 | Typescript with holograph revisions, bound, 22 Nov. 1993 | ||||||||||||
| 87.6 | Bound photocopy typescript with holograph notes in unidentified hand, 22 Nov. 1993 | ||||||||||||
| 87.7 | Bound typescript with holograph notations, 22 Nov. 1993 | ||||||||||||
| 88.1 | Incomplete photocopy typescript with holograph revisions, 22 Nov. 1993 | ||||||||||||
| Typescript page (see "Arcadia Script Variations," Folder 70.5) | |||||||||||||
| box-folder | |||||||||||||
| 46.4 | Original and faxed typescript draft fragments with
holograph revisions, and holograph revision pages,
2-31 Oct., 1-22 Nov. 1993, nd.
[With holograph note from Stoppard to Jeremy ___] |
||||||||||||
| 88.2-4 | Holograph revision pages; photocopy typescript pages
with holograph revisions,
5 April-3 May 1995, nd.
On versos of some holograph pages: rejected photocopy typescript pages, nd; holograph and faxed typescript of programmed telephone numbers, 18 April 1995,nd; diary sheets, 14 and 21 April, 5 May 1995; holograph draft of tribute to Andre Previn, nd; holograph draft of invitation, nd; holograph notes to Spatz and Robert, nd; faxed copy of Giles Croft party invitation, 5 May 1995; and holograph notes, Oct. 1995 |
||||||||||||
| 88.5 | Incomplete composite draft of photocopy original and faxed typescript pages with holograph revisions and insert pages, 12 May 1995, nd | ||||||||||||
| 88.6 | Holograph and photocopy typescript revision pages
with holograph revisions, nd; composite fragment of holograph and photocopy
typescript pages with holograph revisions, nd.
[On versos: typescript of programmed telephone numbers, nd; holograph notes, 28 and 30 April, 1 and 10 May 1995, 7 Dec., nd; holograph Indian Ink fragment, nd; holograph note to Robert, nd; holograph note to Mr. McCourt, 22 May [1995]] |
||||||||||||
| 88.7 | Composite fragment of faxes of holograph and
typescript pages with holograph revisions,
22-23 May 1995.
With the originals of the holograph pages |
||||||||||||
| 88.8 | Composite holograph and photocopy typescript revision pages with holograph revisions, nd | ||||||||||||
| 89.1 | Composite photocopy original and faxed typescript fragment with holograph revisions, 24 May 1995, nd | ||||||||||||
| 89.2 | Photocopy faxed typescript fragment with holograph revisions, 25 May 1995 | ||||||||||||
| 89.3 | Typescript with holograph revisions and insert pages, nd | ||||||||||||
| 89.4 | Typescript fragment with holograph revisions in unidentified hand, nd | ||||||||||||
| 89.5 | Photocopy typescript fragment, nd | ||||||||||||
| 89.6 | Incomplete typescript fragment with holograph revisions, 19 Aug. 1995 | ||||||||||||
| 89.7 | Discarded holograph insert pages,
nd.
On versos: photocopy typescript page; photocopy typescript pages of unidentified work in French |
||||||||||||
| 89.8 | Typescript fragment with holograph revisions and
insert pages,
20 Aug. and 5 Sept. 1995.
On versos: photocopy typescript pages of unidentified work in French, nd; holograph page of Invention of Love, 17 July 1995; holograph letters to Jill Evans and David___, nd; holograph page of Indian Ink, nd. Some missing pages were incorporated into Sept. 12 draft |
||||||||||||
| 89.9 | Typescript fragment with holograph revisions and incorporating pages from earlier draft, 12 Sept. 1995 | ||||||||||||
| 89.10 | Holograph revision pages, nd | ||||||||||||
| 89.11 | Composite holograph and photocopy and original
typescript fragment with holograph revisions.
On versos: holograph page of Invention of Love, nd; unidentified holograph notes, nd; and faxed National Theatre publicity draft, 19 Sept. 1995 |
||||||||||||
| 89.12 | Typescript with holograph revisions, 26 Sept. 1995 | ||||||||||||
| 90.1 | Typescript with holograph revisions and insert pages, 16 Oct. 1995 | ||||||||||||
| 90.2 | "Final," photocopy typescript with holograph revisions, 16 Oct. 1995 | ||||||||||||
| 90.3 | Holograph notes,
1993-95, nd.
On versos: holograph notes on Hapgood, nd; typescript letter to Ian Carrington, 27 April 1995 |
||||||||||||
| 90.4 | Notebook containing notes from meetings with
Kathleen Kennedy and Hugh Hudson,
Aug. and 3 Sept. 1995.
With notes re. Indian Ink and notes re. card scheme. With pages of holograph notes, 19 Aug. 1995, nd |
||||||||||||
| 46.5 | Correspondence, 26 May 1993-24 Jan. 1994 | ||||||||||||
| 90.5-6 | Correspondence, 1993-96 | ||||||||||||
| The House of Bernarda Alba --Stage play, based on the play by Federico Garcia Lorca | |||||||||||||
| box-folder | |||||||||||||
| 90.7 | Typescript [literal] translation with holograph revisions in Stoppard's hand and others', nd | ||||||||||||
| 90.8 | Photocopy of typescript with holograph revisions and Greenwich Theatre technical production notes in unidentified hand, nd | ||||||||||||
| 90.9-10 | Photocopy of typescript with holograph revisions,
Sept. 1973.
With photocopy note to Bill Ball, nd. Two copies |
||||||||||||
| 14.1 | Program, 1973 | ||||||||||||
| 90.11 | Flyer, nd | ||||||||||||
| How Sir Dudley Lost the Empire --Teleplay | |||||||||||||
| box-folder | |||||||||||||
| 67.6 | First Draft, photocopy of typescript, with holograph revisions, nd | ||||||||||||
| The Human Factor --Screenplay adaptation of the book by Graham Greene | |||||||||||||
| box-folder | |||||||||||||
| 14.2 | "First Draft, 1st Aug. 1978, Copy No. 4," photocopy of corrected typescript, bound | ||||||||||||
| 14.3 | "Second Draft, 25 August 1978," thermofax typescript | ||||||||||||
| 14.4 | [Second Draft], thermofax typescript, with holograph revisions, nd | ||||||||||||
| 14.5 | Photocopy typescript, nd | ||||||||||||
| 14.6 | Photocopy typescript, with holograph corrections by Otto Preminger, bound, [1978] | ||||||||||||
| 14.7 | Memos and revision pages. Typescripts and thermofax typescripts, 1978, 1979, nd | ||||||||||||
| 14.8 | Articles and reviews, 1978 | ||||||||||||
| 91.1 | Article, 1980 | ||||||||||||
| 14.9 | Correspondence, 1979 | ||||||||||||
| I Can't Give You Anything But Love, Baby --Teleplay, never produced | |||||||||||||
| box-folder | |||||||||||||
| 14.10 | Holograph and typescript draft fragments, with holograph revisions, nd | ||||||||||||
| If You're Glad I'll Be Frank--Radio Play (see also Albert's Bridge double-bill) | |||||||||||||
| box-folder | |||||||||||||
| 67.7 | Typescript page with holograph revisions, nd | ||||||||||||
| 67.8 | Mimeograph typescript, 1966 | ||||||||||||
| 67.9 | Mimeograph typescript, with holograph revisions in an unknown hand, 1966 | ||||||||||||
| In the Native State | |||||||||||||
| Radio play | |||||||||||||
| box-folder | |||||||||||||
| 91.2 | Incomplete typescript, nd | ||||||||||||
| 91.3 | Typescript fragments, nd | ||||||||||||
| 61.7 | Holograph draft pages, April 1987, May 1988-Oct. 1990 | ||||||||||||
| 14.11 | Holograph draft, Jan. 1989-Oct. 1990 | ||||||||||||
| 15.1-2 | Holograph draft (continued) | ||||||||||||
| 15.3 | Incomplete typescript, with holograph revisions,
nd.
With additional holograph and typescript draft fragments, nd |
||||||||||||
| 91.4 | Fax of typescript page with holograph notations, 16 Oct. 1990 | ||||||||||||
| 91.5 | Composite fragment of original and faxed typescript pages with holograph revisions, 16 Oct. 1990, nd | ||||||||||||
| 91.6 | Typescript fragments with holograph revisions, nd | ||||||||||||
| 91.7 | Typescript fragment with holograph revisions, nd | ||||||||||||
| 46.6 | Photocopy typescript, bound, Oct. 1990 | ||||||||||||
| 61.8-9 | Photocopy typescript, bound,
Oct. 1990
(2 copies) |
||||||||||||
| 91.8 | Bound typescript, Oct. 1990 | ||||||||||||
| 91.9 | Bound photocopy typescript,
Oct. 1990.
With holograph revisions, [Jan. 1991] |
||||||||||||
| 46.7 | Photocopy typescript with holograph revisions, nd | ||||||||||||
| 91.10 | Photographs, [1991] | ||||||||||||
| 91.11 | Articles and reviews, including whole issue of Radio Times, April 1991 | ||||||||||||
| 91.12 | Articles and reviews,
April 1991.
With enclosure letter from John Tydeman, 30 May 1991, fan mail received by Tydeman, April 1991, and BBC listening panel report, 16 May 1991 |
||||||||||||
| The Giles Cooper Award certificate,
1991
(Oversize Box 2, folder 2) |
|||||||||||||
| Sony Radio Awards certificate,
1992
(Oversize Box 5, folder 2) |
|||||||||||||
| box-folder | |||||||||||||
| 91.13 | Correspondence, 1990-94 | ||||||||||||
| 91.14 | Typescript blurb with holograph revisions, nd | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 46.8 | Printed copy of 1991 Faber and Faber edition, with extensive holograph revisions | ||||||||||||
| Indian Ink --based on In the Native State | |||||||||||||
| Stage Play | |||||||||||||
| box-folder | |||||||||||||
| 47.1 | Typescript revision pages with holograph revisions, faxed and holograph revision pages, holograph outlines, and holograph notes, 6 Sept., 12-22 Nov., 4-31 Dec. 1992, 1 Jan. 1993, nd | ||||||||||||
| 47.2 | Original and faxed typescript draft fragment with holograph revisions, 23 and 28 Dec. 1992, Jan. 1993 | ||||||||||||
| 47.3 | Typescript draft fragment with holograph revisions, typescript draft with holograph revisions, revision pages, and outlines, 22 Nov., 30 Dec. 1992, 2-3 Jan. 1993, nd | ||||||||||||
| 47.4 | Typescript of Act One, nd | ||||||||||||
| 47.5 | Typescript with holograph revisions, Jan./Feb. 1993 | ||||||||||||
| 47.6 | Typescript draft fragment, nd | ||||||||||||
| 47.7 | Original and faxed typescript revision pages with
holograph revisions, and holograph revision pages, outlines, and notes for
Stoppard's address at memorial service for Richard Imison,
18 Aug., 10 and 31 Dec. 1992, 2-13 Jan., 23-30
April, 1-5 May 1993.
With postcard from Frank [Pike] to Stoppard, nd |
||||||||||||
| 47.8 | Thermofaxes of draft fragments with holograph revisions, nd, and typescript draft fragment, nd | ||||||||||||
| 47.9 | Typescript,
nd.
With typescript fragments of pp. 64-67, nd |
||||||||||||
| 47.10 | Typescript, nd | ||||||||||||
| 47.11 | Faxed typescript draft fragments with holograph
revisions,
3 and 4 May 1993.
With postcard with revision notes and note to Stoppard from B[arnaby Stoppard], nd |
||||||||||||
| 48.1 | Typescript with holograph revisions, nd | ||||||||||||
| 48.2 | Typescript with holograph revisions, nd | ||||||||||||
| 48.3 | Photocopy faxed revision pages, 12 May 1993 | ||||||||||||
| 48.4 | Typescript with holograph corrections [by Jacky
Matthews] and photocopy faxed holograph and typescript revision pages,
12 and 13 May 1993, nd.
With photocopy faxed note from Stoppard to [Matthews], 13 May 1993, and photocopy faxed letter from Ginger [Montel] of Iron Mountain Productions to Matthews, 15 Jan. 1993 |
||||||||||||
| 48.5 | Typescript with holograph revisions and notes to secretary, and holograph revision pages and outlines, 8 Aug. and 4 Dec. 1992, 22 and 30 April, 2-13 May 1993 | ||||||||||||
| 48.6 | Typescript with holograph revisions, bound, May 1993 | ||||||||||||
| 48.7 | Typescript pages with holograph revisions, May 1993 | ||||||||||||
| 62.1 | Photocopy typescript, with holograph revisions,
bound,
17 May 1993.
With holograph insert and rewrite pages, 20-29 Aug.-1 Sept. 1994 |
||||||||||||
| 62.2 | Typescript and holograph fragments, with holograph revisions, Aug.-Sept. 1994 | ||||||||||||
| 62.3 | Typescript,
nd.
With holograph revisions and holograph and faxed typescript insert pages, 9 Sept. 1994, nd |
||||||||||||
| 62.4 | Holograph draft pages, Aug.-Sept. 1994 | ||||||||||||
| 91.15 | Typescript of Act One, with holograph corrections
in Jacky Matthews' hand,
nd.
With faxes of typescript revision pages with holograph revisions and insert pages by Stoppard, 7 Sept. 1994 |
||||||||||||
| 62.5 | Holograph insert pages, 8 and 9 Sept. 1994 | ||||||||||||
| 91.16 | Typescript pages with holograph revisions in Jacky Matthews' hand, nd, and faxes of holograph insert pages, 21 Sept. 1994 | ||||||||||||
| 91.17 | Photocopy typescript of Act Two, with holograph revisions, nd | ||||||||||||
| 91.18 | Photocopy typescript of Act Two, with holograph revisions, nd | ||||||||||||
| 92.1 | Incomplete typescript with holograph revisions in Jacky Matthews' hand, with faxes of typescript pages with holograph revisions and insert pages, 8 and 9 Sept. 1994 | ||||||||||||
| 92.2-3 | Typescript fragments, with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 92.4 | Typescript with holograph revision in Jacky Matthews' hand, Sept. 1994 | ||||||||||||
| 92.5 | Faxes of holograph pages, 21 Sept. 1994; typescript pages with holograph revisions in Jacky Matthews' hand, nd | ||||||||||||
| 92.6 | Incomplete typescript, nd | ||||||||||||
| 92.7 | "Corrected" photocopy typescript fragment, Sept. 1994 | ||||||||||||
| 92.8 | Typescript pages with holograph revisions in Jacky Matthews' hand | ||||||||||||
| 62.6 | Photocopy typescript, with holograph revisions, Sept. 1994 | ||||||||||||
| 62.7 | Photocopy typescript, bound, Sept. 1994 | ||||||||||||
| 62.8 | Faxed typescript,
4 Nov. 1994,
With holograph revisions, 22 and 23 Nov. 1994, nd |
||||||||||||
| 62.9-10 | Photocopy typescript, with holograph revisions, Dec. 1994 | ||||||||||||
| 92.9 | Typescript fragment with holograph revisions in Jacky Matthews' hand. With faxes of typescript pages with holograph revisions and holograph insert pages, 12-13 Dec. 1994 | ||||||||||||
| 92.10 | Typescript with holograph revisions in Jacky
Matthews' hand,
nd.
With faxes of holograph insert pages with additional revisions [by Matthews], and fax of a typescript page with holograph revisions, 14-15 Dec. 1994 |
||||||||||||
| 92.11 | "Dead" typescript fragment with holograph revisions, nd; typescript pages with holograph corrections in Jacky Matthews' hand, nd | ||||||||||||
| 63.1 | Photocopy typescript, with holograph revisions,
bound,
Dec. 1994.
With letter from Stoppard to Charles Boyle of Faber and Faber, 23 Jan. 1995, and holograph and photocopy typescript rewrite pages, Aug.-Dec. 1994 |
||||||||||||
| 92.12 | Incomplete composite draft of originals and
photocopies of typescript pages with holograph revisions in unidentified hand,
all with holograph revisions by Stoppard.
With faxed typescript pages with holograph revisions, 24 Jan. 1995, and with holograph revision pages, nd |
||||||||||||
| 92.13 | Holograph and photocopy typescript revision pages, 8, 24 and 25 Jan. 1995, nd | ||||||||||||
| 92.14 | Incomplete composite draft of originals and photocopies of typescript pages with holograph revisions in unidentified hand, Dec. 1994, with additional holograph revisions by Stoppard, 9 Jan. [1995], nd | ||||||||||||
| 93.1 | "Dead" faxes of typescript revision pages, 5 Feb. 1995, nd; typescript and holograph revisions pages, nd | ||||||||||||
| 93.2 | Holograph notes, cuts, inserts, and revision pages, 12, 19 and 20 Feb. 1995, nd; typescript revisions, nd; and holograph and typescript notes to Peter Wood and Felicity Kendal, nd | ||||||||||||
| 93.3 | Bound photocopy of typescript with holograph revisions in unidentified hand, with additional holograph revisions and photocopy holograph pages of cuts and changes by Stoppard, nd | ||||||||||||
| 93.4 | Corrected theater program drafts and proofs with related correspondence, 2-8 Feb. 1995; production contact sheets, 22 Dec. 1994, nd; production schedule, 8 Aug. 1995 | ||||||||||||
| 93.5 | Photographs from National Theatre production, 1996 | ||||||||||||
| 93.6-7 | Programs, flyers, and ticket stub, 1995 | ||||||||||||
| Poster: Aldwych Theatre, London,
nd
(Oversize Box 2, folder 1) |
|||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 93.8 | Photocopy of page proofs with holograph revisions, with additional holograph revisions and insert pages. With letter from Charles Boyle, 25 Jan. 1995 | ||||||||||||
| 93.9 | Photocopy page proofs with holograph revisions and insert pages. With letters to and from Charles Boyle, 2 Feb. 1995, nd | ||||||||||||
| 93.10 | Photocopy page proofs with holograph revisions and holograph and photocopy typescript insert pages. With letter from Charles Boyle, 10 May 1995 | ||||||||||||
| 93.11 | [Changes for Faber & Faber published
editions], holograph, original, faxed and photocopy typescript revision pages
with holograph revisions,
5-22 Feb. 1995, nd.
With dust jacket proof, nd; original and faxed holograph drafts of blurb and biography, 10 Jan. 1995, nd; and memos to Charles Boyle, 10 Jan. 1995, nd |
||||||||||||
| 93.12 | Correspondence, 1995, nd | ||||||||||||
| Indiana Jones and the Last Crusade --Screenplay by Jeffrey Boam, story by George Lucas, Menno Meyjes, with revisions by Stoppard | |||||||||||||
| box-folder | |||||||||||||
| 94.1 | Typescript revision pages with holograph revisions, nd | ||||||||||||
| 94.2 | Photocopy typescript revision pages,
15 May 1988.
With holograph revision, nd |
||||||||||||
| 94.3 | Review, 1989 | ||||||||||||
| 94.4 | Correspondence,
1988-89
With faxes of automated dialogue replacement, 30 Dec. 1988 |
||||||||||||
| Innocent Blood --Screenplay adaptation of the book by P. D. James, never produced | |||||||||||||
| box-folder | |||||||||||||
| 15.4 | Holograph draft, Nov. 1980-dec. 1981, April 1981 | ||||||||||||
| 15.5 | Photocopy typescript, with holograph revisions, Jan. 1981 | ||||||||||||
| 15.6 | Photocopy typescript, bound, Jan. 1981 | ||||||||||||
| 63.2 | Photocopy typescript, bound, Jan. 1981 | ||||||||||||
| Invention of Love | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 63.3 | Holograph research notes, nd | ||||||||||||
| 94.5 | Holograph draft page,
18 July 1996.
On verso: memo to Juliana, nd |
||||||||||||
| 94.6 | Photograph, [1998] | ||||||||||||
| 94.7 | Color laser prints of the Wilma Theatre production, Philadelphia, 2000 | ||||||||||||
| 94.8-9 | Programs, flyer, 1998-99; brochure, 2000 | ||||||||||||
| 94.10 | Photocopy program, photographs, collage, and
reviews of Kassel production,
1998.
With letter from Nicki Stoddart, 23 Nov. 1998 (collage removed to Oversize Box 3) |
||||||||||||
| 94.11 | Photocopy reviews and articles of the Wilma
Theatre, Philadelphia, production,
2000.
With letter from Damian Sinclair, 28 April 2000 |
||||||||||||
| 94.12 | Review, 1998 | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 94.13 | Mounted book jacket designs, nd | ||||||||||||
| 94.14-15 | Correspondence, 1996-99 | ||||||||||||
| 94.16 | Bound photocopy typescript of German translation by Frank Günther, nd | ||||||||||||
| Johnny on the Spot --Stage play by Charles MacArthur, with revisions by Stoppard for Richard Eyre | |||||||||||||
| box-folder | |||||||||||||
| 63.4 | Holograph revision pages, nd; cast list, 1994 | ||||||||||||
| Jumpers [And Now the Incredible Archibald Jumpers] | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 94.17 | Bound photocopy typescript, nd | ||||||||||||
| 94.18 | Photocopy typescript with holograph revisions, nd | ||||||||||||
| 94.19 | Bound photocopy typescript with holograph revisions, [Dec. 29] | ||||||||||||
| 94.20 | Bound photocopy typescript, nd | ||||||||||||
| 67.10 | Bound photocopy typescript, nd | ||||||||||||
| 95.1 | Bound photocopy typescript with holograph revisions, nd | ||||||||||||
| 95.2 | "New York Prompt Script, Property Plot, Prop Inventory," thermofax of typescripts with holograph changes and cues, [1974] | ||||||||||||
| 15.7 | Photocopy typescript, with holograph revisions,
bound,
nd.
With photocopy typescript Coda, nd, and photocopy holograph draft fragments, 20 Aug. 1976 |
||||||||||||
| 95.3 | Incomplete photocopy of typescript with typescript and holograph revisions in unidentified hand, [1984] | ||||||||||||
| 95.4 | "Forget Yesterday," published sheet music by Marc Wilkerson, words by Stoppard, 1972 | ||||||||||||
| 95.5 | Reproduction of a drawing by William Hewison, nd | ||||||||||||
| 15.8 | Programs, 1973-78 | ||||||||||||
| 63.5 | Theater program from Paris production, 1993 | ||||||||||||
| 95.6-7 | Programs and flyers, 1972-1995 | ||||||||||||
| Posters: | |||||||||||||
| National Theatre, London,
[1972]
(copy one of two, Oversize Folder 5) |
|||||||||||||
| Akademietheater, Vienna,
1973
(Oversize Folder 5) |
|||||||||||||
| Theatre Tristan Bernard, Paris,
nd
(Oversize Box 2, folder 1) |
|||||||||||||
| Mounted posters: | |||||||||||||
| National Theatre at the Old Vic,
1972
(copy two of two, Oversize Folder 9) |
|||||||||||||
| National Theatre, Lyttleton,
[1976]
(Oversize Folder 9) |
|||||||||||||
| The Royal Exchange Theatre Company,
1984
(Oversize Folder 9) |
|||||||||||||
| Billy Rose Theater, New York,
1974
(Oversize Box 4) |
|||||||||||||
| Aldwych Theatre, London,
nd
(Oversize Box 4) |
|||||||||||||
| Nottingham Playhouse, England,
nd
(Oversize Box 4) |
|||||||||||||
| box-folder | |||||||||||||
| 95.8 | "Cuttings," articles and reviews, 1972-76, 1984-85 | ||||||||||||
| Book | |||||||||||||
| Page proofs on galleys,
1972
(galley files) |
|||||||||||||
| box-folder | |||||||||||||
| 16.1 | Photocopy page proofs (Faber and Faber 1986
edition), with holograph corrections,
March 1986.
With letter from Jane Robertson, 18 Feb. 1986. |
||||||||||||
| 95.9 | Photocopy page proofs with holograph corrections,
[1996].
With note from Frank Pike, nd |
||||||||||||
| 95.10 | Photocopy page proofs, 1999 | ||||||||||||
| 95.11 | Correspondence, 1971-95 | ||||||||||||
| 95.12-13 | Les Acrobates, bound mimeo typescript of French adaptation by Jacques De Decker, nd | ||||||||||||
| Knuckle [ Naked without a Gun] --Unproduced screenplay adaptation of the play by David Hare | |||||||||||||
| box-folder | |||||||||||||
| 96.1-4 | Holograph pages, Nov. 1974-June 1975, nd | ||||||||||||
| 96.5 | Carbon typescript fragment with holograph revisions, nd | ||||||||||||
| 96.6 | Incomplete carbon typescript with holograph revisions, some in unidentified hand, nd | ||||||||||||
| 96.7 | Carbon typescript pages with holograph revisions, nd | ||||||||||||
| 96.8 | Bound photocopy typescript with holograph revisions, nd | ||||||||||||
| 96.9 | Typescript of revised outline by unknown person, with holograph corrections in unidentified hand, 10 April 1975 | ||||||||||||
| 97.1-2 | "Old Script and Paper" composite fragment of carbon and photocopy typescript pages with holograph revisions, and with holograph insert page and typescript notes re. possible endings, nd; holograph pages, April-July 1975. | ||||||||||||
| 97.3 | Incomplete carbon typescript with typescript and holograph revisions, some in unidentified hand, nd | ||||||||||||
| 97.4 | Typescript fragment with holograph notations in unidentified hand, nd | ||||||||||||
| 97.5 | Incomplete composite draft of original, carbon, and mimeo typescript pages with holograph revisions, nd | ||||||||||||
| 97.6 | Incomplete composite draft of original, carbon, and photocopy typescript pages with holograph revisions, nd | ||||||||||||
| 16.2 | Correspondence, 1974-75, nd | ||||||||||||
| Largo Desolato --English version of the work by Václav Havel | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 97.7 | Carbon typescript of English translation by unidentified person, with holograph revisions by Stoppard, nd | ||||||||||||
| 97.8 | Typescript with holograph revisions, nd. | ||||||||||||
| 97.9 | Photocopy typescript with holograph revisions, nd | ||||||||||||
| 97.10 | Notes by Stoppard and Jacky Matthews re. errors in typescript, photocopy typescript errata page, nd nd; | ||||||||||||
| 97.11 | Bound photocopy typescript with typescript revisions taped in, nd | ||||||||||||
| 98.1 | Photocopy typescript, nd | ||||||||||||
| 16.3 | Holograph drafts, 28 Jan.-7 Feb. 1985 | ||||||||||||
| 16.4 | Photocopy of corrected typescript,
[Feb. 1985].
With letter from Jacky Matthews to Jill Beck, 25 Feb. 1985 |
||||||||||||
| 16.5 | Photocopy typescript, bound, nd | ||||||||||||
| 16.6 | Photocopy typescript, with holograph revisions, 8 Sept. 1986 | ||||||||||||
| 98.2 | Bound photocopy typescript, 9 Sept. 1986, with holograph notes and revisions, nd | ||||||||||||
| 16.7 | Photocopy of typescript with holograph revisions
in an unknown hand,
nd.
With holograph note from Madeline Puzo to Stoppard, nd |
||||||||||||
| 98.3 | Program, nd | ||||||||||||
| 16.8 | Correspondence and production file, 13 Dec. 1984- 6 Oct. 1987 | ||||||||||||
| Book | |||||||||||||
| box-folder | |||||||||||||
| 16.9 | Photocopy of corrected page proofs with notes to printer, [1986], nd | ||||||||||||
| 98.4 | Photocopy of page proofs with holograph printer's corrections and markings, 1986 | ||||||||||||
| 16.10 | Photocopy page proofs, with holograph revisions,
[1987].
With letter from Julia Clark, 27 Feb. 1987 |
||||||||||||
| 63.6 | Le Dindon --Stage play by Georges Feydeau, with revisions by Stoppard for Peter Hall | ||||||||||||
| Holograph revision pages, [1994] | |||||||||||||
| Lord Malquist and Mr. Moon | |||||||||||||
| Novel | |||||||||||||
| box-folder | |||||||||||||
| 16.11 | Holograph draft fragments, 4 June, nd | ||||||||||||
| 16.12 | [Ad Absurdam (sic)], typescript with holograph
revisions,
nd.
With holograph page of notes, nd |
||||||||||||
| 98.5 | Typescript with holograph revisions, 1966 | ||||||||||||
| 98.6 | Dust jacket, nd | ||||||||||||
| 98.7-8 | Reviews and advertisement, 1966-68 | ||||||||||||
| Screenplay | |||||||||||||
| box-folder | |||||||||||||
| 98.9 | "First Draft," bound photocopy typescript, nd | ||||||||||||
| Love for Three Oranges --English translation of the libretto of the opera Amour des trois oranges by S. Prokofiev, for Glyndebourne Touring Opera | |||||||||||||
| box-folder | |||||||||||||
| 16.13 | Photocopy typescript, with holograph revisions, nd | ||||||||||||
| 17.1 | Photocopy of corrected typescript, nd | ||||||||||||
| 98.10 | Program for Glyndebourne Touring Opera, 1983 | ||||||||||||
| "M" Is for "Moon" among Other Things | |||||||||||||
| Short story | |||||||||||||
| Carbon typescript with holograph revisions
(see Pursuit of Happiness, Folder 49.6) |
|||||||||||||
| box-folder | |||||||||||||
| 67.11 | Radio Play | ||||||||||||
| Mimeograph and photocopy typescripts, 1964. | |||||||||||||
| box-folder | |||||||||||||
| 98.11 | Review, [1964] | ||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 17.2 | Articles and reviews,
nd
(see also Pursuit of Happiness) |
||||||||||||
| Medicine Man [The Stand] --Revision of the screenplay by Tom Schulman and Sally Robinson | |||||||||||||
| box-folder | |||||||||||||
| 98.12-13 | Two bound photocopy typescripts, Dec. 1990, with holograph revisions by Stoppard, nd | ||||||||||||
| 99.1 | "Last version Dec. 21," typescript draft, 20 Dec. 1990, with holograph revisions by Stoppard; typescript revision pages with memo from Stoppard to John McTiernan, 24 Jan. 1991 | ||||||||||||
| 99.2 | Correspondence, 1990-93 | ||||||||||||
| Merry Widow --English narration for Franz Lehár's opera, for Glyndebourne Festival Opera | |||||||||||||
| box-folder | |||||||||||||
| 48.8 | Original and faxed typescript drafts with holograph
revisions, draft pages, notes, and outlines,
16-28 Jan., 8 and 15 Feb. 1993.
With faxed letter from Sarah Plummer of Glyndebourne Festival Opera to Jacky Matthews, 18 May 1993 (see also Hopeful Monsters versos) |
||||||||||||
| 63.7 | Photocopy and faxed typescript drafts, with
holograph revisions,
7 and 15 July 1993, nd.
With Glyndebourne Festival Opera program, June-July 1993, and holograph breakdown of acts, nd |
||||||||||||
| 99.3 | Article, April 1993 | ||||||||||||
| Neutral Ground --Teleplay | |||||||||||||
| box-folder | |||||||||||||
| 17.3 | [The Wound and the Bow], typescript synopsis with letter from Stoppard to Derek Bennett, 15 June 1966, and letter from Bennett to Stoppard, 20 June 1966 | ||||||||||||
| 17.4 | "First Draft," carbon typescript, nd | ||||||||||||
| 48.9 | Camera Script, mimeograph typescript, 18 Nov. 1968 | ||||||||||||
| 67.12-13 | Carbon and photocopy typescripts, nd | ||||||||||||
| 99.4 | Thermograph typescript with holograph markings, nd | ||||||||||||
| 99.5 | Carbon typescript, nd | ||||||||||||
| 99.6 | Reviews, 1968, 1971 | ||||||||||||
| Night and Day | |||||||||||||
| Stage play | |||||||||||||
| box-folder | |||||||||||||
| 17.5-8 | Holograph drafts, Jan.-April 1978 | ||||||||||||
| 17.9 | Photocopy typescript, bound, May 1978 | ||||||||||||
| 17.10 | Photocopy typescript, with holograph revisions, bound, May 1978 | ||||||||||||
| 17.11 | Thermofax typescript, with holograph corrections, May 1978 | ||||||||||||
| 18.1 | Holograph, typescript, and thermofax typescript revision pages and draft fragments, Sept.-Dec. 1978 | ||||||||||||
| 18.2 | Photocopy typescript, with holograph revisions, bound, Dec. 1978 | ||||||||||||
| 18.3 | Photocopy typescript, bound, Dec. 1978 | ||||||||||||
| 18.4 | Photocopy typescript, with holograph revisions, nd | ||||||||||||
| 18.5 | Photocopy typescript, with holograph revisions, Aug.-Nov. 1979 | ||||||||||||
| 99.7 | Bound mimeo typescript, [ca. Sept. 1979] | ||||||||||||
| 99.8 | "Second Draft," bound photocopy typescript with holograph revision, Aug. 1980 | ||||||||||||
| 18.6 | Programs,
1978-79.
With holograph and typescript production and program notes, nd |
||||||||||||
| 99.9 | Programs, flyer, 1979, 1982 | ||||||||||||
| Posters: Toronto Free Theatre, Canada,
1982
(Oversize Box 5, folder 1) |
|||||||||||||
| Mounted posters: | |||||||||||||
| Akademietheater, Vienna, production,
1980
(Oversize Folder 2) |
|||||||||||||
| < | |||||||||||||