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Purchase, 2000
Hope Donovan Rider, 2005
Open for research
The Alice Adams papers span her career as a novelist and short story writer. Most of her novels and short story collections are represented, including Listening to Billie, Superior Women, and The Last Lovely City. The collection is arranged in three series: Series I. Works, 1931-2000; Series II. Correspondence, 1958-1999; and Series III. Personal and Career-Related.
Series I. Works is subdivided into Subseries A. Novels and Short Story Collections, Subseries B. Uncollected Short Stories, and Subseries C. Other Writings. Subseries A. consists of typescripts, proofs, and correspondence relating to her novels and collected short stories. There is also a typescript for her travel book, Mexico: Some Travels and Some Travelers There. Of interest is a typescript draft of an unpublished early novel, The Impersonators, written when Adams and her husband were living in Paris in 1947. There are no handwritten drafts of the works present because Adams destroyed early versions of her works once they had been transcribed.
Subseries B. contains short stories that were not collected in other volumes. Some stories are represented only by typescripts, while others include tear sheets or a published volume of the periodical containing the story, as well as publication correspondence. There is one file of early short stories written in 1946 while Adams was a student at Radcliffe.
Subseries C. includes non-fiction articles and book reviews written by Adams, as well as many of her working notebooks.
The correspondence in Series II. is arranged alphabetically by last name or subject, depending on the original folder titles in Adams's files. The correspondents reflect both her personal and business relationships. There is extensive correspondence with her various literary agents, including Peter Matson and Lynn Nesbit, as well as Vicky Wilson, her editor at Knopf. Many writers are represented, including Saul Bellow, Alison Lurie, Norman Mailer, Joyce Carol Oates, and the poet Donald Hall. Many letters and business documents are addressed to Alice Linenthal. Adams married Mark Linenthal in 1946, and although they divorced in 1958, she continued to use her married name on government records and for business purposes.
Series III. Personal and Career-Related includes royalty statements, articles written about Adams, and personal clippings files, as well as a collection of photographs and postcards. The bulk of the photos are travel pictures from Mexico, where Adams often went for vacation, and from various trips to Europe, including a trip taken to Portugal as research for a magazine article. Most of these date from the 1970s and early 1980s. There are several files of personal and publicity photos, including a wedding photograph from 1946 that shows her parents and husband.
Books, periodicals, audio cassettes, and personal effects received with this collection were transferred to appropriate departments within the Ransom Center.
Series I. Works, |
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| Subseries A. Novels and Short Story Collections | |||||||||||||
| Box | Folder | ||||||||||||
| 1 | 1-4 | After the War: a novel (novel, 2000), typescripts | |||||||||||
| After You've Gone (short stories, 1989) | |||||||||||||
| Box | Folder | ||||||||||||
| 1 | 5-7 | Typescripts, offprints, correspondence | |||||||||||
| 2 | 1 | Typescripts, cont'd | |||||||||||
| 2 | Clippings, correspondence | ||||||||||||
| Almost Perfect (novel, 1993) | |||||||||||||
| Box | Folder | ||||||||||||
| 2 | 3-4 | Typescript | |||||||||||
| 5 | Early revisions | ||||||||||||
| Proofs, master set | |||||||||||||
| Box | Folder | ||||||||||||
| 2 | 6-7 | 1st pass | |||||||||||
| 8-9 | 2nd pass | ||||||||||||
| 10 | Clippings, correspondence | ||||||||||||
| 3 | 1 | Careless Love / The Fall of Daisy Duke (novel, 1966), correspondence, reviews | |||||||||||
| Caroline's Daughters (novel, 1991) | |||||||||||||
| Box | Folder | ||||||||||||
| 3 | 2-6 | Typescript | |||||||||||
| 7 | Proof, bound | ||||||||||||
| 4 | 1 | Clippings, correspondence | |||||||||||
| Families and Survivors (novel, 1975) | |||||||||||||
| Box | Folder | ||||||||||||
| 4 | 2 | Typescript proofs with handwritten corrections | |||||||||||
| Folder | |||||||||||||
| * | Galleys (*removed to oversize box 28) | ||||||||||||
| Box | Folder | ||||||||||||
| 4 | 3 | Clippings, correspondence | |||||||||||
| 4-5 | The Impersonators, typescript, [1947] | ||||||||||||
| The Last Lovely City (short stories, 1999) | |||||||||||||
| Box | Folder | ||||||||||||
| 4 | 6-8 | Typescripts, offprints, correspondence | |||||||||||
| 5 | 1-7 | Typescripts, cont'd | |||||||||||
| 8 | Book jackets | ||||||||||||
| 9 | Clippings, correspondence | ||||||||||||
| Listening to Billie (novel, 1978) | |||||||||||||
| Box | Folder | ||||||||||||
| 6 | 1 | Typescript | |||||||||||
| Proofs | |||||||||||||
| Box | Folder | ||||||||||||
| 6 | 2-3 | Heavily corrected | |||||||||||
| 4 | "1st rev. master set" | ||||||||||||
| Medicine Men (novel, 1997) | |||||||||||||
| Box | Folder | ||||||||||||
| 6 | 5 | Notebook, ca. 1994 | |||||||||||
| 6-8 | Typescript | ||||||||||||
| 7 | 1-2 | Typescript, cont'd | |||||||||||
| 3 | Proof, bound | ||||||||||||
| 4 | Clippings, correspondence, publication materials | ||||||||||||
| Mexico: Some Travels and Travelers There (non- fiction, 1990) | |||||||||||||
| Box | Folder | ||||||||||||
| 7 | 5 | Typescript | |||||||||||
| 6 | Clippings, correspondence | ||||||||||||
| Return Trips (short stories, 1985) | |||||||||||||
| Box | Folder | ||||||||||||
| 8 | 1-5 | Typescripts, correspondence, offprints | |||||||||||
| Folder | |||||||||||||
| * | Typescripts, correspondence, offprints | ||||||||||||
| Box | Folder | ||||||||||||
| 8 | 6 | Page proofs | |||||||||||
| 9 | 1 | Page proofs, cont'd | |||||||||||
| 2 | Clippings, correspondence | ||||||||||||
| Rich Rewards (novel, 1980) | |||||||||||||
| Folder | |||||||||||||
| * | Galleys (*removed to galley file) | ||||||||||||
| Box | Folder | ||||||||||||
| 9 | 3 | Clippings, correspondence | |||||||||||
| Second Chances | |||||||||||||
| Box | Folder | ||||||||||||
| 9 | 4-5 | Typescript, photocopy | |||||||||||
| 6 | Clippings, publication correspondence | ||||||||||||
| A Southern Exposure (novel, 1995) | |||||||||||||
| Box | Folder | ||||||||||||
| 10 | 1-6 | Typescripts | |||||||||||
| Proofs | |||||||||||||
| Box | Folder | ||||||||||||
| 10 | 7 | "Master set, 1st pass" | |||||||||||
| 11 | 1 | "Master set, 1st pass," cont'd | |||||||||||
| 2-3 | "Master set" | ||||||||||||
| 4-5 | With handwritten corrections | ||||||||||||
| 6 | Bound | ||||||||||||
| 7 | Clippings | ||||||||||||
| Superior Women (novel, 1984) | |||||||||||||
| Box | Folder | ||||||||||||
| 12 | 1-3 | Typescript, photocopy | |||||||||||
| Folder | |||||||||||||
| * | Galleys (*four folders removed to galley files) | ||||||||||||
| Box | Folder | ||||||||||||
| 12 | 4-6 | Page proofs, with handwritten corrections | |||||||||||
| 13 | 1-6 | Page proofs | |||||||||||
| 7 | Production materials | ||||||||||||
| 14 | 1 | Production materials, cont'd | |||||||||||
| 2 | Contracts, royalty statements | ||||||||||||
| 3-4 | Clippings, correspondence, publicity materials | ||||||||||||
| Folder | |||||||||||||
| * | Publicity and review materials (*removed to oversize box 28) | ||||||||||||
| Box | Folder | ||||||||||||
| 14 | 5 | Party photographs | |||||||||||
| To See You Again (short stories, 1982) | |||||||||||||
| Box | Folder | ||||||||||||
| 14 | 6-8 | Typescripts, correspondence | |||||||||||
| 15 | 1-2 | Typescript, photocopy | |||||||||||
| Folder | |||||||||||||
| * | Galleys (*four folders removed to galley files) | ||||||||||||
| Box | Folder | ||||||||||||
| 15 | 3-4 | Page proofs | |||||||||||
| 5 | Clippings, correspondence | ||||||||||||
| Subseries B. Uncollected Short Stories | |||||||||||||
| Early stories, drafts | |||||||||||||
| Box | Folder | ||||||||||||
| 15 | 6 | ca. 1946 | |||||||||||
| 16 | 1-2 | ca. 1959-1960s | |||||||||||
| 3-4 | "Uncollected stories," typescripts, correspondence | ||||||||||||
| 5 | A- "Complicities" | ||||||||||||
| 6 | "Arabel's list," drafts, published in Ploughshares | ||||||||||||
| 17 | 1 | "Arrangements," drafts, correspondence, published in Epoch | |||||||||||
| 2 | "The Best Revenge," published in Boulevard | ||||||||||||
| 3 | "Computers"-Fa | ||||||||||||
| 4 | "Cressida, in Oregon," typescripts, published in Boulevard | ||||||||||||
| 5 | For-H | ||||||||||||
| 6 | "Gay Friends," drafts, correspondence, published in Santa Monica Review | ||||||||||||
| 18 | 1 | "Humpty Dumpty," drafts, correspondence, tear sheet | |||||||||||
| 2 | K-P | ||||||||||||
| 3 | "Love and Work," published in Southwest Review | ||||||||||||
| 4 | "The Oasis," published in The Graywolf Annual Two: Stories by Women | ||||||||||||
| 5 | R-W | ||||||||||||
| 6 | "The Shipbuilder From Düsseldorf," typescript, published in Story | ||||||||||||
| Subseries C. Other Writings | |||||||||||||
| Box | Folder | ||||||||||||
| 18 | 7 | Book reviews, 1976-1984 | |||||||||||
| 8 | Commencement address, University of California, Berkeley, 22 May 1987 | ||||||||||||
| 19 | 1 | Diary, ca. 1937 | |||||||||||
| 2-3 | Juvenilia, artwork and poetry, ca. 1931-1937 | ||||||||||||
| 4 | Miscellaneous projects | ||||||||||||
| 5 | Non-fiction articles and stories | ||||||||||||
| Notebooks | |||||||||||||
| Box | Folder | ||||||||||||
| 19 | 6 | 1949-1972 | |||||||||||
| 7 | 1972-1980 | ||||||||||||
| 20 | 1 | 1979-1985 | |||||||||||
| 2 | 1980-1987 | ||||||||||||
| 3 | 1985 | ||||||||||||
| 4 | 1987-1988 [ Caroline's Daughters] | ||||||||||||
| 5 | 1987-1991 | ||||||||||||
| 6 | 1991-1997 | ||||||||||||
| 7 | 1992-1994, "The Sick Book," haiku | ||||||||||||
| 21 | 1 | 1997-1999 | |||||||||||
| Undated | |||||||||||||
| Box | Folder | ||||||||||||
| 21 | 2 | "The Book of Bob - Mirrors," [ Almost Perfect] | |||||||||||
| 3 | [A Southern Exposure] | ||||||||||||
| 4-7 | Poetry, drafts, notebooks, ca. 1934-1946 | ||||||||||||
| 8 | Talks about writing and writers, typescripts | ||||||||||||
Series II. Correspondence, 1958-1999 |
|||||||||||||
| Box | Folder | ||||||||||||
| 21 | 9 | A-C | |||||||||||
| 10 | Abrahams, William (Billy), 1960s-1970s | ||||||||||||
| 11 | Adams, Judith, 1962-1998 | ||||||||||||
| 22 | 1 | Adams, Judith, cont'd | |||||||||||
| 2 | Brown, Margery, 1973-1985 | ||||||||||||
| 3 | Business correspondence, 1985-1998 | ||||||||||||
| 4 | Colwin, Laurie, 1976-1984 | ||||||||||||
| 5 | D-H | ||||||||||||
| 6 | Dodds, John, 1963-1965 | ||||||||||||
| 7 | Ewert, William, re special edition of "Molly's Dog," 1983-1984 | ||||||||||||
| 8 | Hall, Donald, 1990-1996 | ||||||||||||
| 9 | Harris, Jeanne, 1977-1985 | ||||||||||||
| 10 | I-R | ||||||||||||
| 11 | International Creative Management Inc., agents Lynn Nesbit and Erica Spellman, 1977-1984 | ||||||||||||
| 23 | 1-2 | Jessner, Lucie, 1958-1979 | |||||||||||
| 3 | Johnson, Diane, 1975-1999 | ||||||||||||
| 4 | Lowry, Beverly, 1986-1994 | ||||||||||||
| 5 | Mailer, Norman, 1963-1969 | ||||||||||||
| 6 | Maine property, 1960-1986 | ||||||||||||
| 7-8 | Matson, Peter, 1965-1971 | ||||||||||||
| 9 | The New Yorker correspondence, 1968 | ||||||||||||
| 10 | Poirier, Richard, 1961-1996 | ||||||||||||
| 11 | Protest, 1985 | ||||||||||||
| 12 | "Rags," rejections, 1953, 1967-1970 | ||||||||||||
| 24 | 1 | S-W | |||||||||||
| 2 | Segal, David, 1965-1966 | ||||||||||||
| 3-4 | Steele, Max, 1962-1998 | ||||||||||||
| 5 | Summerlin, Dolly, 1981-1983 | ||||||||||||
| 6 | Wilson, Victoria (Vicky), 1977-1996 | ||||||||||||
| 7-8 | Writers, 1971-1998 | ||||||||||||
| 9 | Writers conferences, 1981-1985 | ||||||||||||
| 25 | 1 | Miscellaneous, 1960s, 1974-1999 | |||||||||||
Series III. Personal and Career-Related |
|||||||||||||
| Box | Folder | ||||||||||||
| 25 | 2 | American Academy and Institute of Arts and Letters, award, 1992 | |||||||||||
| 3-4 | Articles and critical essays about Adams | ||||||||||||
| 5 | Clippings re poetry, restaurants, travel | ||||||||||||
| Photographs | |||||||||||||
| Personal | |||||||||||||
| Box | Folder | ||||||||||||
| 25 | 6 | Adams-Linenthal wedding, 1946 | |||||||||||
| 7 | Adams with others, 1971-1974 | ||||||||||||
| 8 | 60th birthday album, 1986 | ||||||||||||
| 9 | Adams and Robert McNie | ||||||||||||
| 10 | Headshots and publicity photographs | ||||||||||||
| 11 | Miscellaneous, loose | ||||||||||||
| Travel | |||||||||||||
| Box | Folder | ||||||||||||
| 25 | 12 | Alaska, 1981 | |||||||||||
| 13 | Boston-New York City, 1984 | ||||||||||||
| Europe | |||||||||||||
| Box | Folder | ||||||||||||
| 25 | 14-15 | Early 1970s, with Robert McNie | |||||||||||
| 16 | 1984 | ||||||||||||
| 17 | Italy, 1985 | ||||||||||||
| Mexico | |||||||||||||
| Box | Folder | ||||||||||||
| 26 | 1-2 | 1970s | |||||||||||
| 3 | Guanajuato | ||||||||||||
| 4 | Mexico City | ||||||||||||
| 5 | San Miguel | ||||||||||||
| 6 | Zihuatanejo, 1980 | ||||||||||||
| 7-8 | Portugal, 1984 | ||||||||||||
| 9 | Santa Fe, 1985 | ||||||||||||
| 10 | Taos, 1982 | ||||||||||||
| 11 | Postcards, blank | ||||||||||||
| 27 | 1-2 | Postcards, cont'd | |||||||||||
| 3 | Royalty statements, 1985-1993 | ||||||||||||
| 28 | Oversize | ||||||||||||