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Purchase, 2005 (Reg. no. 15374)
Hope Donovan Rider and Liz Murray, 2005
Open for research
The papers of American writer Alan Furst contain drafts of his novels and non-fiction, as well as articles, book reviews, essays, poems, screenplays, and stories. Literary and personal correspondence as well as career-related material is also included. The papers are organized into three series: I. Works, 1963-2004; II. Correspondence, 1963-2005; and III. Career-Related Material.
The Works series is subdivided into Subseries A. Books, and Subseries B. Other Writings. Book titles are arranged alphabetically and include the novels Blood of Victory (2002), The Caribbean Account (1981), Dark Star (1991), Dark Voyage (2004), Heart of the Raining Queen (serialized, 1977), Kingdom of Shadows (2001), Night Soldiers (1988), The Paris Drop (1980), The Polish Officer (1995), Red Gold (1999), Shadow Trade (1983), The World at Night (1996) including 1997 screenplay, and Your Day in the Barrel (1976). Also present is material for The Book of Spies (2002), an anthology of literary espionage edited by Furst, and drafts of One Smart Cookie (1987), written with Debbi Fields, founder of the cookie and baked goods chain "Mrs. Field's Cookies." All drafts are typed, rather than handwritten or computer-generated. Revised sections are often typed and taped on top of the original typescript. In addition, the drafts contain many handwritten changes. Frequently present are notes and research material, a succession of drafts, copy-edited typescripts, setting copies, proofs, dust jackets, publicity (including posters for Dark Star and Red Gold), and reviews. A small amount of editorial correspondence is available for a number of the novels.
Subseries B. Other Writings includes early typescripts such as a graduate school paper on Sir George Savile, a fragment from an untitled first novel, and poems. Also present are newspaper and magazine articles, numerous book reviews, essays, screenplays, and stories. Furst 's articles on a variety of topics appeared in popular magazines and newspapers including Architectural Digest, Elle, Esquire, 50 Plus, International Herald Tribune, Islands, New Choices, New York, The New York Times, Pursuits, Salon, and Seattle Weekly. The articles are arranged by year of publication and frequently include typescript drafts and tearsheets. Of note is the April 1984 Esquire article, "The Danube Blues," which sparked Furst's interest in writing espionage novels. Numerous slides of his 1983 Danube trip are also available. Unproduced screenplays include "Heros of the Last War" (1984), and "Warsaw" (1992). Stories and essays vary in title and topic, such as "A Crisis in Our Lives," for the 1961/1962 Oberlin Yeoman, "East Coast Time," "A New York Story," "Schmuck Economics" and "Things in the Woods. "
The correspondence in Series II, primarily incoming letters, is arranged in chronological order from 1963-2005, the bulk between 2001-2005. Correspondents include academics, agents, booksellers, literary associations, publishers, and readers worldwide. The small amount of personal correspondence from friends and acquaintances is virtually all related to Furst's books, with the exception of a 1963 letter from Furst's grandfather Max Stockman in which his grandson is urged to be a teacher and "write as a sideline" in his spare time.
Series III. Career-Related Material includes articles about Furst, book catalogs and festival fliers, contracts and royalty statements, interviews and publicity photographs.
Books, books on tape, and personal effects received with this collection were transferred to appropriate departments within the Ransom Center.
Series I. Works, 1963-2004 |
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| Subseries A. Books | |||||||||||||
| Blood of Victory (2002) | |||||||||||||
| Box | Folder | ||||||||||||
| 1 | 1 | Notes and proposal; early title "The Fools of Time" | |||||||||||
| 2-5 | Research material | ||||||||||||
| 6-9 | First draft, fragments, rough order | ||||||||||||
| 2 | 1-2 | First draft, fragments, cont'd | |||||||||||
| 3 | Draft fragment, pp. 1-47 | ||||||||||||
| Final first draft | |||||||||||||
| 2 | 4-6 | Original typescript | |||||||||||
| 7 | Photocopy | ||||||||||||
| 3 | 1 | Photocopy, cont'd | |||||||||||
| 2-3 | Final draft | ||||||||||||
| 4-5 | Copy edited typescript, 4/7/2002 | ||||||||||||
| 6 | Page proofs, incomplete; dust jacket proofs | ||||||||||||
| 7 | Reviews, foreign | ||||||||||||
| 8 | The Book of Spies (edited by Furst, 2002), notes, introduction, contracts, correspondence, dust jackets | ||||||||||||
| The Caribbean Account (1981) | |||||||||||||
| Box | Folder | ||||||||||||
| 3 | 9 | "Isn't Life a Fountain?," early title, drafts | |||||||||||
| 4 | 1-2 | "Isn't Life a Fountain?," cont'd | |||||||||||
| 3-5 | Typescript titled "The Caribbean Account" | ||||||||||||
| 6-7 | Setting copy | ||||||||||||
| 5 | 1 | Setting copy, cont'd | |||||||||||
| 2 | Reviews | ||||||||||||
| Dark Star (1991) | |||||||||||||
| Box | Folder | ||||||||||||
| 5 | 3-6 | Notes, research, book synopsis, and chapter outlines | |||||||||||
| 7-8 | Draft | ||||||||||||
| 6 | 1-2 | Draft, cont'd | |||||||||||
| 3-5 | Setting copy | ||||||||||||
| 6 | Proofs, master set, first pass | ||||||||||||
| 7 | 1 | Proofs, cont'd | |||||||||||
| 2 | Dust jacket copy and jacket proofs | ||||||||||||
| 3* | Publicity and reviews (*poster removed to Oversize Folder) | ||||||||||||
| Dark Voyage (2004) | |||||||||||||
| Box | Folder | ||||||||||||
| 7 | 4 | Notes | |||||||||||
| 5-7 | First draft | ||||||||||||
| 8 | 1-5 | First draft, cont'd | |||||||||||
| 6 | Four intermediary drafts | ||||||||||||
| 9 | 1-7 | Four intermediary drafts, cont'd | |||||||||||
| 10 | 1 | Four intermediary drafts, cont'd | |||||||||||
| Setting copy | |||||||||||||
| Box | Folder | ||||||||||||
| 10 | 2-3 | Original typescript | |||||||||||
| 4-5 | Photocopy | ||||||||||||
| 6 | Correspondence, re copy-editing | ||||||||||||
| 7 | Dust jackets | ||||||||||||
| Heart of the Raining Queen (1977) | |||||||||||||
| Box | Folder | ||||||||||||
| 10 | 8 | Setting copy | |||||||||||
| 11 | 1 | Setting copy, cont'd | |||||||||||
| 2-4* | Serialization in The Weekly: Seattle's Newsmagazine, tearsheets (*oversize tearsheets removed to Box 32) | ||||||||||||
| Kingdom of Shadows (2001) | |||||||||||||
| Box | Folder | ||||||||||||
| 11 | 5-6 | Research, notes | |||||||||||
| 7-8 | First draft, with book proposal | ||||||||||||
| 12 | 1 | First draft, with book proposal, cont'd | |||||||||||
| 2-3 | Copy-edited typescript | ||||||||||||
| 4-5 | Setting copy | ||||||||||||
| Proofs | |||||||||||||
| Box | Folder | ||||||||||||
| 12 | 6 | Printer's proof | |||||||||||
| 13 | 1 | Printer's proof, cont'd | |||||||||||
| 2-3 | Master set, first pass | ||||||||||||
| 4-5 | Master set, second pass | ||||||||||||
| 6-7 | Reviews, with related correspondence | ||||||||||||
| Night Soldiers (1988) | |||||||||||||
| Box | Folder | ||||||||||||
| 14 | 1-2 | Notes and research | |||||||||||
| 3 | Outline and plot summaries | ||||||||||||
| Drafts | |||||||||||||
| Box | Folder | ||||||||||||
| 14 | 4-5 | Two uncorrected photocopies to p.109 | |||||||||||
| 6-8 | Top copy, with corrections | ||||||||||||
| 15 | 1-2 | Top copy, cont'd | |||||||||||
| 3-6 | Edited photocopy | ||||||||||||
| Author's proofs | |||||||||||||
| Box | Folder | ||||||||||||
| 16 | 1-3 | First set | |||||||||||
| 4-6 | Extra set | ||||||||||||
| 7 | Paperback covers, dust jacket proofs and copy | ||||||||||||
| 8 | Publicity, reviews, and related correspondence | ||||||||||||
| One Smart Cookie (with Debbi Fields, 1987) | |||||||||||||
| Drafts, 1986 | |||||||||||||
| Box | Folder | ||||||||||||
| 17 | 1 | Debbi's copy | |||||||||||
| 2 | Master copy | ||||||||||||
| 3 | Randy's copy | ||||||||||||
| 4-5 | Copy-edited typescript | ||||||||||||
| 6 | Correspondence re revisions | ||||||||||||
| The Paris Drop (1980) | |||||||||||||
| 17 | 7 | "Where's My Chocolate Chip Cookie?," early title, draft | |||||||||||
| 18 | 1-3 | "Original manuscript" | |||||||||||
| 4 | Reviews | ||||||||||||
| The Polish Officer (1995, 2001) | |||||||||||||
| Box | Folder | ||||||||||||
| 18 | 5 | Notes and research | |||||||||||
| Drafts | |||||||||||||
| Box | Folder | ||||||||||||
| 18 | 6-7 | "First draft pages" | |||||||||||
| 19 | 1 | "First draft pages," cont'd | |||||||||||
| 2-6 | Intermediary drafts | ||||||||||||
| 20 | 1 | Intermediary drafts, cont'd | |||||||||||
| * | Setting copy and photocopy (*removed to Oversize Boxes 32-33) | ||||||||||||
| Proofs | |||||||||||||
| Box | Folder | ||||||||||||
| 20 | 2-3 | Copy-edited, 5/19/94 | |||||||||||
| Trade paperback edition | |||||||||||||
| Box | Folder | ||||||||||||
| 20 | 4-5 | Uncorrected, 6/28/01 | |||||||||||
| 6-7 | Master set, first pass, 6/28/01 | ||||||||||||
| 21 | 1-2 | Master set, second pass, 7/26/01 | |||||||||||
| 3 | Correspondence and publicity | ||||||||||||
| Red Gold (1999) | |||||||||||||
| Box | Folder | ||||||||||||
| 21 | 4 | Proposal, "work points" | |||||||||||
| 5 | Research | ||||||||||||
| 6-8 | Drafts | ||||||||||||
| 22 | 1-4 | Drafts, cont'd | |||||||||||
| 5 | Revisions and notes | ||||||||||||
| * | Poster (*removed to Oversize Folder) | ||||||||||||
| 6 | Reviews | ||||||||||||
| Shadow Trade (1983) | |||||||||||||
| Drafts | |||||||||||||
| Box | Folder | ||||||||||||
| 22 | 7-8 | First draft, titled "Doubles" | |||||||||||
| 23 | 1-2 | "Original manuscript" | |||||||||||
| 3-4 | Proofs | ||||||||||||
| * | Galleys (*removed to galley files) | ||||||||||||
| 23 | 5 | Dust jackets | |||||||||||
| 6 | Reviews | ||||||||||||
| The World at Night (1996) | |||||||||||||
| Box | Folder | ||||||||||||
| Novel | |||||||||||||
| 24 | 1 | Proposal | |||||||||||
| 2 | Research, notes | ||||||||||||
| 3-6 | Draft | ||||||||||||
| 25 | 1* | Publicity (*poster to removed to Oversize Folder) | |||||||||||
| 2-3 | Reviews | ||||||||||||
| Screenplay, with James B. Harris | |||||||||||||
| Box | Folder | ||||||||||||
| 25 | 4 | First draft | |||||||||||
| 5 | Draft titled "Soldiers of the Night," 1997 | ||||||||||||
| 26 | 6 | Draft, 1998 | |||||||||||
| Your Day in the Barrel (1976) | |||||||||||||
| Box | Folder | ||||||||||||
| 25 | 7 | Final draft | |||||||||||
| 8 | Reviews and correspondence | ||||||||||||
| * | Poster for reading at Montana Books, Seattle (*removed to Oversize Box 32) | ||||||||||||
| Subseries B. Other Writings | |||||||||||||
| Box | Folder | ||||||||||||
| 26 | 1 | "The Aphorisms of Sir George Savile," graduate school paper, 1963-1964 | |||||||||||
| * | Articles (*oversize removed to Box 32) | ||||||||||||
| 26 | 2 | Absolut vodka ads, various dates | |||||||||||
| 3 | 1976, 1981, Seattle Weekly | ||||||||||||
| 4-9 | 1983-1984, Esquire and Islands | ||||||||||||
| 27 | 1-3 | 1985-1987, Esquire, Architectural Digest, Elle | |||||||||||
| 4-6 | 1988-1990, 50 Plus, International Herald Tribune, New Choices, Pursuits | ||||||||||||
| 7-9 | 2001-2002, New York, Salon, The New York Times | ||||||||||||
| 10-11 | Book reviews | ||||||||||||
| 12 | "First novel" fragment, spring 1963 | ||||||||||||
| 13 | "The Last Catalogue," with Jim Peterson | ||||||||||||
| 14 | Notes, typescript and handwritten fragments | ||||||||||||
| 15 | Poems, ca. 1969-1970 | ||||||||||||
| Screenplays | |||||||||||||
| "Heros of the Last War," screenplay | |||||||||||||
| Box | Folder | ||||||||||||
| 28 | 1 | Treatment, ca. March 1984 | |||||||||||
| 2 | Screenplay, second draft, October 1984, for Northwest Indies, Inc. | ||||||||||||
| "Warsaw," screenplay | |||||||||||||
| Box | Folder | ||||||||||||
| 28 | 3 | First revision, July 14, 1992 | |||||||||||
| 4 | Photocopy | ||||||||||||
| 5 | Stories and essays, 1961-1983, and nd | ||||||||||||
Series II. Correspondence, 1963-2005 |
|||||||||||||
| Box | Folder | ||||||||||||
| 29 | 1 | 1963, letter from grandfather with photographs | |||||||||||
| 2 | 1975-1986 | ||||||||||||
| 3 | 1988-1992, Paris | ||||||||||||
| 4 | 1993-2000 | ||||||||||||
| 5-6 | 2001 | ||||||||||||
| 2002 | |||||||||||||
| Box | Folder | ||||||||||||
| 29 | 7 | January-March | |||||||||||
| 8 | April-June | ||||||||||||
| 9 | July-September | ||||||||||||
| 30 | 1 | October-December | |||||||||||
| 2-4 | 2003-2005 | ||||||||||||
Series III. Career-Related Material |
|||||||||||||
| Box | Folder | ||||||||||||
| 30 | 5 | Articles about Furst | |||||||||||
| 6 | Book catalogs and fliers | ||||||||||||
| 7 | Book festivals, fliers | ||||||||||||
| Contracts, with related correspondence | |||||||||||||
| Box | Folder | ||||||||||||
| 30 | 8 | The Caribbean Account | |||||||||||
| 9 | Dark Star | ||||||||||||
| 10 | The Heart of the Raining Queen | ||||||||||||
| 11 | Night Soldiers | ||||||||||||
| 12 | One Smart Cookie | ||||||||||||
| 13 | The Paris Drop | ||||||||||||
| 14 | The Polish Officer | ||||||||||||
| 31 | 1 | Red Gold | |||||||||||
| 2 | Shadow Trade | ||||||||||||
| 3 | Your Day in the Barrel | ||||||||||||
| 4 | Magazine articles | ||||||||||||
| 5 | Other works | ||||||||||||
| 6 | Interviews | ||||||||||||
| 7* | Photographs, personal and publicity (*oversize contact prints, April 1, 1981, removed to Box 32) | ||||||||||||
| 8 | Royalty statements and related correspondence | ||||||||||||
| Box | Folder | ||||||||||||
| 32-33 | Oversize materials | ||||||||||||