An Inventory of His Collection at the Harry Ransom Center
Creator:
Moraes, Dom, 1938-2004
Title:
Dom Moraes Collection
Dates:
ca. 1956-1965
Extent:
4 document boxes (1.68 linear feet), 1 galley folder
Abstract:
The Dom Moraes Collection contains
handwritten and typed drafts of poetry, journal articles, screenplays, translations,
and published and unpublished books. The materials are written in English and
date
from circa 1956 to 1965. Some items are fragile or torn: care should be taken
when
handling these papers.
Call Number:
Manuscript Collection MS-2908
Language:
English
Access:
Open for research. Some items are fragile or torn, and care should be taken when
handling these papers. Part or all of this collection is housed off-site and may
require up to three business days notice for access in the Ransom Center's Reading
and Viewing Room. Please contact the Center before requesting this material:
reference@hrc.utexas.edu
Dominic Francis Moraes was born July 19, 1938, in Bombay (now Mumbai), India, to
Frank Moraes, an attorney and journalist, and Beryl Moraes, a doctor. The family
moved often during Moraes' childhood, and he traveled extensively with his father,
the editor of The Times of India, especially to
Australia and Southeast Asia. Moraes began writing poetry at age twelve and attended
a Jesuit high school. At age eighteen he entered Oxford University where he met
the
influential poets W. H. Auden and Stephen Spender, who encouraged his work. Moraes'
first published poem appeared in Spender's literary magazine Encounter, and his first book of poetry, A
Beginning, was published in 1957. This book received the Hawthornden
Prize, making Moraes, at nineteen, the youngest and first non-English writer to
win
the award.
Subsequent books of poetry included Poems (1960),
John Nobody (1965), and Beldam Etcetera (1966). Moraes also worked in prose, writing two
autobiographies, Gone Away (1960), and My Son's Father (1968). In the early 1960s, he turned to
journalism in order to make a living and wrote articles about London and British
culture for The Times of India and Illustrated Weekly of India. He also worked as a war
correspondent, covering conflicts in Algeria, Israel, and Vietnam. While in Israel,
he reported on the trial of Adolf Eichmann and translated work by the Hebrew poet
T.
Carmi (pseudonym of Carmi Charny).
In addition to his journalism, Moraes worked as a scriptwriter for several television
programs and films and continued to publish non-fiction work, such as a biography
of
Indira Gandhi, Mrs. Gandhi (1980), and a third
autobiography, Never at Home (1992). In the late
1970s, he returned to live in India and began to focus again on poetry. In 1987,
he
published a collection of poems written from 1957 to 1987, and in 2001 published
Cinnamon Shade: New and Selected Poems, which
earned the Sahitya Akedemi Award, India's highest literary prize. During this
period
he also collaborated with his companion, Sarayu Srivatsa, who considered Moraes
her
mentor.
Moraes was diagnosed with cancer in the early 2000s but refused treatment. He died
of
a heart attack on June 2, 2004.
"Dominic Frank Moraes,"
Dictionary of Literary Biography,
http://galenet.galegroup.com (accessed 26 November 2007).
Hoskote, Ranjit. "The Stranger Who Found Belonging At
Last," The Hindu Magazine 13
June 2004, http://www.hindu.com/mag/2004/06/13/ (accessed 26 November 2007).
"Obituary: Dom Moraes," The Guardian, http://www.guardian.co.uk/obituaries/
(accessed 26 November 2007).
Scope and Contents
The Dom Moraes Collection contains handwritten and typed drafts of poetry, journal
articles, screenplays, translations, and published and unpublished books. The
materials are written in English and date from circa 1956 to 1965.
The collection is arranged into two series: I. Works, and II. Correspondence. The
Works series comprises almost the entirety of the collection and documents Moraes'
early writing and career. Included are manuscripts for Moraes' poetry books A Beginning (1957) and John
Nobody (1965), and numerous articles written for Indian newspapers. Also
present are drafts of several unpublished works, translations, and television
scripts. Numerous notebooks contain handwritten poems, some dating before Moraes'
enrollment at Oxford. Materials are in alphabetical order either by published
title
or under one of the following three headings: Articles, Poetry, or Screenplays.
Series II. Correspondence consists of six letters concerning travel arrangements in
1957. Additional letters relating specifically to his journalism are located in
the
Articles folder in the Works series.
Related Material
Moraes materials are also located in the Center's Vertical Files and in the following
Ransom Center collections: Alfred A. Knopf, Inc.; Terence Armstrong; Edmund Blunden;
Alec Craig; Thomas Cranfill; John Lehman; Nimbus; and
Peter Owen.
Other Dom Moraes manuscript material is located in the Olin Library, Department of
Special Collections, Washington University in St. Louis, Missouri.
Separated Material
Several books received as part of the Moraes Collection were transferred to the
Ransom Center's Book Collection, including A
Beginning, a Swedish and a Norwegian translation of Gone Away, and books by Karl Shapiro and Gregory Corso inscribed to
Moraes.