Descriptive Summary
Barker, Michael
Michael Barker Collection of Joan Littlewood
and the Theatre Workshop
circa 1937-1975
Manuscript Collection MS-02512
15 boxes, 2 oversize folders
Harry Ransom Center, The University of Texas at Austin
The collection documents the activities
of the Theatre group and Littlewood's activities from about 1937-1975. Barker worked as
Littlewood's assistant during the 1960s and '70s. The Collection is primarily composed
of about eighty scripts and screenplays dating from Barker's years with Littlewood. Some
additional correspondence and a series of notebooks kept by Littlewood are also present.
English
Biographical Sketch
Michael Barker, who assembled this collection of Joan Littlewood materials, worked with
her in the 1960s and '70s as an assistant and was involved both in theatrical endeavors
as well as the street theater ventures.
Joan Maud Littlewood was born into a working-class family in London's East End in
October 1914. Early demonstrating an acute mind and an artistic bent she won
scholarships to a Catholic school and then to the Royal Academy of Dramatic Arts.
Quickly realizing that RADA was neither philosophically nor socially congenial, she
departed to study art. In 1934--still short of twenty years of age--she arrived in
Manchester to work for the BBC. Littlewood soon met Jimmy Miller (Ewan MacColl) and
collaborated with him in the Theatre of Action, a leftist drama group. In spite of her
antipathy to traditional theater she was active in repertory theater in Birmingham
during the late '30s and increasingly interested in the theories of Rudolf Laban on
dance and movement as they applied to the stage.
The outbreak of World War Two ended the Theatre of Action, and, after a varied
journalistic and theatrical career during the war, Littlewood, MacColl, Gerry Raffles
(whom she married), and others founded the Theatre Workshop in 1945. The Theatre
Workshop won considerable praise for its tours of Germany, Czechoslovakia, and Sweden
during 1947 and '48, but at home led a vagabond existence, playing one-night stands all
over Britain. In 1953 the group secured the use of the Theatre Royal at Stratford in
east London, and at last began to make a name for themselves in their homeland.
Innovative stagings of traditional theater (
Volpone,
Richard II) and new non-traditional
works (Behan's The Hostage and
Delaney's A Taste of Honey) solidified
the Theatre Workshop's reputation--and Joan Littlewood's--in the years down to the early
1960s. The culmination of Littlewood's Stratford period was perhaps 1963's Oh What a Lovely War, after which her
attentions turned increasingly toward the Fun Palace Trust and similar attempts to
establish interactive non-theatrical public entertainment. The ultimately unsuccessful
fun palace ventures, together with a growing
interest in African and Asian theatrical and film projects absorbed Littlewood's
energies in the years after the mid-1960s.
Scope and Contents
The Michael Barker collection of Joan Littlewood and the Theatre Workshop includes
notebooks, correspondence, scripts and other materials documenting Joan Littlewood's
professional life within and apart from the Theatre Workshop from about 1937 until 1975.
The collection is divided into three series: Joan Littlewood (3 boxes), Collected
Scripts (11 boxes), and Miscellany (1 box).
Michael Barker's Joan Littlewood materials arrived at the HRC via an antiquarian
bookseller and after having survived--at least in part--a fire. No evidence of any
original order employed by Littlewood was evident, nor was there any clear indication
that much of the material was well-known to Barker, though he did apparently label a
number of the notebooks. In organizing the collection the correspondence was arranged
alphabetically and the extensive Littlewood-Raffles correspondence was placed in
chronological order. The scripts have been arranged by playwright, and the remaining
materials are grouped under appropriate rubrics.
The Joan Littlewood series embraces in the main a group of notebooks kept by Littlewood
from the late 1930s to the early 1950s, a number of essays and scripts, as well as a
portion of her correspondence. Completing this series are materials related to her
activities in the Fun Palace Trust and a small group of photographs and theatrical
sketches.
The Littlewood notebooks are essentially her workings-out of dramatic concepts,
dialogue, and evaluations of actors but also contain political essays and commentary.
The correspondence includes the letters between Littlewood and her husband Gerry Raffles
during 1947 and '48, as well as a file of correspondence between Littlewood and actors
and playwrights, such as Isla Cameron, David Mowat, and Celia Salkeld in the early
1960s.
The Collected Scripts series includes about eighty scripts and screenplays dating
primarily from the 1950s and '60s. They are mostly mimeographed, with few manuscript
additions, but several are revised and/or include laid-in correspondence. British--and a
few American--playwrights, such as Lionel Bart, Shelagh Delaney, Ewan MacColl, and Wole
Soyinka are represented in the series.
The concluding Miscellany series contains portions of Michael Barker's correspondence
with Lionel Bart and Tom Driberg, together with Sean Kenny's correspondence on staging
Bart's
Gulliver's Travels.
Series Descriptions
Series I. Joan Littlewood, 1937-1975 (3 boxes)
The Littlewood series is divided into five subseries. The first of these comprises
eleven notebooks kept by the producer-director from the late '30s to the early
1950s. Desultory use of a given notebook over a period of time results in a
complex of ideas difficult to characterize, but it may be said that Littlewood's
notebooks emphasize eurhythmics, dramatic theory, and evaluations of actors, as
well as considerable amounts of dramatic dialogue (
A Christmas Carol, for example). Political theory and
commentary, as well as notes on British history, also figure significantly.
The second subseries, Essays and Scripts, contains essays on the Theatre Royal at
Stratford E.15 and on the artist Maqbul Fida Husain, as well as scripts for six
episodes of an apparent proposed TV series
Max in India.
Subseries C (Correspondence) contains a major portion of the correspondence
between Littlewood and Gerry Raffles during the Theatre Workshop tours of 1947 and
'48, revealing much of the workings and personalities of the ensemble and the
state of the theater in immediate postwar Europe. Other correspondents represented
in the subseries include Sir Tyrone Guthrie, Robert Rietty, and Ray Stark.
Material in the Fun Palace Trust subseries dates from the 1960s and concerns
Littlewood's interest in this entity and related projects to promotefun fairs and other popular entertainment projects.
Virtually all of the work represented here was undertaken by Michael Barker as
Littlewood's assistant.
Subseries E (Joan Littlewood in Print) contains two periodical issues with
Littlewood-related material and
Bubble
City, a pamphlet containing her views on public entertainment and
social welfare.
The Photos and Artwork subseries is the smallest and contains a few photographs of
Joan Littlewood, together with a number of sketches of costumes and set
designs.
Series II. Collected Scripts, circa 1957-1972 (11 boxes)
The 80-odd scripts, teleplays, and screenplays which form this series date
primarily from the later 1950s and the 1960s. These are generally mimeographed,
though two or three are published editions and several are in typescript with
manuscript revisions. British and a few American playwrights are represented, and
a few pieces of correspondence relating to the plays are laid in. Playwrights of
interest include Lionel Bart, Brendan Behan, Shelagh Delaney, Sean Kenny, Ewan
MacColl, and Wole Soyinka.
Series III. Miscellany, undated (1 box)
The third and final series comprises a medley of materials relating to Michael
Barker, Lionel Bart, and the postwar British theater. Correspondence from Bart to
Barker and notes on Bart's work in the musical theater are present, as is a folder
of Sean Kenny's correspondence relating to the production of Bart's
Gulliver's Travels.
Also present in this series and bearing little apparent connection to it are
groups of letters from Tom Driberg to Barker and from various public figures to
Philip Laski. Completing this series are a number of autographs, programs of the
Theatre Royal, Stratford, and a few assorted pieces of printed matter.
Acquisition
Purchase, 1980 (R8669)
Access
Open for research
Processed by
Bob Taylor, 1996
Index Terms
Correspondents
Barker, Michael.
Bart, Lionel.
Driberg, Tom, 1905-1976.
Kenny, Sean.
Littlewood, Joan.
Raffles, Gerry.
Subjects
Street entertaining--Great Britain.
Street theatre--Great Britain.
Theatre--Great Britain--20th
century.
Document Types
Broadsides.
Caricatures.
Drawings.
Notebooks.
Photographs.
Postcards.
Scripts.
Theatre programs.
Michael Barker Collection--Folder List
Series I. Joan Littlewood, 1937-1975
Subseries A. Notebooks
1
1
Dramatization of A
Christmas Carol; set design for Treasure Island; 10 leaves of dialog for A Christmas Carol laid
in
Drill & voice produc. [and] Production
classes
1
2
Production notes on Rogue's
Gallery and Don
Perlimplin; visit to Czechoslovakia; notes on Labour Party
meeting, 10 Apr. 1948
1
3
Report on acting in
T.W. (11 leaves of ms. notes, with evaluations of
actors)
The canary who wanted an
adventure and other notes; typescript essays ( Theatre and communism: some ideas
inspired by a recent visit to Czechoslovakia and Katherine Dunham, her dancers and
musicians) laid in
1
4
Notes on politics, the theater, Henry VIII; 2 leaves of ms. dialog
laid in
1
5
Training classes
Political science notebook, with evaluations of actors laid
in
1
6
Stanislavsky notes
Dramatic dialogue, British history and economics notes
Rehearsal notes
Rehearsal notes; 4 detached notebook leaves
Subseries B. Essays and Scripts
1
7
Lall, you are a clown
by Littlewood and Santi Chowdhury (mimeo, loose leaves)
2
1
Lall, you are a clown
(bound mimeo)
2
2
Max in India
scripts
2
3
Rufus series scripts
by Littlewood and Michael Barker
2
4
Use of Theatre Royal,
Stratford E.15 (4 leaves); draft article on Maqbul Fida Husain
(loose leaves)
Subseries C. Correspondence
Incoming
2
5
Gerry Raffles to Littlewood, 1947-48
Actors and playwrights
2
6
A-J
2
7
K-W
2
8
Various correspondents
Outgoing
2
9
Littlewood to Gerry Raffles, 1947 and later
3
1
Littlewood to Michael Barker, 1975
3
2
Notes and memos
3
3
Miscellaneous notes and memos
Subseries D. Fun Palace Trust
Barker, Michael
3
4
Correspondence on loan of hut, 1968
3
5
Correspondence and printed matter on fun fair, Woburn Abbey,
1968
3
6
Notes on street fairs
3
7
Notes and printed matter on street fairs
3
8
Material on airhouse
3
9
Mimeo and ms. material on Fun Palace project
3
10
Press releases for City of London Festival summer fair, 1968
3
11
Pask, Gordon. Proposals for
a Cybernetic Theatre
Subseries E. Joan Littlewood in Print
3
12
Periodical issues; Bubble
City (pamphlet); Margaret Croyden interview (mimeo)
Subseries F. Photographs and Artwork
3
13
Photographs of Littlewood; sketches for set designs and
costumes
Series II. Collected Scripts, circa 1957-1972
4
1
Ackroyd, S. Fred. Aladdin
and his Wonderful Lamp
4
2
Aspler, Tony. The
Marrying Kind
4
3
Barker, Michael. In and
Out
Bart, Lionel.
4
4
Gulliver's Travels,
1970
4
5
Isn't This Where We Came In?
1968
4
6
Lady in Waiting,
1959
4
7
Maggie May,
1965
4
8
Oliver,
1967
5
1
Quasimodo
5
2
Twang
Behan, Brendan.
5
3-4
The Hostage,
1958
(2 versions)
5
5
The Hostage, 1968
(with JL's ms. revisions)
5
6
Behm, Marc. Left
Bank
5
7
Bickford, A. The Meeting,1970
6
1
Bogner, Norman. Privilege
6
2
Bowen, John. After the
Rain
6
3
Brahms, Caryl. Mister
Tooley
6
4
Coda, Frank. All in a
Days Work
6
5
Curry, Neil. Euripides: The
Trojan Women, 1964
6
6-7
Delaney, Shelagh. A Taste
of Honey
(2 versions)
Dunlavy, James.
6
8
Halios
6
9
Sursum Corda
6
10
Feld, Michael. The Men
from the Boys
7
1
Freeman, Dave. The Inward
Eye
7
2
Fried, Gerald. Les the
Least,1964
7
3
Garson, Barbara. Macbird! 1966
7
4
Gates, Tudor. The
Optimists of Nine Elms,1965
7
5
Goulder, Stanley. The
Golden Head
7
6
Heaps, Leo J. Machiavelli
7
7
Hirst, Robert. Ivan the
Terrible, King of the Via Veneto
Hopkins, John.
8
1
See the People Die,
1972
8
2
Something Like the Truth,
1972
8
3-4
Ingrams, Richard. Mrs.
Wilson's Diary (2 copies)
8
5
James, Richard. There
Once Was a Shepherd
8
6
Johnson, Larry H. Lord
Love a Duck,1965
8
7
Junkin, John. Queenie's
Castle (episode 2),1972
Kenny, Sean. A Dragon's
Life
8
8
1st manuscript draft
9
1
1st mimeo draft
9
2
Sequence breakdown, 1970
9
3
Notes
9
4
Revised 1st draft
9
5
Kirwan, Patrick. Hotel
Sahara,1950
9
6
La Frenais, Ian. The
Touchables
Lester Wilfred.
10
1
The Hat Trick
10
2-3
The Trip
(2 copies)
10
4
Lewis, Stephen. Sparrers
Can't Sing,1972
MacColl, Ewan.
10
5
The Other Animals
10
6
The Overcoat
10
7
So Long at the Fair
10
8
Treasure Island
10
9
The Gallery Boy
11
1
Maibaum, Richard. From
Russia with Love,1963
11
2
Martyne, Ken. Man
Drowning
11
3
Moliere. L'Ecole des
Femmes (Tunisian screenplay), 1966
11
4
Nash, N. Richard. Kings
and Oranges,1965
11
5
Naughton, Bill. Day of
Rest
11
6
Nolan, Liam. Johnny and
the Slaughtermen
11
7
Norman, Frank. Fings
ain't wot...
11
8
O'Neil, Russell. A Brave
New World
11
9
Paton, Robert. A Brothel
80 Stories High...
12
1-2
Patrick, John. Mrs.
`Arris Goes to Paris, 1964 (2 copies)
12
3
Pennington-Richards, C. M. Double bunk
12
4
Plater, Alan. A Smashing
Day
12
5
Pratt, Michael. The
Perfect Ad
12
6
Roberts, Meade. People
Who Make No Noise...
12
7
Scott, Allan. The Murder
League
13
1
Selby, Jack Louis. A
Virgin Minus One
13
2
Shaffer, Anthony. Forbush
and the Penguins
13
3
Shaper, Hal. Jane,1966
Soyinka, Wole.
13
4
Jero's Metamorphosis
13
5
A Shuttle in the Crypt
(uncorrected proof), 1971
13
6
Stewart, Bruce. Hallelujah Boy (production budget only)
13
7
Subotsky, Milton. Slan
13
8
Sweeney, Terence. Reap as
You Sow
13
9
Tabori, Paul. Music from
Heaven (synopsis), 1966
13
10
Theatre Workshop. Oh What a
Lovely War (proof), 1965
13
11
Thompson, David. Moliere:
George Dandin, 1965
13
12
Underwood, Terry. Gretna
Green
Anonymous plays
14
1
Calling All Cabs
14
2
Carolina of Rijeka,
1960
14
3
Earoles
14
4
National Velvet
14
5
Touch It Light
14
6
[untitled play for children] 1963
14
7
[untitled play, with characters Henry Cash, Doris
Thring]
Series III. Miscellany, undated
Bart, Lionel
15
1
Letters to Michael Barker and others; notes
15
2
Notes to Michael Barker; memoranda
15
3
Kenny, Sean. Correspondence on Bart's Gulliver's Travels
15
4
Correspondence of Tom Driberg, Philip Laski, and others
15
5
Theatrical programs (Theatre Royal, Stratford E.15, and
others)
15
6
Miscellaneous printed matter, including Theatre Workshop'sscheme for the formation of an experimental theatre
workshop,10 Jan. 1948 ( posters
removed to oversize file)
Michael Barker Collection--Index of Correspondents
- Acrow (Engineers) Ltd. (H. M. Ratcliffe)--3.4
- Adza Vincent Ltd. see Vincent, Adza
- Agopian, Marguerite--2.6
- Air-Tech Industries, Inc. (Bertram Julien)--3.5
- Alexander, Tony--2.6
- Allen, Barry--2.6
- Alt, Donald D.--2.6
- Archer, Barbara--2.6
- Art and Artists (Colin Naylor)--3.6
- Arts & Community Centre Nottinghill (Carlyle Reedy)--3.4
- Arts Council of Great Britain (G. White)--3.5
- Atkins, Robert see Fun Palace Trust
- BXL Industrial Products Group Ltd. (J. L. Brown)--3.6
- Baker, Norman--2.6
- Barchilon, John--2.6
- Barker, Julian see Richard Hatton Ltd.
- Barker, Michael--3.4, 3.5, 3.6, 3.7, 15.4
- Barlow, A. J. see John Edgington & Co. Ltd.
- Bart, Lionel--15.1, 15.2
- Bedford, Nicole Russell, Duchess of--15.4
- Behan, Brendan--5.4
- Berman, Edward D. see Inter-Action Trust
- Birkmyre, A. H. see Gourock Ropework Co. Ltd.
- Blanck-Sichel, Carmen--2.6
- Bloomgarden, Kermit--15.3 (see also Kermit Bloomgarden Productions, Inc.)
- Bourke, Margaret see Science Information Service
- Brady, Brandon--2.6
- Brahms, Caryl, 1901- --6.3
- British Broadcasting Corporation. Roundabout Scriptwriters (Marion B.A.
Matthews)--6.3
- British Broadcasting Corporation. Television Centre--8.5
- Brondgeest, Tosca--2.6
- Brown, J. L. see BXL Industrial Products Group Ltd.
- Burke, Patricia--2.6
- Callil, Carmen (Carmen Callil Ltd.)--2.6
- Cameo Players, the Anglo-Jewish Theatre Group see Pearlman, Isobel
- Cameron, Isla--2.6
- Carmen Callil Ltd. see Callil, Carmen
- Cazalet, Camilla (Lumley Cazalet Ltd.)--15.4
- Century Lighting, Inc. (Edward L. Gluck)--15.3
- Collier, Patience--2.8
- Columbia (British) Productions Limited see Stark, Ray
- Cornell, Steve--2.6
- Cortesi, Barbara Leslie see United States Institute for Theatre Technology.
Theatre Technology Committee
- Cotton, Ian see Nova
- Crowther, David (L. & H. Nathan Ltd.)--15.3
- Croÿ, [?]--15.4
- Deim, G. see Interlock Entertainments Ltd.
- Delaney, Shelagh, 1939- --15.4
- Donaldson, Cristina--2.6
- Driberg, Tom, 1905-1976--15.4
- Duggan, Patrick--15.3
- Dyson, Anne--2.6
- Enterprise Metal Company (Hall & Riggs Ltd.) (Barry V. Hall)--15.3
- Epstein, Kathleen, Lady--15.4
- Feld, Michael, 1938- --6.10
- Fisher, E. G. see Robert Barrow Ltd.
- Frazier, Charles--3.5
- Fuerst, Tamara--2.6
- Fun Palace Trust (Robert Atkins)--3.7, 3.9
- Gale, Richard--2.6
- Galway, Jim--2.6
- Gasque, C., Mrs.--15.4
- Gluck, Edward L. see Century Lighting, Inc.
- Goldsmith, Maurice (Science Information Service)--3.6 (see also Science
Information Service)
- Goodtimes Enterprises Ltd. see Puttnam, David
- Gourock Ropework Co. Ltd. (A.H. Birkmyre)--3.8
- Greater London Council--3.5
- Gulbenkian, Nubar Sarkis--15.4
- Guthrie, Tyrone, Sir, 1900-1971--2.8 (see also Stratford upon Avon Parish Church
Restoration Fund)
- Hall, Barry V. see Enterprise Metal Company (Hall & Riggs Ltd.)
- Harbord, Gordon--2.6 [enclosure with Barchilon, John]
- Harvey, Laurence--15.4
- Hatton, Richard see Richard Hatton Ltd.
- Hauser, Gilgi--2.6
- Hazeldine, James A.--2.6
- Hertfordshire County Council see Holm, Jean L.
- Hirst, Robert--7.7
- Holm, Jean L. (Hertfordshire County Council)--2.6
- Inter-Action Trust (Edward D. Berman)--13.5
- Interlock Entertainments Ltd. (G. Deim)--13.9
- International Herald Tribune--3.6
- Jackson, John--2.6
- John Edgington & Co. Ltd. (A. J. Barlow)--3.5
- John Smith & Co. (London) Ltd. (D. H. Williams)--3.7
- Joseph, W.--2.6
- Julien, Bertram see Air-Tech Industries, Inc.
- Kaprow, Allan--3.5
- Kenny, Sean--15.3
- Kermit Bloomgarden Productions, Inc. (Kermit Bloomgarden)--15.3
- King, Marion Jenkins--2.7
- Kirkland, John--15.4
- Kook, Edward F.--15.3
- Kruger, Rolf (Rolf Kruger Management Ltd.)--2.7
- L. & H. Nathan Ltd. see Crowther, David
- Leckie, Mary--2.7
- Leon, Chriss-2.7
- Littlewood, Joan--2.9, 3.1, 3.2, 3.3, 3.6
- Locke, Arnold--2.7
- Lumley Cazalet Ltd. see Cazalet, Camilla
- McCallum, B. see Richard Gainsborough Periodicals Limited
- MacColl, Hamish--3.1
- Mackenzie, Keith--15.4 (caricature by)
- Macnaughton, Patricia see PL Representation Ltd.
- Maltby, Richard, 1937- --15.3
- Marcus, Stanley, 1905- --15.4
- Matthews, Marion B. A. see British Broadcasting Corporation. Roundabout
Scriptwriters
- Max Eisen (firm) see Merrick, Jeanne
- Maxwell, Robert, 1923- --15.4
- Merrick, Jeanne (Max Eisen (firm))--15.3
- Miles, Christopher see Sean Kenny Design Associates and Design Development Studio
- Monro, Colin--2.7
- Montgomery of Alamein, Bernard Law Montgomery, Viscount, 1887-1976--15.4
- Morant, Angela--2.7
- Morgan, Bill--2.7
- Moss, Mark--2.7
- Mowat, David--2.7
- Murphy, Carol--15.4
- Naylor, Colin see Art and
Artists
- Nolan, Liam--11.6
- Nova (Ian Cotton)--3.6
- Odutola, Ebun--2.7
- PL Representation Ltd. (Patricia Macnaughton)--15.3
- Parrott, Ken--2.7
- Patrick, John, 1907- --12.2
- Pearlman, Isobel (the Cameo Players, the Anglo-Jewish Theatre Group)--2.7
- Plaimer, Rudolf--2.7
- Plymouth, Other Robert Ivor Windsor-Clive, Earl of, 1923- --15.4
- Ponch, Marty--2.7
- Poulengeris, C.--2.7
- Price, Cedric--15.4
- Primo de Rivera, Miguel, marques de Estella, 1905-1964 (Spanish Embassy,
London)--15.4
- Projection Art Services Limited--3.9
- Puttnam, David (Goodtimes Enterprises Ltd.)--2.7
- Radic, Leonard, 1935- --2.7
- Raffles, Eric--3.1
- Raffles, Gerry--2.5, 3.2
- Ratcliffe, H. M. see Acrow (Engineers) Ltd.
- Rattigan, Terence--2.7
- Reedy, Carlyle see Arts & Community Centre Nottinghill
- Richard Gainsborough Periodicals Limited (B. McCallum)--3.6
- Richard Hatton Ltd. (Richard Hatton, Julian Barker)--15.3
- Riddle, M. A.--15.3
- Rietty, Robert--2.7
- Robert Barrow Ltd. (E. G. Fisher)--3.5
- Roberts, Janet--15.3
- Rodney, Jan--2.7
- Rolf Kruger Management Ltd. see Kruger, Rolf
- Rothbort, Lawrence--2.7
- Salkeld, Celia--2.7
- Sanders, Susan--2.7
- Science Information Service (Margaret Bourke)--3.6 (see also Goldsmith, Maurice)
- Sculpture and Constructional Design (firm)--15.3
- Sean Kenny Design Associates and Design Development Studio (Christopher
Miles)--15.3
- Soyinka, Wole--13.5
- Spanish Embassy, London see Primo de Rivera, Miguel, marques de Estella,
1905-1964
- Stark, Ray (Columbia (British) Productions Limited)--2.8
- Steer, E.--2.7
- Stratford upon Avon Parish Church Restoration Fund (Tyrone Guthrie)--2.8
- Taaffe, Liam--2.7
- Trilling, Marie-Louise--15.3
- United States Institute for Theatre Technology. Theatre Technology Committee
(Barbara Leslie Cortesi)--15.3
- Vincent, Adza (Adza Vincent Ltd.)--2.7
- Walker, C. C.--2.7 [enclosure with Leckie, Mary]
- Wavell, Archibald Percival Wavell, Earl of, 1883-1950--15.4
- Wells, John, 1936- --2.8
- Wessington Plant Ltd.--3.4
- White, G. see Arts Council of Great Britain
- Williams, D. H. see John Smith & Co. (London) Ltd.