<?xml version="1.0" encoding="UTF-8"?>
<ead xmlns="urn:isbn:1-931666-22-9" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="urn:isbn:1-931666-22-9 ead.xsd" relatedencoding="MARC21">
  <eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2b" repositoryencoding="iso15511" scriptencoding="iso15924">
    <eadid mainagencycode="US-txauhrh" countrycode="US" encodinganalog="852$a">urn:taro:utexas.hrc.00381</eadid>
    <!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
    <!-- revised 8 July 2008 -->
    <filedesc>
      <titlestmt>
        <titleproper>Samuel French, Inc.:</titleproper>
        <subtitle>An Inventory of Its Correspondence in the Performing Arts Collection at
					the Harry Ransom Center </subtitle>
        <author encodinganalog="245$c">Finding aid created by Antonio Alfau</author>
      </titlestmt>
      <publicationstmt>
        <publisher encodinganalog="260$b">Harry Ransom Center, </publisher>
        <date encodinganalog="260$c" calendar="gregorian" era="ce">2006</date>
      </publicationstmt>
    </filedesc>
    <profiledesc>
      <creation>Finding aid encoded by Ancelyn Krivak, <date calendar="gregorian" era="ce">13
					March 2009</date></creation>
      <langusage>Finding aid written in <language langcode="eng" scriptcode="Latn">English.</language></langusage>
    </profiledesc>
  </eadheader>
  <archdesc level="collection" type="inventory" audience="external">
    <did>
      <head>Collection Summary</head>
      <repository label="Repository:" encodinganalog="852$a">
        <extref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new" xlink:actuate="onRequest" xlink:href="http://www.hrc.utexas.edu/">
          <corpname><subarea>Harry Ransom Center, </subarea>The University of Texas at Austin </corpname>
        </extref>
      </repository>
      <origination label="Creator:">
        <corpname source="lcnaf" encodinganalog="110">Samuel French, Inc., 1830- </corpname>
      </origination>
      <unittitle encodinganalog="245$a" label="Title:">Samuel French, Inc. Correspondence</unittitle>
      <unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian" label="Dates:" normal="1949">1949</unitdate>
      <physdesc label="Extent:" encodinganalog="300$a">
        <extent>2 document boxes (0.84 linear feet) </extent>
      </physdesc>
      <abstract label="Abstract:" encodinganalog="520$a">Founded by Samuel French (1821-1898)
				in New York City in 1846, Samuel French, Inc. is the largest and oldest publisher
				and supplier of plays for amateur and stock theatre in the world. The Samuel French,
				Inc. correspondence includes almost 300 typed letters, cables, and some clippings
				exchanged during 1949 between the two branches of the company across the Atlantic.
				Among the plays referred to in the correspondence are Tennessee Williams's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">A Streetcar Named Desire</title>, Arthur Miller's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Death of a Salesman</title>, Noel Coward's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Private Lives</title>, and Anton Chekhov's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Sea Gull</title>.</abstract>
      <langmaterial label="Language: " encodinganalog="546$a">
        <language langcode="eng" scriptcode="Latn">English</language>
      </langmaterial>
      <unitid countrycode="US" repositorycode="US-txauhrh" encodinganalog="099" label="RLIN Record #:">TXRC06-A13</unitid>
    </did>
    <bioghist encodinganalog="545">
      <head>Organizational History</head>
      <p>Founded by Samuel French (1821-1898) in New York City in 1846, Samuel French, Inc. is
				the largest and oldest publisher and supplier of plays for amateur and stock theatre
				in the world. Moreover, the company also serves as a licensing agent for performance
				rights and runs a theatrical bookshop.</p>
      <p>Samuel French started his business reprinting and selling inexpensive editions of
				popular novels. He began publishing plays in 1854, including his famous <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">French's American Drama</title>, which later he divided and
				renamed <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">French's Standard Drama</title> and <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">French's Minor Drama</title>. These acting editions included
				detailed stage directions and information on scenery, props, and other matters. By
				1856, he was advertising that he had 100,000 plays available, including the first
				editions of <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Uncle Tom</title> by George L. Aiken (1858) and
				Dion Boucicault's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Poor of New York</title> (1857).</p>
      <p>In 1859, French and Thomas Hailes Lacy, the leading British publisher of plays and
				publisher of <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Lacy's Acting Edition of Plays</title>, became
				partners acting as representatives of each other on both sides of the ocean. In
				1872, Samuel French left his son Thomas Henry French in charge of his business and
				moved to London, strengthening his association with Lacy. After Lacy retired, the
				elder French bought his company for 5,000 pounds, becoming the most important
				theatrical publisher in Great Britain. Lacy had started his business in 1830, which
				is the year that Samuel French Inc. now gives as its foundation date. In London,
				French started collecting royalties from professional and amateur performers of his
				company's plays, a practice that continues today.</p>
      <p>Under the direction of Cyril Hogg, Samuel French Inc. expanded its business to
				related fields of the play publishing industry. They bought the costumers B. J.
				Simmons and Charles H. Fox; hat and cap makers A. and L. Corne; the armorer and
				jeweler Robert White; Fashion Hire, a company that supplied modern day costumes;
				and Stage Scenery, a firm that supplied stage settings on a rental basis. The
				company later sold all of these ancillary agencies to concentrate on its original
				business, and as of 2006 it continues as the leading publisher of plays and licensor
				of performance rights in the world, with offices in major English-speaking cities.</p>
    </bioghist>
    <bibliography>
      <head>Sources:</head>
      <p><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">Samuel French</title>.  
				<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Dictionary of Literary Biography</title>,
				http://galenet.galegroup.com (accessed March 2006).</p>
      <p><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Truly Yours: One Hundred and Fifty Years of Play Publishing
					and Service to the Theatre</title> (London: French, 1980).</p>
    </bibliography>
    <controlaccess>
      <head>Index Terms</head>
      <controlaccess>
        <head>People</head>
        <persname source="lcnaf" encodinganalog="700">Dyer, Harold F.</persname>
        <persname source="lcnaf" encodinganalog="700">Hogg, Cyril W.</persname>
        <persname source="lcnaf" encodinganalog="700">Stephens, J. Frank.</persname>
        <persname source="lcnaf" encodinganalog="700">Van Nostrand, M. Abbott.</persname>
      </controlaccess>
      <controlaccess>
        <head>Subjects</head>
        <subject source="lcsh" encodinganalog="650">Drama--Publishing.</subject>
        <subject source="lcsh" encodinganalog="650">Publishers and publishing--England--London--History.</subject>
        <subject source="lcsh" encodinganalog="650">Publishers and publishing--New York (State)--New York--History.</subject>
        <subject source="lcsh" encodinganalog="650">Theatrical publishing--History.</subject>
      </controlaccess>
      <controlaccess>
        <head>Document Types</head>
        <genreform encodinganalog="655" source="aat">Correspondence.</genreform>
      </controlaccess>
    </controlaccess>
    <scopecontent encodinganalog="520">
      <head>Scope and Contents</head>
      <p>The Samuel French, Inc. correspondence includes almost 300 typed letters, cables, and
				some clippings exchanged during 1949 between the two branches of the company across
				the Atlantic. The majority of the letters were written by Harold F. Dyer and Cyril
				W. Hogg from the London branch, and by Abbot van Nostrand and J. Frank Stephens of
				the New York City office; other letters were written by employees of the company,
				and people related to the business. The correspondence is arranged in a single
				chronological series, and a complete index follows the folder list.</p>
      <p>Most of the correspondence is of a routine nature: comments and inquiries about
				plays, publishing, playwrights, licensing of plays, copyrights, performing fees, and
				royalties. Sometimes the letters comment upon other subjects such as the
				difficulties of dealing with certain playwrights, or about some producers and
				<emph render="doublequote">pirate</emph> theater companies that performed plays without having the rights or paying
				the fees.</p>
      <p>Among the plays referred to in the correspondence are Arthur Conan Doyle's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Exploits of Sherlock Holmes</title>, Tennessee Williams's
					<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">A Streetcar Named Desire</title>, Edward Sheldon's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Romance</title>, W. Somerset Maugham's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Constant Wife</title>, Paul Kester's adaptation of <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Tom Sayers</title>, Marc Connelly's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Green
				Pastures</title>, Arthur Miller's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Death of a
				Salesman</title>, Noel Coward's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Private Lives</title>, and
				Anton Chekhov's <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Sea Gull</title>.</p>
    </scopecontent>
    <acqinfo encodinganalog="541">
      <head>Acquisition: </head>
      <p>Purchase of W. H. <emph render="doublequote">Deacon</emph> Crain</p>
    </acqinfo>
    <accessrestrict encodinganalog="506">
      <head>Access: </head>
      <p>Open for research</p>
    </accessrestrict>
    <processinfo encodinganalog="583">
      <head>Processed by: </head>
      <p>Antonio Alfau, 2006</p>
    </processinfo>
    <dsc type="combined">
      <head>Container List</head>
      <c01 level="series">
        <did>
          <unittitle>Series I. Correspondence, <unitdate era="ce" calendar="gregorian" type="inclusive">1949</unitdate></unittitle>
        </did>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">1</container>
            <unittitle>January </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">2</container>
            <unittitle>February </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">3</container>
            <unittitle>March </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">4</container>
            <unittitle>April </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">5</container>
            <unittitle>May </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">6</container>
            <unittitle>June </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">2</container>
            <container type="Folder">1</container>
            <unittitle>July </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">2</container>
            <container type="Folder">2</container>
            <unittitle>August </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">2</container>
            <container type="Folder">3</container>
            <unittitle>September </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">2</container>
            <container type="Folder">4</container>
            <unittitle>October </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">2</container>
            <container type="Folder">5</container>
            <unittitle>November </unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">2</container>
            <container type="Folder">6</container>
            <unittitle>December </unittitle>
          </did>
        </c02>
      </c01>
    </dsc>
    <odd type="index">
      <head>Index of Correspondents</head>
      <p>Names in <emph render="bold">bold</emph> appear in the RLIN record.</p>
      <list>
        <item><persname>Baily, C. V.</persname>--2.5</item>
        <item><persname>Barmaper, Lillie</persname>--1.2</item>
        <item><persname>Binder, Maurice</persname>--2.5</item>
        <item><persname>Carroll, Garnet H.</persname>--2.5</item>
        <item><persname>Cave, Rita</persname>--1.1, 1.3</item>
        <item><persname>Clopet, Carl</persname>--1.5</item>
        <item><persname>Craig, Lane</persname>--2.5</item>
        <item><persname>Dagnall, T. C.</persname>--1.2</item>
        <item><persname>Dormer, Sheila</persname>--2.4</item>
        <item><persname>Doyle, Adrian Conan</persname>--1.2</item>
        <item><persname>Driscoll, Arthur</persname>--1.3</item>
        <item><persname>Duff, G. S.</persname>--1.2</item>
        <item><persname><emph render="bold">Dyer, Harold F.</emph></persname>--1.1-6, 2.1-6</item>
        <item><persname>Fenn, R. W.</persname>--1.2</item>
        <item><persname>Gianna, Marchetti</persname>--2.4</item>
        <item><persname>Glass, Eric</persname>--1.6, 2.1</item>
        <item><persname>Gordon, Ruth M.</persname>--2.3</item>
        <item><persname>Hawtrey, Anthony</persname>--2.5</item>
        <item><persname>Heinemann, William</persname>--2.4</item>
        <item><persname><emph render="bold">Hogg, Cyril W.</emph></persname>--1.1-6, 2.1-6</item>
        <item><persname>Hurst, A.</persname>--1.1, 2.6</item>
        <item><persname>Keene, P.</persname>--1.6</item>
        <item><persname>Layton, E. M.</persname>--1.2-3</item>
        <item><persname>Leverton, Garrett H., 1896-1949</persname>--1.3, 1.5, 2.2-4</item>
        <item><persname>Ling, Joan</persname>--1.1-3</item>
        <item><persname>Lloyd, Edward</persname>--1.1-2, 2.6</item>
        <item><persname>MacQuarrie, Hector</persname>--2.1</item>
        <item><persname>Mason, Haddon</persname>--1.5</item>
        <item><persname>Neilson-Terry, Phyllis, 1892-1977</persname>--1.5</item>
        <item><persname>Nugent, Elliott, 1899</persname>--1.5</item>
        <item><persname>O'Leary, C. T.</persname>--1.2-3, 2.4-5</item>
        <item><persname>Olmstead, Remington</persname>--1.3</item>
        <item><persname>Rumsey, John W.</persname>--1.2-3</item>
        <item><persname>Smith, C. F.</persname>--1.5</item>
        <item><persname>Smith, Reginald</persname>--2.4</item>
        <item><persname><emph render="bold">Stephens, J. Frank</emph></persname>--1.1-6, 2.1-6</item>
        <item><persname>Streuli, Peter</persname>--2.1</item>
        <item><persname>Treeby, Alroy</persname>--1.1, 1.6, 2.1, 2.3</item>
        <item><persname><emph render="bold">Van Nostrand, M. Abbott</emph></persname>--1.1-6, 2.1-6</item>
        <item><persname>Walford, R. G.</persname>--1.6, 2.5</item>
        <item><persname>Waller, Jack, 1885-1957</persname>--1.2</item>
        <item><persname>Walsh, Jack</persname>--2.5</item>
        <item><persname>Warren, Sam B.</persname>--1.5</item>
        <item><persname>Watt, A. P.</persname>--2.4</item>
        <item><persname>Willner, George</persname>--2.4</item>
        <item><persname>Witts, J. H.</persname>--2.1, 2.5</item>
        <item><persname>Wootton, Kathleen</persname>--1.2, 1.4</item>
      </list>
    </odd>
  </archdesc>
</ead>


