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<ead xmlns="urn:isbn:1-931666-22-9" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="urn:isbn:1-931666-22-9 ead.xsd" relatedencoding="MARC21">
  <eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2b" repositoryencoding="iso15511" scriptencoding="iso15924">
    <eadid mainagencycode="US-txauhrh" countrycode="US" encodinganalog="852$a">urn:taro:utexas.hrc.00489</eadid>
    <!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
    <!-- revised 8 July 2008 -->
    <filedesc>
      <titlestmt>
        <titleproper>Albert Maltz:</titleproper>
        <subtitle>An Inventory of His <emph render="italic">This Gun for Hire</emph>
					Collection in the Manuscript Collection at the Harry Ransom Center</subtitle>
        <author encodinganalog="245$c">Finding aid created by Amy E. Armstrong</author>
      </titlestmt>
      <publicationstmt>
        <publisher encodinganalog="260$b">Harry Ransom Center, </publisher>
        <date encodinganalog="260$c" calendar="gregorian" era="ce">2009</date>
      </publicationstmt>
    </filedesc>
    <profiledesc>
      <creation>Finding aid encoded by Amy E. Armstrong, <date calendar="gregorian" era="ce">23 February 2009</date></creation>
      <langusage>Finding aid written in <language langcode="eng" scriptcode="Latn">English.</language></langusage>
    </profiledesc>
  </eadheader>
  <archdesc level="collection" type="inventory" audience="external">
    <did>
      <head>Collection Summary</head>
      <repository label="Repository:" encodinganalog="852$a">
        <extref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new" xlink:actuate="onRequest" xlink:href="http://www.hrc.utexas.edu/">
          <corpname><subarea>Harry Ransom Center, </subarea>The University of Texas at Austin </corpname>
        </extref>
      </repository>
      <origination label="Creator:">
        <persname source="lcnaf" encodinganalog="100">Maltz, Albert, 1908-1985</persname>
      </origination>
      <unittitle encodinganalog="245$a" label="Title:">Albert Maltz <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">This Gun for Hire</title> Collection</unittitle>
      <unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian" label="Dates:" normal="1941">1941</unitdate>
      <unitid label="Call Number: " countrycode="US" repositorycode="US-txauhrh" encodinganalog="099">Manuscript Collection MS-04921</unitid>
      <physdesc label="Extent:" encodinganalog="300$a">
        <extent>.5 box (0.21 linear feet)</extent>
      </physdesc>
      <abstract label="Abstract:" encodinganalog="520$a">The Albert Maltz Collection consists
				of 1941 screen treatment, containing photographs and sketches, and a first draft
				shooting script bound into one volume, as well as four loose promotional photographs
				for the film, <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">This Gun for Hire</title>.</abstract>
      <langmaterial label="Language: " encodinganalog="546$a">
        <language langcode="eng" scriptcode="Latn">English</language>
      </langmaterial>
    </did>
    <bioghist encodinganalog="545">
      <head>Biographical Sketch</head>
      <p>Albert Maltz was born on October 28, 1908, in Brooklyn, New York. He graduated, Phi
				Beta Kappa, with an A. B. in Philosophy from Columbia University in 1930. He then
				pursued graduate study for two years at Yale University’s School of Drama and began
				writing plays with fellow student and collaborator George Sklar. Influenced by the
				social and economic conditions of the time, Maltz and Sklar coauthored <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Merry Go Round</title> (1932) and <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Peace
					on Earth</title> (1933). In 1932, the two playwrights helped form a production
				company, the Theatre Union, which dissolved in 1937. Political corruption, antiwar
				sentiment, and labor issues were common themes of the company’s productions. In
				1935, the same year Maltz joined the Communist Party, the company produced Maltz’s
				play, <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Black Pit</title>. Maltz married his first wife,
				Margaret Larkin, in 1937.</p>
      <p>Maltz expanded his exploration of America’s social and economic conditions and
				critique of American capitalist society in his short stories. These pieces enjoyed
				critical success and were published and reprinted in numerous publications. <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">The Happiest Man</title> won first prize in the O. Henry
				Memorial Awards for 1938. Many of Maltz’s stories were collected and published as
					<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Way Things Are and Other Stories</title> (1938) and
					<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Afternoon in the Jungle: The Selected Short Stories of
					Albert Maltz</title> (1970). Maltz published his first novel, <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Underground Stream: An Historical Novel of a Moment in the
					American Winter</title>, in 1940 but was unable to achieve financial success in
				New York. Intending to write screenplays to finance his other writing, he and his
				family moved to Los Angeles, California, in 1941.</p>
      <p>Maltz’s first produced screenplay, <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">This Gun for Hire</title>,
				based on Graham Greene’s novel of the same name (also published as <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">A Gun for Sale</title>), was cowritten with W. R. Burnett in
				1941. While in Hollywood, Maltz wrote and collaborated on several screenplays and
				continued writing novels. His screenplays include <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Destination
					Tokyo</title> (1943), <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Cloak and Dagger</title> (1946),
				and <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Naked City</title> (1948). He received an Academy
				Award nomination for <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Pride of the Marines</title> (1945) and
				won Academy Awards for his work on the documentary <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Moscow
					Strikes Back</title> (1943) and for the film short <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The
					House I Live In</title> (1945). Maltz’s second novel <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The
					Cross and the Arrow</title> was published in 1944.</p>
      <p>In spite of his successful writing career, Maltz may be best remembered as one of the
				“Hollywood Ten.” In 1947, Maltz, along with other Hollywood artists, was called to
				testify at the House Un-American Activities Committee regarding his status as a
				Communist. He and ten other Hollywood writers refused to respond and were held in
				contempt of Congress. In 1949, while his case progressed through the court system,
				Maltz published his third novel, <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Journey of Simon
					McKeever</title>. The following year, Maltz was sentenced to one year in prison
				and served from June 1950 to April 1951.</p>
      <p>Upon his release, Maltz moved to Mexico where, despite his blacklisting, he continued
				to write stories, novels, and screenplays. He sometimes used the pseudonym Julian
				Silva or a front man to get his works published or produced. He returned to
				Hollywood in 1962 and one year later divorced his first wife, Margaret. In 1964,
				Maltz married Rosemary Wylde. One year after Wylde’s death in 1968, Maltz married
				Esther Engelberg. In 1970, Maltz’s 20 year status on Hollywood's blacklist ended
				with his credited screenplay <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Two Mules for Sister
				Sara</title>.</p>
      <p>Maltz died on April 26, 1985, in Los Angeles, California. In 1991, the Academy of
				Motion Picture Arts and Sciences posthumously restored Maltz’s name to the 1950
				nomination for his previously uncredited screenplay, <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Broken
					Arrow</title>.</p>
    </bioghist>
    <bibliography>
      <head>Sources:</head>
      <p>Academy of Motion Picture Arts and Sciences. <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Academy Awards
					Database</title>,
				http://awardsdatabase.oscars.org/ampas_awards/BasicSearchInput.jsp (accessed 10
				February 2009).</p>
      <p>“Albert Maltz.” <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Contemporary Authors Database</title>.
				http://galenet.galegroup.com (accessed online 22 January 2009).</p>
      <p>Ceplair, Larry. <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">Albert Maltz, Philip Stevenson, and ‘Art Is A Weapon.’</title><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Minnesota Review</title>, ns 69,
				Fall/Winter 2007, http://www.theminnesotareview.org/journal/ns69/ceplair.shtml#
				(accessed 10 February 2009).</p>
      <p>Robb, Kenneth. “Albert Maltz.” <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Dictionary of Literary
					Biography, Volume 102: American Short-Story Writers, 1910-1945, Second
				Series</title>, http://galenet.galegroup.com (accessed online 10 February 2009).</p>
    </bibliography>
    <controlaccess>
      <head>Index Terms</head>
      <controlaccess>
        <head>People</head>
        <persname source="lcnaf" encodinganalog="700">Burnett, W. R. (William Riley),
					1899-1982.</persname>
        <persname source="lcnaf" encodinganalog="700">Greene, Graham, 1904-1991--Film and
					video adaptations.</persname>
        <persname source="lcnaf" encodinganalog="700">Maltz, Albert, 1908-1985.</persname>
        <persname source="lcnaf" encodinganalog="700">Tuttle, Frank, 1892-1963.</persname>
      </controlaccess>
      <controlaccess>
        <head>Subjects</head>
        <subject source="lcsh" encodinganalog="650">Crime -- Drama.</subject>
        <subject source="lcsh" encodinganalog="650">Motion picture plays.</subject>
      </controlaccess>
      <controlaccess>
        <head>Document Types</head>
        <genreform encodinganalog="655" source="aat">Photographs.</genreform>
        <genreform encodinganalog="655" source="aat">Scenography.</genreform>
        <genreform encodinganalog="655" source="aat">Screenplays.</genreform>
      </controlaccess>
    </controlaccess>
    <scopecontent encodinganalog="520">
      <head>Scope and Contents</head>
      <p>The Albert Maltz Collection consists of a 1941 screen treatment, containing photographs
				and sketches, and a first draft shooting script bound into one volume, as well as
				four loose promotional photographs for the film, <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">This Gun for
					Hire</title>.</p>
      <p>The screenplay, coauthored by Albert Maltz and W. R. Burnett with Frank Tuttle, is
				based on Graham Greene’s novel of the same name. The film was directed by Frank
				Tuttle and released by Paramount Pictures in January 1942.</p>
      <p>The 114-page carbon copy screen treatment incorporates fourteen interspersed pages
				containing twenty-six black-and-white location photographs, as well as two pages of
				design drawings depicting “Raven’s Dream” and “Drelingcourt’s Tower Apartment.” The
				143-page shooting script contains a page signed by Maltz and is dated December 8,
				1941. The collection also includes one color and three black-and-white promotional
				photographic prints of the film’s actors, including Veronica Lake and Alan Ladd.</p>
      <p>The collection is in excellent condition.</p>
    </scopecontent>
    <acqinfo encodinganalog="541">
      <head>Acquisition: </head>
      <p>Purchase, 2003 (R15198)</p>
    </acqinfo>
    <accessrestrict encodinganalog="506">
      <head>Access: </head>
      <p>Open for research</p>
    </accessrestrict>
    <processinfo encodinganalog="583">
      <head>Processed by: </head>
      <p>Amy E. Armstrong, 2009</p>
    </processinfo>
    <relatedmaterial encodinganalog="544 1">
      <p>Related collections at the Ransom Center include the James Donald Adams Collection,
				the Lester Cowan Papers, the Graham Greene Collection, the Lillian Hellman Papers,
				and the Alfred A. Knopf, Inc. Records.</p>
      <p>The Albert Maltz Papers are housed at the University of Wyoming American Heritage
				Center and the Wisconsin Center for Film and Theatre Research administered by the
				University of Wisconsin-Madison and the Wisconsin Historical Society. In addition,
				the University of California-Los Angeles, Columbia University, and the University of
				Southern California have holdings associated with Albert Maltz.</p>
    </relatedmaterial>
    <dsc type="combined">
      <head>Container List</head>
      <c01 level="series">
        <did>
          <unittitle>Series I. Works, <unitdate era="ce" calendar="gregorian" type="inclusive">1941</unitdate></unittitle>
        </did>
        <c02>
          <did>
            <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">This Gun for Hire</title>,
						screenplay</unittitle>
          </did>
          <c03>
            <did>
              <container type="Container">1.1</container>
              <unittitle>Bound original treatment and first draft of shooting script,
								including location photographs and design sketches, 1941
							</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <container type="Container">1.2</container>
              <unittitle>Publicity photographs, 1941</unittitle>
            </did>
          </c03>
        </c02>
      </c01>
    </dsc>
  </archdesc>
</ead>

